Morning Bell Lyrics
if its put simply, it seems this song is about divorce. i mean "cut the kids in half" and "you can keep the furniture" and "whered you park the car?" just show that so easily. but theres no way of telling; this is radiohead.
thats the beauty of radiohead take it as you like it, i mean it has a meaning to them, but its art! it has so many levels!
thats the beauty of radiohead take it as you like it, i mean it has a meaning to them, but its art! it has so many levels!
@ParaniodAndriod It's true. The meaning of any given Radiohead song is generally found in the abstract, not the concrete. Whatever concepts the lyrics employ make up the frame of the song, not the substance of it.
@ParaniodAndriod It's true. The meaning of any given Radiohead song is generally found in the abstract, not the concrete. Whatever concepts the lyrics employ make up the frame of the song, not the substance of it.
Apparently, the song came out of Yorke sharing his house with a ghost. Divorce of self, divorce from reality, waking up and not knowing who you really are or what's really happening, those are more in line with the theme of Morning Bell.
Apparently, the song came out of Yorke sharing his house with a ghost. Divorce of self, divorce from reality, waking up and not knowing who you really are or what's really happening, those are more in line with the theme of Morning Bell.
Ooh, sory i forgot something important. As i was saying, Radiohead are a band with an anticapitalist sentiment, yet they realise that they cannot escape capitalism (They need to sign to a record label in the music industry, and we need to pay money to buy their music).
The lyric 'Where'd you park the car?' epitomises this. Although the father doesn't care about the furniture and will freely give it to the mother, he is still extremely concerned with another material posseion; the car. Without the car, he cannot escape and survive for very long, and he cannot help his children.
In short, the father needs a bit of capitalism in order to escape capitalism. Realizing the catch-22 situation (you cant escape capitalism if you use it, but you need to use it in order to escape it, but you cant escape it if you use it, and so on and so on,) is the problem at the heart of the album of Kid A. It is also why the album cant find an answer to the problem. In any case, listening to Kid A is a damn good mental excersize, and is says something quite complicated that needs to be said.
I didn't get a full appreciation of Kid A until i came back to it after i was a teenager and a little smarter.
But i think everyone will back me up here when i say that even if you don't fully understand what a Radiohead song is about (and i dont claim to by the way, hell i'm almost definitely overanalysing!) you still feel the moods and emotions that are at the heart of the music, and it is those moods that encaptulate the feelings of anxiety and isolation and hopelessness we feel as disenfranchised members of western society (not unlike Winston in George Orell's 1984 (2+2=5)).
Above anything, Radiohead reassure us that we aren't alone in thinking what we think and feeling how we feel, and that is why they are my favorite band.
@BlakeNewland At the same time, in relation to escaping capitalism, I guess it could also be said that the car may represent trying to escape the trap of continuing to produce the same music, until it gradually becomes worse and worse. The car could simply represent Kid A as itself, as in Kid A is the vehicle in which they can escape from the dread of melting away into obscurity. It's definitely a stretch, but perhaps the car represents parallel ideas - escaping capitalism, but requiring capitalism to escape; escaping a supposedly inevitable trap of likeness in music, whilst having...
@BlakeNewland At the same time, in relation to escaping capitalism, I guess it could also be said that the car may represent trying to escape the trap of continuing to produce the same music, until it gradually becomes worse and worse. The car could simply represent Kid A as itself, as in Kid A is the vehicle in which they can escape from the dread of melting away into obscurity. It's definitely a stretch, but perhaps the car represents parallel ideas - escaping capitalism, but requiring capitalism to escape; escaping a supposedly inevitable trap of likeness in music, whilst having to continue producing music in order to change. Obviously these sides are different, as continuing to create music doesn't mean doing what you've done before, but there is a distinct similarity between the two.
As you said, no-one understands Radiohead as a whole, it's impossible for someone to - unless of course you're in Radiohead. But, I personally feel that the car represents two separate metaphors, one being an escape from itself, and the other as being a vehicle to escape fading way.
