@[Diderik:33655] "Your a holiday!" Was a popular term used in the 50s/60s to compliment someone on their all around. For example, not only are they beautiful, but they are fun and kind too ... just an all around "holiday".
I think your first comment is closer to being accurate. The singer/song writers state "Millions of eyes can see, yet why am i so blind!? When the someone else is me, its unkind its unkind". I believe hes referring to the girl toying with him and using him. He wants something deeper with her, thats why he allows himself to be as a puppet (even though for her fun and games) as long as it makes her happy. But he knows deep down that she doesnt really want to be serious with him and thats what makes him.
Get 'em out by Friday
You don't get paid 'til the last one's well on his way
Get 'em out by Friday
It's important that we keep to schedule, there must be no delay
I represent a firm of gentlemen who recently purchased this
House and all the others in the road
In the interest of humanity we've found a better place for you
To go, go-woh, go-woh
Oh no, this I can't believe
Oh Mary, they're asking us to leave
Get 'em out by Friday
I've told you before, 's good many gone if we let them stay
And if it isn't easy
You can squeeze a little grease and our troubles will soon run away
After all this time, they ask us to leave
And I told them we could pay double the rent
I don't know why it seemed so funny
Seeing as how they'd take more money
The Winkler called again, he came here this morning
With four hundred pounds and a photograph of the place he has found
A block of flats with central heating
I think we're going to find it hard
Now we've got them
I've always said that cash cash cash can do anything well
Work can be rewarding
When a flash of intuition is a gift that helps you excel-sell-sell-sell
Here we are in Harlow New Town
Did you recognize your block across the square, over there
Sadly since last time we spoke
We've found we've had to raise the rent again
Just a bit
Oh no, this I can't believe
Oh Mary, and we agreed to leave
This is an announcement from Genetic Control
It is my sad duty to inform you of a four foot restriction on
Humanoid height
I hear the directors of Genetic Control have been buying all the
Properties that have recently been sold, taking risks oh so bold
It's said now that people will be shorter in height
They can fit twice as many in the same building site
They say it's alright
Beginning with the tenants of the town of Harlow
In the interest of humanity, they've been told they must go
Told they must go-go-go-go
I think I've fixed a new deal
A dozen properties, we'll buy at five and sell at thirty four
Some are still inhabited
It's time to send the Winkler to see them
He'll have to work some more
With land in your hand, you'll be happy on earth
Then invest in the Church for your heaven
You don't get paid 'til the last one's well on his way
Get 'em out by Friday
It's important that we keep to schedule, there must be no delay
I represent a firm of gentlemen who recently purchased this
House and all the others in the road
In the interest of humanity we've found a better place for you
To go, go-woh, go-woh
Oh no, this I can't believe
Oh Mary, they're asking us to leave
Get 'em out by Friday
I've told you before, 's good many gone if we let them stay
And if it isn't easy
You can squeeze a little grease and our troubles will soon run away
After all this time, they ask us to leave
And I told them we could pay double the rent
I don't know why it seemed so funny
Seeing as how they'd take more money
The Winkler called again, he came here this morning
With four hundred pounds and a photograph of the place he has found
A block of flats with central heating
I think we're going to find it hard
Now we've got them
I've always said that cash cash cash can do anything well
Work can be rewarding
When a flash of intuition is a gift that helps you excel-sell-sell-sell
Here we are in Harlow New Town
Did you recognize your block across the square, over there
Sadly since last time we spoke
We've found we've had to raise the rent again
Just a bit
Oh no, this I can't believe
Oh Mary, and we agreed to leave
This is an announcement from Genetic Control
It is my sad duty to inform you of a four foot restriction on
Humanoid height
I hear the directors of Genetic Control have been buying all the
Properties that have recently been sold, taking risks oh so bold
It's said now that people will be shorter in height
They can fit twice as many in the same building site
They say it's alright
Beginning with the tenants of the town of Harlow
In the interest of humanity, they've been told they must go
Told they must go-go-go-go
I think I've fixed a new deal
A dozen properties, we'll buy at five and sell at thirty four
Some are still inhabited
It's time to send the Winkler to see them
He'll have to work some more
With land in your hand, you'll be happy on earth
Then invest in the Church for your heaven
Lyrics submitted by Demau Senae, edited by ProfessorKnowItAll
Get 'Em Out By Friday Lyrics as written by Michael Rutherford Anthony Banks
Lyrics © BMG Rights Management
Lyrics powered by LyricFind
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Holiday
Bee Gees
Bee Gees
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This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version.
