This song seemingly tackles the methods of deception those who manipulate others use to get victims to follow their demands, as well as diverting attention away from important issues. They'll also use it as a means to convince people to hate or kill others by pretending acts of terrorism were committed by the enemy when the acts themselves were done by the masters of control to promote discrimination and hate. It also reinforces the idea that these manipulative forces operate in various locations, infiltrating everyday life without detection, and propagate any and everywhere.
In general, it highlights the danger of hidden agendas, manipulation, and distraction, serving as a critique of those who exploit chaos and confusion to control and gain power, depicting a cautionary tale against falling into their traps. It encourages us to question the narratives presented to us and remain vigilant against manipulation in various parts of society.
Now chased by the shapes of your vows
Look at the things she allows
Junction fever must have closed down the rail
The gluttonous wind keeps on nibbling the sails
Queuing in the ruins in the wake of the gale it's
Harmony I say
Hear the difference between close and near
The way oaths and oafs interfere
Bliss comes first as a jangling flood
Pillow from the old country arrives with a thud
That night she drinks ceremony and mud it's
Happening I say
Must be thirsty, drink, drink, sink, forget
Must be empty inside the shadow cabinet
She offered her chaos to me
Proffered herself languidly
The eldritch bitch must have muddled her spells
Tinges of Persia, I hope that it sells
Chemical nuptials and ringing the bells
It's heavenly I say
Then one winter morning you walk through the trees
But they cut them all down for the factories
Made this pretty cabinet and gave you the keys
It's hardly used I think
Look at the things she allows
Junction fever must have closed down the rail
The gluttonous wind keeps on nibbling the sails
Queuing in the ruins in the wake of the gale it's
Harmony I say
Hear the difference between close and near
The way oaths and oafs interfere
Bliss comes first as a jangling flood
Pillow from the old country arrives with a thud
That night she drinks ceremony and mud it's
Happening I say
Must be thirsty, drink, drink, sink, forget
Must be empty inside the shadow cabinet
She offered her chaos to me
Proffered herself languidly
The eldritch bitch must have muddled her spells
Tinges of Persia, I hope that it sells
Chemical nuptials and ringing the bells
It's heavenly I say
Then one winter morning you walk through the trees
But they cut them all down for the factories
Made this pretty cabinet and gave you the keys
It's hardly used I think
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Hayalperest
Hayalperest
Holiday
Bee Gees
Bee Gees
@[Diderik:33655] "Your a holiday!" Was a popular term used in the 50s/60s to compliment someone on their all around. For example, not only are they beautiful, but they are fun and kind too ... just an all around "holiday".
I think your first comment is closer to being accurate. The singer/song writers state "Millions of eyes can see, yet why am i so blind!? When the someone else is me, its unkind its unkind". I believe hes referring to the girl toying with him and using him. He wants something deeper with her, thats why he allows himself to be as a puppet (even though for her fun and games) as long as it makes her happy. But he knows deep down that she doesnt really want to be serious with him and thats what makes him.
Gentle Hour
Yo La Tengo
Yo La Tengo
This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version.
Great version of a great song,
When We Were Young
Blink-182
Blink-182
This is a sequel to 2001's "Reckless Abandon", and features the band looking back on their clumsy youth fondly.
American Town
Ed Sheeran
Ed Sheeran
Ed Sheeran shares a short story of reconnecting with an old flame on “American Town.” The track is about a holiday Ed Sheeran spends with his countrywoman who resides in America. The two are back together after a long period apart, and get around to enjoying a bunch of fun activities while rekindling the flames of their romance.
This is about marriage obviously ("vows, "oaths", "nuptials") and how two people trying to become one generally results in the weaker of the two becoming bitter because their individuality is supressed ("junction fever must have closed down the rail"). A shadow cabinet in politics is the members of the opposition who would be the in charge if their party was in power.