I believe this is another amazingly on point and nuanced commentary on the insanity that follows emotionally abusive relationships. The abuser has no anxieties, no emotional pain, or salience/memory for that matter, so the survivor appears to be the crazy one, obsessed with the abuse and that buzzword that seems to ignite arguments about diagnosing people without a degree, etc. funny how you say the words domestic violence, abuse, abuse survivor and boom the subject changes. Anyways, I especially relate to her midnights becoming afternoons, complex PTSD often leads to this phenomenon, whether due to purposeful sleep deprivation by the abuser, or just hyper vigilance associated with the PTSD, along with the fear of facing people, especially your loved ones, who
Never actually understand, even if they try, because all they see is you, on fire, screaming about the arsonist that no one ever sees, and who has been spreading lies about your alleged mental instability, deceptive personality, etc. the whole time. While the last thing survivors need is more blame, our society supports a narrative that blames the objectively innocent party because the blatantly guilty party has spent their entire lives fabricating a persona and we’re just being human, and human psychology is quite counterintuitive especially in the context of trauma. Look at Amber Heard. Vilified and not believed, regardless of what any abuse survivor could recognize as a fellow survivor instantly. But Johnny depp is a malignant narcissist, a man, and wealthy as all get out. It’s sick.
Fanny convinces Eddie she has talent and he
Agrees to teach her the specialty for the next
Audition. She gets the job.
[Fanny:]
Well--
I just put the kids to sleep
And swept the shack,
Took my sweet man's satchel down
And watched him pack,
I said, "Darlin', while the stove still smolders,
Unpin your woman's hair and rub her shoulders."
I threw myself across the doorway
Beggin', "Stay, sweet man, stay,"
But there's more in my man's life
Than this old hag.
It's Jelly Roll Morton, and a shiny cornet,
And jazzin' the rag!
The lady ain't been born
Can take the place of a horn,
With a cornet man.
A-goin' where there's blowin',
Trav'lin' cornet man.
Just anytime they call him
He'll leave his wife and kiddies
Sittin' with their tongues out
To play for peanuts in a dive
And blow his lungs out.
He'll hop a choo-choo on a moment's notice
To play some dates with Billy Bates
Or Rag-time Otis!
The lady ain't see light
Can give a horn a fair fight
With a cornet man
A rootin', shootin', ever-tootin' Dapper Dan
Who carries in his satchel
A powder-blue Norfolk suit,
A silver-plated wah-wah mute,
There is whiskey, gamblin'--each one is a curse,
But I'm up against a devil that's worse.
Yes, a horn is my thorn,
My trav'lin' cornet man!
Kill yourself! Tell me about it! Yeah! Yeah!
A powder-blue Norfolk suit,
I said a silver-plated wah-wah mute,
Oh, he's shy on height,
He's short on weight,
But he's the only man can make my coffee perculate,
A Dapper Dan,
My cornet-playin' man.
After the performance, Nick Arnstein comes backstage,
Elegant in formal dress, to pay off a gambling debt to Keeney.
Nick has seen the show and tells Fanny she's going to be a
Big star some day. Fanny asks how much Keeney is paying her,
And Nick manages to jack up her salary by pretending to bid on
Behalf of a competitor. He gives her his card and kisses her hand.
Eddie asks Fanny out for a date, but she only wants to be friends;
Already she has fallen for Nick, but imagines she'll never see him
Again.
Agrees to teach her the specialty for the next
Audition. She gets the job.
[Fanny:]
Well--
I just put the kids to sleep
And swept the shack,
Took my sweet man's satchel down
And watched him pack,
I said, "Darlin', while the stove still smolders,
Unpin your woman's hair and rub her shoulders."
I threw myself across the doorway
Beggin', "Stay, sweet man, stay,"
But there's more in my man's life
Than this old hag.
It's Jelly Roll Morton, and a shiny cornet,
And jazzin' the rag!
The lady ain't been born
Can take the place of a horn,
With a cornet man.
A-goin' where there's blowin',
Trav'lin' cornet man.
Just anytime they call him
He'll leave his wife and kiddies
Sittin' with their tongues out
To play for peanuts in a dive
And blow his lungs out.
He'll hop a choo-choo on a moment's notice
To play some dates with Billy Bates
Or Rag-time Otis!
The lady ain't see light
Can give a horn a fair fight
With a cornet man
A rootin', shootin', ever-tootin' Dapper Dan
Who carries in his satchel
A powder-blue Norfolk suit,
A silver-plated wah-wah mute,
There is whiskey, gamblin'--each one is a curse,
But I'm up against a devil that's worse.
Yes, a horn is my thorn,
My trav'lin' cornet man!
Kill yourself! Tell me about it! Yeah! Yeah!
A powder-blue Norfolk suit,
I said a silver-plated wah-wah mute,
Oh, he's shy on height,
He's short on weight,
But he's the only man can make my coffee perculate,
A Dapper Dan,
My cornet-playin' man.
After the performance, Nick Arnstein comes backstage,
Elegant in formal dress, to pay off a gambling debt to Keeney.
Nick has seen the show and tells Fanny she's going to be a
Big star some day. Fanny asks how much Keeney is paying her,
And Nick manages to jack up her salary by pretending to bid on
Behalf of a competitor. He gives her his card and kisses her hand.
Eddie asks Fanny out for a date, but she only wants to be friends;
Already she has fallen for Nick, but imagines she'll never see him
Again.
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