Great version of a great song,
No Surprises
Radiohead
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Same ideas expressed in Fitter, Happier are expressed in this song. We're told to strive for some sort of ideal life, which includes getting a good job, being kind to everyone, finding a partner, getting married, having a couple kids, living in a quiet neighborhood in a nice big house, etc. But in Fitter, Happier the narrator(?) realizes that it's incredibly robotic to live this life. People are being used by those in power "like a pig in a cage on antibiotics"--being pacified with things like new phones and cool gadgets and houses while being sucked dry. On No Surprises, the narrator is realizing how this life is killing him slowly. In the video, his helmet is slowly filling up with water, drowning him. But he's so complacent with it. This is a good summary of the song. This boring, "perfect" life foisted upon us by some higher powers (not spiritual, but political, economic, etc. politicians and businessmen, perhaps) is not the way to live. But there is seemingly no way out but death. He'd rather die peacefully right now than live in this cage. While our lives are often shielded, we're in our own protective bubbles, or protective helmets like the one Thom wears, if we look a little harder we can see all the corruption, lies, manipulation, etc. that is going on in the world, often run by huge yet nearly invisible organizations, corporations, and 'leaders'. It's a very hopeless song because it reflects real life.
Punchline
Ed Sheeran
Ed Sheeran
Ed Sheeran sings about missing his former partner and learning important life lessons in the process on “Punchline.” This track tells a story of battling to get rid of emotions for a former lover, whom he now realized might not have loved him the same way. He’s now caught between accepting that fact and learning life lessons from it and going back to beg her for another chance.
Plastic Bag
Ed Sheeran
Ed Sheeran
“Plastic Bag” is a song about searching for an escape from personal problems and hoping to find it in the lively atmosphere of a Saturday night party. Ed Sheeran tells the story of his friend and the myriad of troubles he is going through. Unable to find any solutions, this friend seeks a last resort in a party and the vanity that comes with it.
“I overthink and have trouble sleepin’ / All purpose gone and don’t have a reason / And there’s no doctor to stop this bleedin’ / So I left home and jumped in the deep end,” Ed Sheeran sings in verse one. He continues by adding that this person is feeling the weight of having disappointed his father and doesn’t have any friends to rely on in this difficult moment. In the second verse, Ed sings about the role of grief in his friend’s plight and his dwindling faith in prayer. “Saturday night is givin’ me a reason to rely on the strobe lights / The lifeline of a promise in a shot glass, and I’ll take that / If you’re givin’ out love from a plastic bag,” Ed sings on the chorus, as his friend turns to new vices in hopes of feeling better.
Another one of Gabriels story's this time about the injustices between rich and poor - this time based around housing!
The inspiration for this satirical piece, for which Peter Gabriel donned a bowler on stage whilst playing the part of the unscrupulous landlord, who is based on the notorious Peter Rachman, who infamously exploited the tenants in the Notting Hill area of London during the 50s and 60s, coining the term, Rachmanism.
Peter Gabriel was incredibly ahead of his time.
In 1972 it may well have illustrated the vast amounts of working class people from their close nit communities and stuffed into tower blocks or new towns like: Harlow, Crawley, Stevenage or Basildon by ruthless 'Rachman' type property developers, so that they can demolish, gentrify or rent for higher prices to incoming imigrants.
In 2012 (and there-after) a similar thing is happening, inner city communities are being dissipated through spiraling rental costs, no available social housing left (thanks to the Thatcherite right to buy scheme) and the boom in developers having a monopoly on building investment properties and nothing else. The poor and those on moderate incomes being stuffed into tiny rabbit hutch houses and part/rent apartments in the sticks and the provinces where they need to be shorter in height just to spread out in their new home.
Nothing changes....I'm sure if Rachman were alive today; The Queen would have had him knighted for his contributions to the Tory Party.
A little bit of History now. In the Sixties and Seventies Britian Council tenants where moved out of slum housing wether they liked it or not. There houses were then knocked down and in inner cities new high rise flats were built, Gabriel seeing what British Society took another twenty years to realise was that this destroid any communal spirit and was a great error which are still paying for today!
@woollymoore Yes, some argue demolition of back-to-backs broke up communities, but the characters in the song (Mrs Barrow, Mary) are not council tenants. Their house is privately owned and has been purchased by a 'firm of gentlemen'. That wouldn't be possible for council housing, which is also pretty secure and has rents controlled. This isn't about social policy so much as exploitative slum landlords and business opportunists (buy-to-let would be more relevant now). In the 2007 box set DVD, Gabriel specifically mentions Rachman, who subdivided private houses to get the maximum rent and evade rent controls.<br /> <br /> Wikipedia cites Easlea's 'Without Frontiers' to say it was partly inspired by Gabriel's own landlord problems he was having with his flat' in Kensington (you could rent affordably there in the 1970s; times have ineed changed); and an NME interview of 23 Mar 73 where he mentions television documentary he had seen about housing in Islington. Design of housing can influence the community, but the song is simply about the rich and powerful using intimidation to get the last drop out of ordinary tenants.