Apologies for this being a bit of a mess, but I'm a tad tired at the moment.
i don't see the amnesiac version of the song to be so lighthearted, but it has brighter sonorities, and its in 4/4 time as opposed to the kid a version which is in 5/4, i love both, or rather every noise ever emitted from thom yorke and jonny greenwood
It's interesting, in the context of Amniesiac, it appears to be about divorce, but in context of Kid A, it's quite different. (Speaking of Kid A) Morning Bell represents (to me) the aftermath of the catastrophe of Idioteque. We cannot wallow in despair, and have to face up to the monotomous pain of living ("walking, walking, walking"). Maybe it's a kind of divorce, a detachment from reality and a full life, simply staying alive out of habit, like a zombie. Another interesting slant on this is a quote from Thom: "It's very, very violent. Extremely violent. The really weird thing about that was I wrote the song with all the words pretty much straight away, which is basically the only one I did that with. I recorded it onto MiniDisc and then there was a lightning storm, and it wiped the MiniDisc and I lost the song. I completely forgot it. Then five months later, I was on a plane, knackered for 24 hours, I was just falling asleep, and I remembered it. It was really weird, I never had that before. It's gone in and took a long time to come out again. The lyrics are really... they're not as dramatic as they sound, you know? Except "Cut the kids in half", which is dramatic no matter which way you read it". The fact he describes it as "violent" suggests against the idea of divorce.
@whapcapn divorce is existentially violent, though, if not physically; it tears people apart. Of course, Radiohead's lyrics (especially Yorke's, I think) are more abstract than concrete, so the idea that it's about a divorce from reality and/or self is spot on. Plus, in some Q&A, when asked directly if the song is about divorce, Yorke's answer was "no, not really..." and he went on to describe how the house he bought between OK Computer and Amnesiac was haunted, and that fated MiniDisc was filled with various ideas, ramblings, and such inspired by that.
@whapcapn divorce is existentially violent, though, if not physically; it tears people apart. Of course, Radiohead's lyrics (especially Yorke's, I think) are more abstract than concrete, so the idea that it's about a divorce from reality and/or self is spot on. Plus, in some Q&A, when asked directly if the song is about divorce, Yorke's answer was "no, not really..." and he went on to describe how the house he bought between OK Computer and Amnesiac was haunted, and that fated MiniDisc was filled with various ideas, ramblings, and such inspired by that.
On the base level, yes, the song is about divorce. But we all know radiohead are cleverer than that. The reason most of us like them is that most of their songs are extremely difficult to find the exact meaning of, it generates conversations like this!
I like to think of morning bell in the context of the whole album (kid A). So firstly I'll talk about what I think Kid A is all about. Skip further down if you just want to know what i think of Morning Bell.
Kid A is a concept album, borne out of Radioheads abivalent feelings towards their own success after Ok computer; they didn't just want to churn out another similar sounding album and gradually fade away, churning out album after album, each slightly worse than the last, until nobody likes their new stuff any more.
Kid A in my opinion is an experiment conducted by radiohead to see if they can escape this type of decaying popularity so many bands suffer from.
Also, thnk about their music as a whole. Generally speaking, it is about the worries and anxieties created by a capitalist society that is fully in control of the world, but not in control of itself, to the extent that it will eventually destroy the planet and all of us along with it.
Take for example idiotech: (we are not scaremongering, this is really happening! Women and children first etc.) Women and children first being a reference to the titanic, this is a metaphor that suggests living on earth is like being stuck on a sinking ship; hopelessly inescapable. Yet Kid A i think is about somehow trying to escape it, just like their own success.
So, take these two things into consideration:
1-Radiohead wish to escape their own success. (this doesen't mean they want to be unsuccessful, but rather, they are worried that the future of their band if they carry on like they have been doing)
2-Their music (from the bends onwards) is generally about trying to escape a capitalist system which will destroy the earth.
OK. BACK TO MORNING BELL.
'Cut the kids in half', as a few of you have suggested, refers to the well-known story about the two women claiming to be the mother of one child. I agree with you. However, notice the difference between this story and the lyrics in morning bell.
In the story, 'cut the kids in half' is a test to find out who the real mother is; and the real mother' sentiment is that she would rather give her child to the other woman than allow her child to be cut in half.
In the song however, the narrator (the father) is addressing the mother when he says 'you can keep the furniture'; and he is adressing her throughout the whole song. So 'cut the kids in half' is a way of saying 'you care more about the furniture than our children, and if we were tested (like the two women) I would be the one that really cared about them.
The song in my opinion therefore , although about divorce, is more about the differences between the father and the mother.
The father is the antithesis of capitalism; he wants to escape it. However, the mother is an embodiment of capitalism; she cares more about her material possessions than her children. And as the mother is an embodiment of capitalism, the father wants to escape her too.
I like the comment about father christmas coming down the chimney. For me it further shows the mother's obsession with capitalism (christmas being the retailers favorite time of year). 'Bump on the head' for me symbolizes that father christamas (symbolic of her material possessions) have confused the mother to the extent that she is a slave to it.
