This is one of my favorite songs. https://fnfgo.io
Fuck all that, we've got to get on with these
(Fuck all that, fuck all that)
Got to compete with the wily Japanese
There's too many home fires burning and not enough trees
(Fuck all that)
So fuck all that, we've gotta get on with these
(Gotta get on with these)
Can't stop, lose job
Mind gone, silicon
Stroll on what bomb?
Get away, payday
Make hay, break down
Need fix, big six
Click, click
Hold on, oh no
Bingo (bingo)
Make 'em laugh, make 'em cry
Make 'em dance in the aisles
Make 'em pay, make 'em stay
Make them feel okay
Not now John, we've got to get on with the film show
(Gotta get on, gotta get on)
Hollywood waits at the end of the rainbow
(End of the rainbow)
Who cares what it's about as long as the kids go
(As long as the kids go)
So, not now John, we've gotta get on with the show
(Gotta get on, gotta get on)
(Gotta get on, gotta get on, gotta get on)
Hang on John I've gotta get on with this
(Gotta get on, gotta get on)
Don't know what it is, but it fits on here like, sss
Come at the end of the shift, we'll go and get pissed
But not now John, I've gotta get on with this
(Gotta get on with this, gotta get on)
Hold on John, I think there's something good on
I used to read books but
Could be the news or some other abuse
Could be reusable shows
Fuck all that, we've gotta get on with these
Gota compete with the wily Japanese
(Gotta get on, gotta get on)
No need to worry about the Vietnapeace
Gota bring Russian Bear to his knees
(Gotta get on)
Well, maybe not the Russian Bear, maybe the Swedes
We showed Argentina, now let's go and show these
(Gotta get on, gotta get on)
Make us feel tough and wouldn't Maggie be pleased?
Na, na, na, na, na, na, na
(Na, na, na, na, na, na, na)
(One, two, Free Four)
(One, two, Free Four)
S'cusi, dov'è il bar? (What?) (gotta get on)
Se parakalo, pou einai to bar?
S'il vous plaît, où est le bar? (Say it in English, fairy)
Oi, where's the fucking bar John? (Oh, now you're talking)
(Rule Britannia, Britannia rules the day) (gotta get on, gotta get on)
Down (gotta get on)
Go, Maggie
(Gotta get on, gotta get on)
Hammer, Hammer, Hammer, Hammer, now
(Fuck all that, fuck all that)
Got to compete with the wily Japanese
There's too many home fires burning and not enough trees
(Fuck all that)
So fuck all that, we've gotta get on with these
(Gotta get on with these)
Can't stop, lose job
Mind gone, silicon
Stroll on what bomb?
Get away, payday
Make hay, break down
Need fix, big six
Click, click
Hold on, oh no
Bingo (bingo)
Make 'em laugh, make 'em cry
Make 'em dance in the aisles
Make 'em pay, make 'em stay
Make them feel okay
Not now John, we've got to get on with the film show
(Gotta get on, gotta get on)
Hollywood waits at the end of the rainbow
(End of the rainbow)
Who cares what it's about as long as the kids go
(As long as the kids go)
So, not now John, we've gotta get on with the show
(Gotta get on, gotta get on)
(Gotta get on, gotta get on, gotta get on)
Hang on John I've gotta get on with this
(Gotta get on, gotta get on)
Don't know what it is, but it fits on here like, sss
Come at the end of the shift, we'll go and get pissed
But not now John, I've gotta get on with this
(Gotta get on with this, gotta get on)
Hold on John, I think there's something good on
I used to read books but
Could be the news or some other abuse
Could be reusable shows
Fuck all that, we've gotta get on with these
Gota compete with the wily Japanese
(Gotta get on, gotta get on)
No need to worry about the Vietnapeace
Gota bring Russian Bear to his knees
(Gotta get on)
Well, maybe not the Russian Bear, maybe the Swedes
We showed Argentina, now let's go and show these
(Gotta get on, gotta get on)
Make us feel tough and wouldn't Maggie be pleased?