Get 'em Out by Friday is the third song on the 1972 album Foxtrot.
We are treated once again to the "play" format of Peter's lyric writing used previously on Nursey Cryme's "Harold the Barrel." and slightly differently in "The Fountain of Salmacis". A format which works perfectly when the moniker of "rock theatre" is applied to it by the press.
The song takes the form of a futuristic play set initially in the present but ending in 2012. If we are following continuity, we have been brought from the far future of an empty planet Earth, to an exploration of the distant past bringing us up to the present and - at the end of this song - to the near future. (2012, by the way, is a special year according to the Mayan Calendar...but I digress) The song uses elements of reality and science fiction as a means of social criticism on the corporate greed and oppression of the UK's council housing system in the 1970s as commented by woolymore. Social commentary was an evident theme throughout Genesis's early work, especially in their following album, Selling England by the Pound.
(edited from several sources including wikipedia)
Plot
The play contains three main characters:
John Pebble: A business man of Styx Enterprises. Near the end of the song, he has been knighted and works for United Blacksprings International.
Mark Hall (also known as "The Winkler"): A man who works for Styx Enterprises and has the task of evicting tenants.
Mrs Barrow: a tenant in a house in Harlow, purchased by Pebble. (and either her friend Mary, or an exclamation to the catholc Mary)
The song starts with a fast-paced refrain of Pebble ordering Hall to "Get 'em out by Friday". In the following verse, the Winkler tells a disbelieving Mrs Barrow that a firm of men has purchased her property and that she has been evicted. She refuses to leave, so Pebble raises the rent on the property. In lieu of this, the Winkler offers £400 for Mrs Barrow to move; she does, albeit grudgingly. However, shortly after Mrs Barrow moves in, Pebble again raises the rent.
A slow instrumental indicates a passage of time, taking the story to the year 2012. At this time, Genetic Control has announced that they are restricting the height of all humans to four feet. (Dial-a-Program was literally a service that was set up in Britain when fiber-optics were first coming into use, and invented by Peter Gabriel’s father, Ralph Gabriel, who was the head television engineer for Rediffusion televison, who amongst other things made “At Last the 1948 Show” and “Do Not Adjust Your Set”, the Monty Python precursors.) This piece of news is then discussed in a “puborama” by a man named "Joe Everybody," who reveals the reason behind the restriction: so that Genetic Control, who has recently bought some properties, will be able to accommodate twice as many people in the same tower block.
The penultimate verse is that of Pebble, now knighted, repeating the process for another set of properties. The last verse is a
"Memo from Satin Peter
With land in your hand, you'll be happy on earth, then invest in the Church for your heaven.”
Satin, being a wordplay on Satan, would make this line most ironic - implying a conspiracy between business and the church? Also, if Peter is portraying a Satan-like character for this song, (most likely a comment on the attributes of those business figures behind these housing issues) then compare him portraying the Fox with the red dress on from the cover who in the libretto to Supper’s Ready “keeps throwing sixes.”
Michael Rutherford commented that the lyrics were the best that Gabriel had written while Allmusic.com has cited the song as "the truest sign Genesis had grown muscle without abandoning the whimsy.” Peter Gabriel in the recent reissue interviews has gone on to say that with genetic science progressing, that we may just want to “go shorter” in the future if the need is there!
I know of a couple of probable threads in the story behind using Harlow New Town as the exemplar in the Genesis song, Get Em Out By Friday.<br /> <br /> The first is to do with Harlow New Town, as was, now simply called Harlow. <br /> <br /> The ancient parish of Harlow, one of the four that were absorbed in the development of Harlow New Town, is now called Old Harlow.<br /> <br /> Harlow New Town was a post WW2 development, north east of London, conceived as part of the urgent national need for social housing. <br /> <br /> Harlow's master architect, Sir Frederick Gibberd, designed the UK's first residential tower block known as The Lawn. <br /> <br /> The song's lyrcis reflect some aspects of the actual wheeling and dealing that was known about, in the scramble for the best accomodation on offer in this brand new urban paradise called Harlow New Town.<br /> <br /> Folk migrating from east and north London bombed out slums were being given brand new homes in the countryside with central heating, internal bathrooms and toilets, gardens, fields, schools. The whole package.<br /> <br /> Oh and by agreeing to move to Harlow, you'd get a guaranteed job and a new home.<br /> <br /> One of the actual problems ion the early days of Harlow was the scandal that aroused the interest of politicians and the press over the issue of rents.