In regards to the meaning of this song:
Before a live performance on the EP Five Stories Falling, Geoff states “It’s about the last time I went to visit my grandmother in Columbus, and I saw that she was dying and it was the last time I was going to see her. It is about realizing how young you are, but how quickly you can go.”
That’s the thing about Geoff and his sublime poetry, you think it’s about one thing, but really it’s about something entirely different. But the lyrics are still universal and omnipresent, ubiquitous, even. So relatable. That’s one thing I love about this band. I also love their live performances, raw energy and Geoff’s beautiful, imperfectly perfect vocals. His voice soothes my aching soul.
Follow the typical signs, the hand-painted lines, down
prairie roads.
Pass the lone church spire.
Pass the talking wire from where to who knows?
There's no way to divide the beauty of the sky from
the wild western plains.
Where a man could drift, in legendary myth, by
roaming over spaces.
The land was free and the price was right.
Dakota on the wall is a white-robed woman, broad
yet maidenly.
Such power in her hand as she hails the wagon man's
family.
I see Indians that crawl through this mural that
recalls our history.
Who were the homestead wives?
Who were the gold rush brides?
Does anybody know?
Do their works survive their yellow fever lives in the
pages they wrote?
The land was free, yet it cost their lives.
In miner's lust for gold.
A family's house was bought and sold, piece by
piece.
A widow staked her claim on a dollar and his name,
so painfully.
In letters mailed back home her Eastern sisters they
would moan
as they would read accounts of madness, childbirth,
loneliness and grief.
prairie roads.
Pass the lone church spire.
Pass the talking wire from where to who knows?
There's no way to divide the beauty of the sky from
the wild western plains.
Where a man could drift, in legendary myth, by
roaming over spaces.
The land was free and the price was right.
Dakota on the wall is a white-robed woman, broad
yet maidenly.
Such power in her hand as she hails the wagon man's
family.
I see Indians that crawl through this mural that
recalls our history.
Who were the homestead wives?
Who were the gold rush brides?
Does anybody know?
Do their works survive their yellow fever lives in the
pages they wrote?
The land was free, yet it cost their lives.
In miner's lust for gold.
A family's house was bought and sold, piece by
piece.
A widow staked her claim on a dollar and his name,
so painfully.
In letters mailed back home her Eastern sisters they
would moan
as they would read accounts of madness, childbirth,
loneliness and grief.
Lyrics submitted by Demau Senae
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