Same ideas expressed in Fitter, Happier are expressed in this song. We're told to strive for some sort of ideal life, which includes getting a good job, being kind to everyone, finding a partner, getting married, having a couple kids, living in a quiet neighborhood in a nice big house, etc. But in Fitter, Happier the narrator(?) realizes that it's incredibly robotic to live this life. People are being used by those in power "like a pig in a cage on antibiotics"--being pacified with things like new phones and cool gadgets and houses while being sucked dry. On No Surprises, the narrator is realizing how this life is killing him slowly. In the video, his helmet is slowly filling up with water, drowning him. But he's so complacent with it. This is a good summary of the song. This boring, "perfect" life foisted upon us by some higher powers (not spiritual, but political, economic, etc. politicians and businessmen, perhaps) is not the way to live. But there is seemingly no way out but death. He'd rather die peacefully right now than live in this cage. While our lives are often shielded, we're in our own protective bubbles, or protective helmets like the one Thom wears, if we look a little harder we can see all the corruption, lies, manipulation, etc. that is going on in the world, often run by huge yet nearly invisible organizations, corporations, and 'leaders'. It's a very hopeless song because it reflects real life.
"What'd you do last night?"
"We did umm, two whole cars
It was me, Dez, and Main Three right?
And on the first car in small letters it said
'All you see is..' and then you know
big, big, you know some block silver letters
that said '..crime in the city' right?"
"It just took up the whole car?"
"Yeah yeah, it was a whole car and shit..."
[spanish speaking woman] Escuchela.. la ciudad respirando
(translation of spanish: Listen to it.. the city breathing)
* woman repeats 3X *
[spanish speaking woman] Escuchela..
[Mos Def]
The new moon rode high in the crown of the metropolis
Shinin, like who on top of this?
People was tusslin, arguin and bustlin
Gangstaz of Gotham hardcore hustlin
I'm wrestlin with words and ideas
My ears is picky, seekin what will transmit
the scribes can apply to transcript, yo
This ain't no time where the usual is suitable
Tonight alive, let's describe the inscrutable
The indisputable, we New York the narcotic
Strength in metal and fiber optics
where mercenaries is paid to trade hot stock tips
for profits, thirsty criminals take pockets
Hard knuckles on the second hands of workin class watches
Skyscrapers is collosus, the cost of living
is preposterous, stay alive, you play or die, no options
No Batman and Robin, can't tell between
the cops and the robbers, they both partners, they all heartless
With no conscience, back streets stay darkened
Where unbeliever hearts stay hardened
My eagle talons STAY sharpened, like city lights stay throbbin
You either make a way or stay sobbin, the Shiny Apple
is bruised but sweet and if you choose to eat
You could lose your teeth, many crews retreat
Nightly news repeat, who got shot down and locked down
Spotlight to savages, NASDAQ averages
My narrative, rose to explain this existance
Amidst the harbor lights which remain in the distance
So much on my mind that I can't recline
Blastin holes in the night til she bled sunshine
Breathe in, inhale vapors from bright stars that shine
Breathe out, weed smoke retrace the skyline
Heard the bass ride out like an ancient mating call
I can't take it y'all, I can feel the city breathin
Chest heavin, against the flesh of the evening
Sigh before we die like the last train leaving
[Talib Kweli]
Breathin in deep city breaths, sittin on shitty steps
we stoop to new lows, hell froze the night the city slept
The beast crept through concrete jungles
communicatin with one another
And ghetto birds where waters fall
from the hydrants to the gutters
The beast walk the beats, but the beats we be makin
You on the wrong side of the track, lookin visibly shaken
Taken them plungers, plungin to death that's painted by the numbers
with Krylon applied pressure, cats is playin God
but havin children by a lesser baby mother but fuck it
we played against each other like puppets, swearin you got pull
when the only pull you got is the wool over your eyes
Gettin knowledge in jail like a blessing in disguise
Look in the skies for God, what you see besides the smog
is broken dreams flying away on the wings of the obscene
Thoughts that people put in the air
Places where you could get murdered over a glare
But everything is fair
It's a paradox we call reality
So keepin it real will make you casualty of abnormal normality
Killers Born Naturally like, Mickey and Mallory
Not knowing the ways'll get you capped like an NBA salary
Some cats be emceeing to illustrate what we be seeing
Hard to be a spiritual being when shit is shakin what you believe in
For trees to grow in Brooklyn, seeds need to be planted
I'm asking if y'all feel me AND THE CROWD LEFT ME STRANDED
My blood pressure boiled and rose, cause New York niggaz
actin spoiled at shows, to the winners the spoils go
I take the L, transfer to the 2, head to the gates
New York life type trife the Roman Empire state
[Mos Def and crew]
So much on my mind I just can't recline
Blastin holes in the night til she bled sunshine
Breathe in, inhale vapors from bright stars that shine
Breathe out, weed smoke retrace the skyline
Yo don't the bass ride out like an ancient mating call
I can't take it y'all, I can feel the city breathin
Chest heavin, against the flesh of the evening
Sigh before we die like the last train leaving
[spanish speaking woman] Escuchela.. respirando ??