<br /> <br /> As ever, the promise of a new life in this gleaming new planned, new town, came with a price tag. The trouble began, when, as ever, that price kept on climbing, which caused all the fuss. <br /> <br /> Also, although I don't have anecdotal evidence for this, one can only imagine what went on in the scramble for the new life for the prospective new tenants coming from east and north London.<br /> <br /> So, the parallels with what happend in real life in the early days of Harlow New Town and what happened to Mrs Barrow in the lyrics of the song are obvious.<br /> <br /> Added to that is the very obvious motif of the Lawn Tower Block built on First Avenue at The Stow in Harlow, the first tower block in the UK in 1951.<br /> <br /> Also, the Lawn Tower Block is in the area just down the road from the area known as Mark Hall, which gets it's name from the mostly long gone estate and manor house where Elizabeth I once stayed. In the song, Mark Hall is also knwon as, The Winkler.<br /> <br /> I do know that Genesis played at The Birdcage in Harlow in 1971 iirc.<br /> <br /> The song and Harlow are mentioned in this thesis paper here:<br /> <br /> eprints.mdx.ac.uk/6256/1/Sothcott-PHD.pdf<br /> <br /> Page 133<br /> <br /> A leading article in The Times (24th January 1992) upon the 25th anniversary of Milton Keynes wrote of an “eagerness to force large number of people out of city centres” before comparing the New Towns programme to the policies of an autocratic government. The consequences for those moved were described as catastrophic. Many were “...moved compulsorily and callously, [and found] themselves in single-class towns with poor services and a lack of communal continuity vital to a humane neighbourhood (quoted in Ward 1993 p9/10).<br /> <br /> Page 134 <br /> <br /> The same conception of the New Towns programme as the forceful movement of people into anomic environments is repeated in the lyrics of 'Get 'em Out By Friday', a Progressive Rock track by Genesis recorded in 1972. In this rather surreal piece, Peter Gabriel, the band's lead singer and principle lyricist, theatrically voices the part of 'Mark Hall' (a.k.a 'The Winkler'), who connives to move Mrs Barrow and her family from their existing home to create space for urban redevelopment. Initially reluctant to leave, the Barrow's accept a cash bribe from The Winkler and so move to a new 'block' in Harlow New Town „with central heating‟. Upon arrival, however, The Winkler informs the Barrows that, unfortunately, he has had to raise their rent “Just a little Bit”. The track becomes more nightmarishly surreal when the narrative moves into the future. Now representatives of 'Genetic Control' announce plans to limit the height of people to four feet. This, we learn, is an experiment in an 'economy of scale' to fit more people into already existing buildings. Harlow is chosen as the site to begin. <br /> <br /> I hear the directors of Genetic Control have been buying all the properties that have recently been sold, taking risks oh so bold. It's said now that people will be shorter in height, they can fit twice as many in the same building site. (They say it's alright). Beginning with the tenants of the town of Harlow in the interest of humanity, they've been told they must go, told they must go-go-go-go. 25<br /> <br /> 25 From track 'Get 'em Out By Friday' by Genesis on 'Foxtrot' released 1972<br /> <br /> ============================<br /> <br /> <br /> The second thread that may have fed into the conception of the song is that it maybe partly influenced by short story. I have the book somewhere but can't remember it's title. I was referred to the short story by someone who answered my question "what is the song about ?" on a Genesis forum, many years ago.<br /> <br /> Until I come up with the name of the short story that's all I've got for now.<br /> <br /> <br /> <br /> <br /> <br />
Excellent research! Thanks for reading and adding the info here! :)
The Genesis song Get Em Out By Friday was based on a short story by Howard Fast called "The Vision of Milty Boil" which is a short story in his book, "The General Zapped an Angel"<br /> <br /> It is mentioned here:<br /> <br /> The Vision of Milty Boil<br /> <br />
The Vision of Milty Boil source for the song is also mentioned here:<br /> <br /> Howard Fast: The Vision of Milty Boil<br /> <br /> Genesis' ‘Get 'em Out by Friday' (from ‘Foxtrot') is a retelling of Howard Fast's ‘The Vision of Milty Boil' from the collection ‘The General Zapped an Angel' (1970), which is part fantasy, part vicious satire on marketing.<br /> <br /> Source: progbibliography.de/inspbooks.htm
@Madprophet "corporate greed and oppression of the UK's council housing system in the 1970s as commented by woolymore". Private rented housing, not council, as I say under Woollymore's comment.<br /> <br /> If the Howard Fast short story is an inspiration (presumably for the SF idea), I can't find any source that explains this, just a personal site linking the two.
@Madprophet Satin Peter is also an anagram of Saint Peter. It may also be intended to sound like Satan but of course it’s self-referential of Peter in his 70s satin trousers
Winkler may be a reference to Chicago mobster Gus Winkler who was famous for being on the safe end of the machine gun at the St. valentines massacre. The song "Battle of Epping Forest" has many references to thugs and extortionists, so Peter may have had knowledge of this history
@sandman71 A Winkler is someone who forces a person or thing out, especially a person who evicts tenants from a home