Na, na, na, na, na, na, na
(Na, na, na, na, na, na, na)
(One, two, Free Four)
(One, two, Free Four)
S'cusi, dov'è il bar? (What?) (gotta get on)
Se parakalo, pou einai to bar?
S'il vous plaît, où est le bar? (Say it in English, fairy)
Oi, where's the fucking bar John? (Oh, now you're talking)
(Rule Britannia, Britannia rules the day) (gotta get on, gotta get on)
Down (gotta get on)
Go, Maggie
(Gotta get on, gotta get on)
Hammer, Hammer, Hammer, Hammer, now
Lyrics submitted by Demau Senae, edited by digitalmanMKII, Noubledigger
Not Now John Lyrics as written by George Roger Waters
Lyrics © BMG Rights Management
Lyrics powered by LyricFind
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This song is written as the perspective of the boys in the street, as a whole, and what path they are going to choose as they get older and grow into men. (This is why the music video takes place in an orphanage.) The seen, and unseen collective suffering is imbedded in the boys’ mind, consciously or subconsciously, and is haunting them. Which path will the boys choose? Issac Hayes is the voice of reason, maybe God, the angel on his shoulder, or the voice of his forefathers from beyond the grave who can see the big picture and are pleading with the boys not to continue the violence and pattern of killing their brothers, but to rise above. The most beautiful song and has so many levels. Racism towards African Americans in America would not exist if everyone sat down and listened to this song and understood the history behind the words. The power, fear, pleading in RZA and Ghostface voices are genuine and powerful. Issac Hayes’ strong voice makes the perfect strong father figure, who is possibly from beyond the grave.
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Still going, eh. Well, I'll say it for about the tenth time now, I DON'T DISLIKE THIS SONG!!!!!.
And while it may be the "best" (or even only) song on the Final Cut, that is an opinion, and I won't dabble in that department.
I think it is futile, however, to argue that this song fits at all on the album. Thus, it is the worst on the album. Here is why:
The Final Cut is a power album, hands down. It is all about the emotion evoked, mostly by the lyrics. This song evokes no emotion, because the focus is more on the music. All in all, this song is worse for the flow of the Final Cut than Seamus detractors say Seamus is bad for Meddle.
So, when I listen to this song, it is not in the context of the Final Cut, because that's not where it should be.
Also, I don't hate PF songs when I first hear them (they've never done anything THAT bad). As a matter of fact, when I didn't much like the Final Cut, this was my favorite song on the album. When I learned to like the album (as in, going from not being able to listen to it straight through to doing just that three times in a row, all in one night), I realized that in the context of the album, this was the worst song.
And just in case anyone was still wondering: I DON'T DISLIKE THIS SONG!!!!!. I DON'T DISLIKE THIS SONG!!!!!. I DON'T DISLIKE THIS SONG!!!!!. I DON'T DISLIKE THIS SONG!!!!!. I DON'T DISLIKE THIS SONG!!!!!. I DON'T DISLIKE THIS SONG!!!!!.
@inpraiseoffolly I get what you are saying, and agree that this is this album's "Seamus". It could have been placed earlier on in the track listing. It really does kill all the emotion built up by The Final Cut.
@inpraiseoffolly I get what your saying but I think in some ways your argument proves why it should on the album and where it's placed. Yes there's no emotion to the song and it's different but I think what's intended is very prophetic and it is of the times we are facing now. Basically the world has gone "full blown" capitalistic and no one gives a toss about anyone or anything anymore it's about making money. So morales have gone out the door, stuff the environment and if we have to invade a country so the rich can become richer at the expense of the poor, so be it. While this attitude is prevailing of profit at all costs not many are noticing we are sliding into the third world war, but I can see and so can others this is happening now, very slowly. That's why the song is boom, it is boom times. Then it's followed by calm at the start of Two Suns in the Sunset. Just a normal day until the Nuclear Beast in unleashed...