[Common]
Yo...on The Amen, Corner I stood lookin at my former hood
Felt the spirit in the wind, knew my friend was gone for good
Threw dirt on the casket, the hurt, I couldn't mask it
Mixin down emotions, struggle I hadn't mastered
I coreograph seven steps to heaven
And hell, waiting to exhale and make the bread leavened
Veteran of a cold war It's Chica-I-go for
What I know or, what's known
So some days I take the bus home, just to touch home
From the crib I spend months gone
Sat by the window with a clutched dome listenin to shorties cuss long
Young girls with weak minds, but they butt strong
Tried to call, or at least beep the Lord, but didn't have a touch-tone
It's a dog-eat-dog world, you gotta mush on
Some of this land I must own
Outta the city, they want us gone
Tearin down the 'jects creatin plush homes
My circumstance is between Cabrini and Love Jones
Surrounded by hate, yet I love home
Ask my God how he thought travellin the world sound
Found it hard to imagine he hadn't been past downtown
It's deep, I heard the city breathe in its sleep
Of reality I touch, but for me it's hard to keep
Deep, I heard my man breathe in his sleep
Of reality I touch, but for me it's hard to keep
[Mos Def and crew]
So much on my mind I just can't recline
Blastin holes in the night til she bled sunshine
Breathe in, inhale vapors from bright stars that shine
Breathe out, weed smoke retrace the skyline
Yo how the bass ride out like an ancient mating call
I can't take it y'all, I can feel the city breathing
Chest heavin, against the flesh of the evening
Kiss the Ide's goodbye, I'm on the last train leaving
"We did umm, two whole cars
It was me, Dez, and Main Three right?
And on the first car in small letters it said
'All you see is..' and then you know
big, big, you know some block silver letters
that said '..crime in the city' right?"
"It just took up the whole car?"
"Yeah yeah, it was a whole car and shit..."
[spanish speaking woman] Escuchela.. la ciudad respirando
(translation of spanish: Listen to it.. the city breathing)
* woman repeats 3X *
[spanish speaking woman] Escuchela..
[Mos Def]
The new moon rode high in the crown of the metropolis
Shinin, like who on top of this?
People was tusslin, arguin and bustlin
Gangstaz of Gotham hardcore hustlin
I'm wrestlin with words and ideas
My ears is picky, seekin what will transmit
the scribes can apply to transcript, yo
This ain't no time where the usual is suitable
Tonight alive, let's describe the inscrutable
The indisputable, we New York the narcotic
Strength in metal and fiber optics
where mercenaries is paid to trade hot stock tips
for profits, thirsty criminals take pockets
Hard knuckles on the second hands of workin class watches
Skyscrapers is collosus, the cost of living
is preposterous, stay alive, you play or die, no options
No Batman and Robin, can't tell between
the cops and the robbers, they both partners, they all heartless
With no conscience, back streets stay darkened
Where unbeliever hearts stay hardened
My eagle talons STAY sharpened, like city lights stay throbbin
You either make a way or stay sobbin, the Shiny Apple
is bruised but sweet and if you choose to eat
You could lose your teeth, many crews retreat
Nightly news repeat, who got shot down and locked down
Spotlight to savages, NASDAQ averages
My narrative, rose to explain this existance
Amidst the harbor lights which remain in the distance
So much on my mind that I can't recline
Blastin holes in the night til she bled sunshine
Breathe in, inhale vapors from bright stars that shine
Breathe out, weed smoke retrace the skyline
Heard the bass ride out like an ancient mating call
I can't take it y'all, I can feel the city breathin
Chest heavin, against the flesh of the evening
Sigh before we die like the last train leaving
[Talib Kweli]
Breathin in deep city breaths, sittin on shitty steps
we stoop to new lows, hell froze the night the city slept
The beast crept through concrete jungles
communicatin with one another
And ghetto birds where waters fall
from the hydrants to the gutters
The beast walk the beats, but the beats we be makin
You on the wrong side of the track, lookin visibly shaken
Taken them plungers, plungin to death that's painted by the numbers
with Krylon applied pressure, cats is playin God
but havin children by a lesser baby mother but fuck it
we played against each other like puppets, swearin you got pull
when the only pull you got is the wool over your eyes
