Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Where do we go from here?
Where do we go from here, where do we go from here
Where do we go from here, where do we go from here
They boarded up the synagogues, Uzis on a street corner
You can't take a photograph of Uzis on a street corner
The DJ resigned today they wouldn't let him have his say
Surface scratched where the needles play, Uzis on a street corner
Where do we go from here
Terror in Rue de St. Denis, murder on the periphery
Someone else in someone else's pocket
Christ knows I don't know how to stop it
Poppies at the cenotaph, the cynics can't afford to laugh
I heard in on the telegraph there's Uzis on a street corner
Where do we go from here, where do we go from here
The more I see, the more I hear, the more I find fewer answers
I close my mind, I shout it out but you know it's getting harder
To calm down, to reason out, to come to terms with what it's all about
I'm uptight, can't sleep at night, I can't pretend everything's all right
My ideals, my sanity, they seem to be deserting me
But to stand up and fight I know we have six million reasons
They're burning down the synagogues, Uzis on a street corner
The heralds of the holocaust, Uzis on a street corner
The silence never louder than now, how quickly we forgot our vows
This resurrection we can't allow, Uzis on a street corner
Where do we go from here, where do we go from here
We buy fresh bagels from the corner store
Where swastikas are spat from aerosols
I sit in the bar sipping iced White Russian
Trying to score but nobody's pushing
And everyone looks at everyone's faces
Searching for signs and praying for traces of a conscience in residence
Are we sitting on a barbed wire fence
Racing the clouds home, racing the clouds home
We place our faith in human rights
In the paper wars that tie the red tape tight
I know that I would rather be out of this conspiracy
In the gulags and internment camps frozen faces in nameless ranks
I know that they would rather be standing here besides me
Racing the clouds home, racing the clouds home
You can shut your eyes, you can hide it away it's gonna come back another
day
Racing the clouds home, are we racing the clouds home
Racing the clouds home
Where do we go from here, where do we go from here
Where do we go from here, where do we go from here
They boarded up the synagogues, Uzis on a street corner
You can't take a photograph of Uzis on a street corner
The DJ resigned today they wouldn't let him have his say
Surface scratched where the needles play, Uzis on a street corner
Where do we go from here
Terror in Rue de St. Denis, murder on the periphery
Someone else in someone else's pocket
Christ knows I don't know how to stop it
Poppies at the cenotaph, the cynics can't afford to laugh
I heard in on the telegraph there's Uzis on a street corner
Where do we go from here, where do we go from here
The more I see, the more I hear, the more I find fewer answers
I close my mind, I shout it out but you know it's getting harder
To calm down, to reason out, to come to terms with what it's all about
I'm uptight, can't sleep at night, I can't pretend everything's all right
My ideals, my sanity, they seem to be deserting me
But to stand up and fight I know we have six million reasons
They're burning down the synagogues, Uzis on a street corner
The heralds of the holocaust, Uzis on a street corner
The silence never louder than now, how quickly we forgot our vows
This resurrection we can't allow, Uzis on a street corner
Where do we go from here, where do we go from here
We buy fresh bagels from the corner store
Where swastikas are spat from aerosols
I sit in the bar sipping iced White Russian
Trying to score but nobody's pushing
And everyone looks at everyone's faces
Searching for signs and praying for traces of a conscience in residence
Are we sitting on a barbed wire fence
Racing the clouds home, racing the clouds home
We place our faith in human rights
In the paper wars that tie the red tape tight
I know that I would rather be out of this conspiracy
In the gulags and internment camps frozen faces in nameless ranks
I know that they would rather be standing here besides me
Racing the clouds home, racing the clouds home
You can shut your eyes, you can hide it away it's gonna come back another
day
Racing the clouds home, are we racing the clouds home
Racing the clouds home
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Mountain Song
Jane's Addiction
Jane's Addiction
Gentle Hour
Yo La Tengo
Yo La Tengo
This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version.
Great version of a great song,
I Can't Go To Sleep
Wu-Tang Clan
Wu-Tang Clan
This song is written as the perspective of the boys in the street, as a whole, and what path they are going to choose as they get older and grow into men. (This is why the music video takes place in an orphanage.) The seen, and unseen collective suffering is imbedded in the boys’ mind, consciously or subconsciously, and is haunting them. Which path will the boys choose? Issac Hayes is the voice of reason, maybe God, the angel on his shoulder, or the voice of his forefathers from beyond the grave who can see the big picture and are pleading with the boys not to continue the violence and pattern of killing their brothers, but to rise above. The most beautiful song and has so many levels. Racism towards African Americans in America would not exist if everyone sat down and listened to this song and understood the history behind the words. The power, fear, pleading in RZA and Ghostface voices are genuine and powerful. Issac Hayes’ strong voice makes the perfect strong father figure, who is possibly from beyond the grave.
Blue
Ed Sheeran
Ed Sheeran
“Blue” is a song about a love that is persisting in the discomfort of the person experiencing the emotion. Ed Sheeran reflects on love lost, and although he wishes his former partner find happiness, he cannot but admit his feelings are still very much there. He expresses the realization that he might never find another on this stringed instrumental by Aaron Dessner.
American Town
Ed Sheeran
Ed Sheeran
Ed Sheeran shares a short story of reconnecting with an old flame on “American Town.” The track is about a holiday Ed Sheeran spends with his countrywoman who resides in America. The two are back together after a long period apart, and get around to enjoying a bunch of fun activities while rekindling the flames of their romance.
This song is about the rise of neo-Nazism in Europe and how people seem to feel helpless to stop it. The lyrics, like the lyrics of "Forgotten Sons," express a cynicism in the government's ability to do anything to stop the violence ("We place our faith in human rights/In the paper wars that tie the red tape tight").
Thanks alot for your comment. :)