To the Tune of 5,000 Screaming Children

"Zombie" is about the ethno-political conflict in Ireland. This is obvious if you know anything of the singer (Dolores O'Riordan)'s Irish heritage and understood the "1916" Easter Rising reference. "Another head hangs lowly Child is slowly taken And the violence caused such silence Who are we mistaken - Another mother's breaking Heart is taking over" Laments the Warrington bomb attacks in which two children were fatally injured on March 23rd, 1993. Twelve year old Tim Parry was taken off life support with permission from his mother after five days in the hospital, virtually braindead. "But you see it's not me It's not my family" References how people who are not directly involved with the violence feel about it. They are "zombies" without sympathy who refuse to take action while others suffer.

@[Kahiara:35260] Actually I think the husband passed away, "She sang for you last night She heard you were calling" Many people say they have felt, heard, or seen their loved ones after they have passed. "Don't be scared now Close your eyes She holds guard tonight Go on forward no remorse Life will take it's course" This is said to the late husband by a third part (never named), who encourages him to pass on. Because life will eventually continue. The phrase "holds guard" refers to the ( https://en.wikipedia.org/wiki/Wake_(ceremony) ) which is a Christian ceremony held after someone dies. Now it is usually held right after the funeral, but in most celtiic countries the wake is held before the funeral. "She danced with you last night so you will remember All you have shared, a lifetime." This sentence feels as if the only thing it wants to convey is their history together, namely, husband and wife. For the rest it just refers back to the first verse.

This song is timeless, and nearly 20 years after its creation, still possesses the mystique it did the first time i heard it ~1994. To me, at first blush, all those years ago, it had some kind of homo-erotic allure. The line "so that the others may do" tells of something which must be done for others to follow suit. It felt like like some kind of roxy-glam-pop invitation to sexual liberation. Upon further introspection I think the song may not have an intrinsic meaning, but simply represents a sort of "holding open the door" for people who otherwise might be affronted by this song/band's unusual style. I know, as a sort of armchair rock-historian, that there have been few bands so daring and so true to the sound that wanted to emerge from within, whether the creator wanted it or not. This band handled it with elegance and grace seldom, if ever, seen.

I believe this is another amazingly on point and nuanced commentary on the insanity that follows emotionally abusive relationships. The abuser has no anxieties, no emotional pain, or salience/memory for that matter, so the survivor appears to be the crazy one, obsessed with the abuse and that buzzword that seems to ignite arguments about diagnosing people without a degree, etc. funny how you say the words domestic violence, abuse, abuse survivor and boom the subject changes. Anyways, I especially relate to her midnights becoming afternoons, complex PTSD often leads to this phenomenon, whether due to purposeful sleep deprivation by the abuser, or just hyper vigilance associated with the PTSD, along with the fear of facing people, especially your loved ones, who Never actually understand, even if they try, because all they see is you, on fire, screaming about the arsonist that no one ever sees, and who has been spreading lies about your alleged mental instability, deceptive personality, etc. the whole time. While the last thing survivors need is more blame, our society supports a narrative that blames the objectively innocent party because the blatantly guilty party has spent their entire lives fabricating a persona and we’re just being human, and human psychology is quite counterintuitive especially in the context of trauma. Look at Amber Heard. Vilified and not believed, regardless of what any abuse survivor could recognize as a fellow survivor instantly. But Johnny depp is a malignant narcissist, a man, and wealthy as all get out. It’s sick.

This standalone single is the latest in the artiste's album run out. It was produced by Rogét Chahayed, Taylor Dexter & Wesley Singerman, and released via major streaming platforms on January 1, 2021.