Gettin knowledge in jail like a blessing in disguise
Look in the skies for God, what you see besides the smog
is broken dreams flying away on the wings of the obscene
Thoughts that people put in the air
Places where you could get murdered over a glare
But everything is fair
It's a paradox we call reality
So keepin it real will make you casualty of abnormal normality
Killers Born Naturally like, Mickey and Mallory
Not knowing the ways'll get you capped like an NBA salary
Some cats be emceeing to illustrate what we be seeing
Hard to be a spiritual being when shit is shakin what you believe in
For trees to grow in Brooklyn, seeds need to be planted
I'm asking if y'all feel me AND THE CROWD LEFT ME STRANDED
My blood pressure boiled and rose, cause New York niggaz
actin spoiled at shows, to the winners the spoils go
I take the L, transfer to the 2, head to the gates
New York life type trife the Roman Empire state
[Mos Def and crew]
So much on my mind I just can't recline
Blastin holes in the night til she bled sunshine
Breathe in, inhale vapors from bright stars that shine
Breathe out, weed smoke retrace the skyline
Yo don't the bass ride out like an ancient mating call
I can't take it y'all, I can feel the city breathin
Chest heavin, against the flesh of the evening
Sigh before we die like the last train leaving
[spanish speaking woman] Escuchela.. respirando ??
[Common]
Yo...on The Amen, Corner I stood lookin at my former hood
Felt the spirit in the wind, knew my friend was gone for good
Threw dirt on the casket, the hurt, I couldn't mask it
Mixin down emotions, struggle I hadn't mastered
I coreograph seven steps to heaven
And hell, waiting to exhale and make the bread leavened
Veteran of a cold war It's Chica-I-go for
What I know or, what's known
So some days I take the bus home, just to touch home
From the crib I spend months gone
Sat by the window with a clutched dome listenin to shorties cuss long
Young girls with weak minds, but they butt strong
Tried to call, or at least beep the Lord, but didn't have a touch-tone
It's a dog-eat-dog world, you gotta mush on
Some of this land I must own
Outta the city, they want us gone
Tearin down the 'jects creatin plush homes
My circumstance is between Cabrini and Love Jones
Surrounded by hate, yet I love home
Ask my God how he thought travellin the world sound
Found it hard to imagine he hadn't been past downtown
It's deep, I heard the city breathe in its sleep
Of reality I touch, but for me it's hard to keep
Deep, I heard my man breathe in his sleep
Of reality I touch, but for me it's hard to keep
[Mos Def and crew]
So much on my mind I just can't recline
Blastin holes in the night til she bled sunshine
Breathe in, inhale vapors from bright stars that shine
Breathe out, weed smoke retrace the skyline
Yo how the bass ride out like an ancient mating call
I can't take it y'all, I can feel the city breathing
Chest heavin, against the flesh of the evening
Kiss the Ide's goodbye, I'm on the last train leaving
Lyrics submitted by nsxdriven
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No Surprises
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Blue
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“Blue” is a song about a love that is persisting in the discomfort of the person experiencing the emotion. Ed Sheeran reflects on love lost, and although he wishes his former partner find happiness, he cannot but admit his feelings are still very much there. He expresses the realization that he might never find another on this stringed instrumental by Aaron Dessner.
Midnight
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“Midnight” is a song about finding a love that is so true that it provides a calming feeling through every storm. Ed Sheeran reflects on his good fortunes in landing someone with such peace and support and speaks of not fearing the dark days because he knows they’ll all end in the safety nets of her arms.
“Well, good morning there / What a way to start the day / With everything laid bare,” Ed Sheeran sings in the first verse, enthusiastic to be waking up beside his woman. He apologizes for missing her calls in the second verse and promises to return them because for him, speaking to her is the most important thing. “Well, I get lost inside my head / In this chaos, you’re my calm / And I will find my feet again / ‘Cause еven the worst days of my life will always еnd / At midnight in your arms,” sings Ed Sheeran in the chorus, revelling in his good luck.
