"Fast car" is kind of a continuation of Bruce Springsteen's "Born to Run." It has all the clawing your way to a better life, but in this case the protagonist never makes it with her love; in fact she is dragged back down by him.
There is still an amazing amount of hope and will in the lyrics; and the lyrics themselve rank and easy five. If only music was stronger it would be one of those great radio songs that you hear once a week 20 years after it was released. The imagery is almost tear-jerking ("City lights lay out before us", "Speeds so fast felt like I was drunk"), and the idea of starting from nothing and just driving and working and denigrating yourself for a chance at being just above poverty, then losing in the end is just painful and inspiring at the same time.
I knew a girl who was almost a lady
She had a way with all the men in her life
Every inch of her blossomed in beauty
And she was born on the fourth of July
Well she lived in an aluminum house trailer
And she worked in a juke box saloon
And she spent all the money that I give her
Just to see the old man in the moon
I used to sleep at the foot of old glory
And awake in the dawn's early light
But much to my surprise when I opened my eyes
I was a victim of the great compromise
Well we'd go out on Saturday evenings
To the drive-in on Route 41
And it was there that I first suspected
That she was doin' what she'd already done
She said, "Johnny won't you get me some popcorn"
And she knew I had to walk pretty far
And as soon as I passed through the moonlight
She hopped into a foreign sports car
I used to sleep at the foot of old glory
And awake in the dawn's early light
But much to my surprise when I opened my eyes
I was a victim of the great compromise
Well you know I could have beat up that fellow
But it was her that had hopped into his car
Many times I'd fought to protect her
But this time she was goin' too far
Now some folks they call me a coward
'Cause I left her at the drive-in that night
But I'd rather have names thrown at me
Than to fight for a thing that ain't right
I used to sleep at the foot of old glory
And awake in the dawn's early light
But much to my surprise when I opened my eyes
I was a victim of the great compromise
Now she writes all the fellows love letters
Saying "Greetings, come and see me real soon"
And they go and line up in the barroom
And spend the night in that sick woman's room
But sometimes I get awful lonesome
And I wish she was my girl instead
But she won't let me live with her
And she makes me live in my head
I used to sleep at the foot of old glory
And awake in the dawn's early light
But much to my surprise when I opened my eyes
I was a victim of the great compromise
She had a way with all the men in her life
Every inch of her blossomed in beauty
And she was born on the fourth of July
Well she lived in an aluminum house trailer
And she worked in a juke box saloon
And she spent all the money that I give her
Just to see the old man in the moon
I used to sleep at the foot of old glory
And awake in the dawn's early light
But much to my surprise when I opened my eyes
I was a victim of the great compromise
Well we'd go out on Saturday evenings
To the drive-in on Route 41
And it was there that I first suspected
That she was doin' what she'd already done
She said, "Johnny won't you get me some popcorn"
And she knew I had to walk pretty far
And as soon as I passed through the moonlight
She hopped into a foreign sports car
I used to sleep at the foot of old glory
And awake in the dawn's early light
But much to my surprise when I opened my eyes
I was a victim of the great compromise
Well you know I could have beat up that fellow
But it was her that had hopped into his car
Many times I'd fought to protect her
But this time she was goin' too far
Now some folks they call me a coward
'Cause I left her at the drive-in that night
But I'd rather have names thrown at me
Than to fight for a thing that ain't right
I used to sleep at the foot of old glory
And awake in the dawn's early light
But much to my surprise when I opened my eyes
I was a victim of the great compromise
Now she writes all the fellows love letters
Saying "Greetings, come and see me real soon"
And they go and line up in the barroom
And spend the night in that sick woman's room
But sometimes I get awful lonesome
And I wish she was my girl instead
But she won't let me live with her
And she makes me live in my head
I used to sleep at the foot of old glory
And awake in the dawn's early light
But much to my surprise when I opened my eyes
I was a victim of the great compromise
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Fast Car
Tracy Chapman
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This is about bronies. They communicate by stomping.
Gentle Hour
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Yo La Tengo
This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version.
Great version of a great song,
Punchline
Ed Sheeran
Ed Sheeran
Ed Sheeran sings about missing his former partner and learning important life lessons in the process on “Punchline.” This track tells a story of battling to get rid of emotions for a former lover, whom he now realized might not have loved him the same way. He’s now caught between accepting that fact and learning life lessons from it and going back to beg her for another chance.
Plastic Bag
Ed Sheeran
Ed Sheeran
“Plastic Bag” is a song about searching for an escape from personal problems and hoping to find it in the lively atmosphere of a Saturday night party. Ed Sheeran tells the story of his friend and the myriad of troubles he is going through. Unable to find any solutions, this friend seeks a last resort in a party and the vanity that comes with it.
“I overthink and have trouble sleepin’ / All purpose gone and don’t have a reason / And there’s no doctor to stop this bleedin’ / So I left home and jumped in the deep end,” Ed Sheeran sings in verse one. He continues by adding that this person is feeling the weight of having disappointed his father and doesn’t have any friends to rely on in this difficult moment. In the second verse, Ed sings about the role of grief in his friend’s plight and his dwindling faith in prayer. “Saturday night is givin’ me a reason to rely on the strobe lights / The lifeline of a promise in a shot glass, and I’ll take that / If you’re givin’ out love from a plastic bag,” Ed sings on the chorus, as his friend turns to new vices in hopes of feeling better.
I think y'all are over analyzing this song, it's about a girl, a girl that did him wrong and he still pursued her, she'd spend his money on dope, she'd fuck guys with cool cars, and all for what reason..?? Because he was a compromise, not her first choice, not valuable enough to worry about losing.
It's a brilliant song that can be taken literally as well as politically. Prine has spoken about the comparison to the USA in interviews, though.
@Brachs In the liner notes to his 1993 anthology Great Days, Prine writes of this song, "The idea I had in mind was that America was this girl you used to take to drive-in movies. And then when you went to get some popcorn, she turned around and screwed some guy in foreign sports car. I really love America. I just don't know how to get there anymore."