"Zombie" is about the ethno-political conflict in Ireland. This is obvious if you know anything of the singer (Dolores O'Riordan)'s Irish heritage and understood the "1916" Easter Rising reference.
"Another head hangs lowly
Child is slowly taken
And the violence caused such silence
Who are we mistaken
-
Another mother's breaking
Heart is taking over"
Laments the Warrington bomb attacks in which two children were fatally injured on March 23rd, 1993. Twelve year old Tim Parry was taken off life support with permission from his mother after five days in the hospital, virtually braindead.
"But you see it's not me
It's not my family"
References how people who are not directly involved with the violence feel about it. They are "zombies" without sympathy who refuse to take action while others suffer.
Malchik gei Malchik gei Malchik, Malchik gei Malchik gei, Malchik gei, Malchik gei Malchik gei, Malchik gei, Malchik gei Malchik gei, Malchik gei, Malchik Malchik, Malchik. Handsome Tender Soft Why do you look right through me Thinking 'No'? I can't deny my feelings Growing strong I try to keep believing Dreaming on And every time I see you I crave more I wanna pull you closer closer closer closer but you leave me feeling frozen Malchik gei Malchik gei I can be All you need Won't your please Stay with me? Malchik gei Malchik gei Apologies, might-have-been's Malchik gei Malchik gei Can't erase what I feel Malchik gei,gei Malchik gei Malchik gei, Malchik gei, Malchik gei Malchik, Malchik. Choking Back emotion I try to keep on hoping For a way, A reason for us both to Come in close I long for you to hold me Like your boyfriend does And though my dream is Slowly fading I wanna be the object object object object Of your passion, but it's hopeless Malchik gei Malchik gei I can be All your need Won't you please Stay with me? Malchik gei Malchik gei Apologies, might-have-been's Malchik gei Malchik gei can't erase what I feel Malchik gei,gei Malchik gei Malchik gei Malchik gei I can be All your need Won't you please Stay with me? Malchik gei Malchik gei Apologies, might-have-been's Malchik gei Malchik gei Can't erase what I feel Malchik gei,gei Malchik gei Malchik gei, Malchik gei,Malchik gei Malchik,Malchik Mal'chik-gei, mal'chik-gei Bud' so mnoi ponaglei. Ot stida ne krasnei, Mal'chik-gei, mal'chik-gei Polozhi na druzei, Mal'chik-gei, mal'chik-gei Ot menya ofigei Mal'chik-gei, gei Malchik gei Malchik gei I can be all your need Won't you please stay with me? Malchik gei Malchik gei Apologies, might-have-been's Malchik gei Malchik gei can't erase what I feel Malchik gei,gei Malchik gei Malchik gei Malchik gei,Malchik gei,Malchik gei Malchik gei,Malchik gei,Malchik gei Malchik,Malchik Malchik gei
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Zombie
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This song is timeless, and nearly 20 years after its creation, still possesses the mystique it did the first time i heard it ~1994. To me, at first blush, all those years ago, it had some kind of homo-erotic allure. The line "so that the others may do" tells of something which must be done for others to follow suit. It felt like like some kind of roxy-glam-pop invitation to sexual liberation.
Upon further introspection I think the song may not have an intrinsic meaning, but simply represents a sort of "holding open the door" for people who otherwise might be affronted by this song/band's unusual style. I know, as a sort of armchair rock-historian, that there have been few bands so daring and so true to the sound that wanted to emerge from within, whether the creator wanted it or not. This band handled it with elegance and grace seldom, if ever, seen.

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I believe this is another amazingly on point and nuanced commentary on the insanity that follows emotionally abusive relationships. The abuser has no anxieties, no emotional pain, or salience/memory for that matter, so the survivor appears to be the crazy one, obsessed with the abuse and that buzzword that seems to ignite arguments about diagnosing people without a degree, etc. funny how you say the words domestic violence, abuse, abuse survivor and boom the subject changes. Anyways, I especially relate to her midnights becoming afternoons, complex PTSD often leads to this phenomenon, whether due to purposeful sleep deprivation by the abuser, or just hyper vigilance associated with the PTSD, along with the fear of facing people, especially your loved ones, who
Never actually understand, even if they try, because all they see is you, on fire, screaming about the arsonist that no one ever sees, and who has been spreading lies about your alleged mental instability, deceptive personality, etc. the whole time. While the last thing survivors need is more blame, our society supports a narrative that blames the objectively innocent party because the blatantly guilty party has spent their entire lives fabricating a persona and we’re just being human, and human psychology is quite counterintuitive especially in the context of trauma. Look at Amber Heard. Vilified and not believed, regardless of what any abuse survivor could recognize as a fellow survivor instantly. But Johnny depp is a malignant narcissist, a man, and wealthy as all get out. It’s sick.

Keep My Name Outta Your Mouth
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This standout track comes off the artiste's latest reissue titled "Brothers Deluxe Remastered 10th Anniversary Edition". The track was produced by Mark Neill, Patrick Carney & Dan Auerbach. It was released via major streaming platforms on December 18, 2020.

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Lauv
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This standalone single by Lauv marks the end of the year 2020. The track was produced by Jamil “Digi” Chammas & Lauv, being released via major streaming platforms on December 31, 2020.
it can be, like you said, a lesbian girl who likes a straight chick
or
a girl that likes a gay guy.