Zombie
Cranberries, The
Cranberries, The
"Zombie" is about the ethno-political conflict in Ireland. This is obvious if you know anything of the singer (Dolores O'Riordan)'s Irish heritage and understood the "1916" Easter Rising reference.
"Another head hangs lowly
Child is slowly taken
And the violence caused such silence
Who are we mistaken
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Another mother's breaking
Heart is taking over"
Laments the Warrington bomb attacks in which two children were fatally injured on March 23rd, 1993. Twelve year old Tim Parry was taken off life support with permission from his mother after five days in the hospital, virtually braindead.
"But you see it's not me
It's not my family"
References how people who are not directly involved with the violence feel about it. They are "zombies" without sympathy who refuse to take action while others suffer.
Sunglasses at Night
Corey Hart
Corey Hart
In the 1980s, sunglasses were a common fashion for people who wanted to adopt a "tough guy" persona (note all the cop shows from that era -- Simon & Simon, Miami Vice, etc. -- where the lead characters wore shades). So I think this song is about a guy who wears shades as a way of hiding his insecurity after learning that his girlfriend is cheating on him. He's trying to pretend that he's a "tough guy" to hide the fact that his girlfriend's affair is disturbing him.
Pure poetry, amazing song, good storytellin. I would explain the meaning but I'm tired, my 2nd favorite song by them.
The emcees illustrate the image of the city as a breathing entity. The very palpable prescence of all the experiences of every human being is portrayed, and the experiences are described as very callous and indifferent. It is just life breathing and existing, nothing that resembles concern for our fellow man exists only the smog, and the, "broken dreams flying away on the wings of the obscene".
I can relate to this song, being from Houston myself and having spent significant parts of my life in various parts of it and seeing people from all walks of life. I too can feel that the city is a living, breathing thing despite the atrocities that are committed on a daily basis.
To me the relationship between the city and people is a metaphor between humanity (and/or maybe god {"like who on top of this?"}) and the individual members of humanity. In the song people treat the city as an inorganic machine ("Strength in metal and fiber optics'). However, anybody with an urban background knows the city is a living, breathing thing, ("I can feel the city breathin, Chest heavin, against the flesh of the evening"). The members of the city are slowly killing it because they treat it as a machine that has input only ignoring the reciprocal effects of their actions.
This can be extended to how we interact as society at large. We are generally trained to make decisions that are in the best interest of ourselves or a small circle of friends and family. So when we do things for personal gain("mercenaries is paid to trade hot stock tips for profits", "No Batman and Robin, can't tell between the cops and the robbers, they both partners, they all heartless With no conscience") or take steps toward transforming to an elitist society (ignoring the plight and interests of the less powerful or small numbered), we are indifferent to the outward effects that these actions have on humanity at large. We are slowly killing it.
Yet society still has life left ("chest heavin"). Just like the city, it refuses to give up.
Nice one Odnups, I once made a presentation on the similarities between contemporary poetry and that of the beginning of the century. You'll find that Hart Crane's poem 'To Brooklyn Bridge'very much resembles these lyrics in both setting and content. They both refer to the intricate relations between nature (sometimes interchangeable with god), the city, and man, and the fading lines that differentiated them. The underlying message is the arrogance and indifference of man that projects its achievements as an elevation from man to 'god', while still all are subjected to the city. It's all a bit too complex to explain in a few lines, but metaphoricly captured rhetoric is very powerful in both 'poems'. "And Thee, across the harbor, silver-paced As though the sun took step of thee, yet left Some motion ever unspent in thy stride,-- Implicitly thy freedom staying thee!" cs.rice.edu/~ssiyer/minstrels/poems/1101.html
It always makes me happy to stumble across another Owl! As long as you weren't in Jones, that is ;P
Sorry anyone! (I was trying to respond to kcircekillah, not comment on the song. But I am grateful for all of the thoughful reactions you all have contributed)
Damn! At first you meant Jones as in Jones High School b/c I mentioned I grew up in H-town in my comment above, and I was like "Hell yes, I went to Jones." But I was confused by "Owl." Now I see that it refers to Rice. Funny, if you hadn't made that comment, none of us would have realized that all three of us are or were Houstonians at one point.