'Nobody wants to be a slave' suggests more anxiety in the father's mind: he doesen't want to be a slave, he realizes what is important, being a friend to people, being there for his children. He believes that the mother is a slave to capitalism without even realizing it. He isn't, he tells her 'you can keep the furniture'.
'Release me'; well, after everything i've already said i think you see my train of thought on what this means.
However, as I said before, the divorce, the mother and the father are metaphorical. The 'father' is somebody who thinks there are more important things in life than capitalism, while the 'mother' is a slave to capitalism, while the 'divorce' signifies a split between the two.
THE MOST IMPORTANT QUESTION TO ASK ABOUT THE SONG!!! WHO DO THE KIDS REPRESENT?
They represent us!
We have a very grim choice; either we can go and live with the mother (capitalism), indulge ourselves in material posessions and contribute towards the destruction of the planet. OR we can go and live with the father (anticapitalism) and realise the truth; that friendship and humanity (and great music) are more important than material things. But then we come to a problem, how the hell are we going to do be independent from capitalist society, really?
Radiohead face the same problem with their music; how can they write music with anticapitalist sentiments when they are signed to a record label, and we, the fans, escape capitalism when we need to buy their music?
This is the main problem that Kid A tries to solve. But it can't. It tries to get away from itself (im not here, this isn't happening) And suceeds for a while in 'treefingers'. The struggle is born again in 'optimistic' with a new answer to the problem (you can try the best you can, the best you can is good enough). But too soon we find ourselves 'In Limbo', and then the original problem arises in idiotech and morning bell. And at the end, the only answer we get is 'i will see you in the next life'.
@BlakeNewland excellent!
@BlakeNewland excellent!
It's about a marriage gone sour (reminds me of a Harry Enfield sketch about an unhappily-married couple, with the poor kid stuck in the middle). 'Where'd you park the car?" is quite funny, actually. I can picture the scene: man and woman arguing bitterly, with intense loathing in their eyes. It's like when your partner even breathing or eating (or both at the same time) annoys you intensely, so that you know the game's pretty much up.
@richeye Radiohead is never that straightforward. That scene you can picture so vividly is meant to tell a different story than the one on the surface. What's underneath?
@richeye Radiohead is never that straightforward. That scene you can picture so vividly is meant to tell a different story than the one on the surface. What's underneath?
"I was told the part about "Cut the kids in half" is a direct quotation from the Bible. Moses (maybe someone else?) gets approached by 2 prostitutes claiming they're both carrying his children. He tells them to "cut the kids in half"."
i think it was a little different than that.
it was more like king solomon was a judge as well as a king. two women came to him fighting over possession of a baby that one woman claimed the other stole from her. to solve it, king solomon told a guard to take a sword and cut the baby in half. the false mother agreed, but the real mother was all "no no don't do it, give it to her if that's what you'll do", and that's how king solomon knew who the real mother was.
i'm not sure if that line is any reference to that, however.
@kelar Actually, that story was about King Solomon, and it wasn't his child. The phrase "cut the kids in half" is generally used in reference to custody, whether each parent takes custody of one of their two kids, or just splits their time. It's not a direct reference to King Solomon's wisdom.
@kelar Actually, that story was about King Solomon, and it wasn't his child. The phrase "cut the kids in half" is generally used in reference to custody, whether each parent takes custody of one of their two kids, or just splits their time. It's not a direct reference to King Solomon's wisdom.
Also, Yorke has stated that the song isn't really about divorce, though that theme is used throughout. It's actually about a ghost he believed lived in the house he had just bought at the time.
Also, Yorke has stated that the song isn't really about divorce, though that theme is used throughout. It's actually about a ghost he believed lived in the house he had just bought at the time.
General suburban misery? Growing up in a broken home?
to me this song is all about consumerism, and how people tend to sort of blend in and do all the same things as the rest of society, even if they don't really want to. "light another candle," meaning mourn whatever the media says to mourn. then everybody still celebrating christmas, even if they're not in anyway religious, because it's become a consumer holiday. everybody worried about the same material stuff, shopping, clothes, furniture, cars. cut the kids in half is a reference to making more identical consumer clones, because they're identical to their predecessor, so it's like they've just been split in two and then regrown into two identical beings. the last verse (the mumbled bits from the live shows) is talking about how everybody's functioning, but nobody's thinking about what they're doing. also about how everyone wants to blend in, but nobody wants to feel like they're just clones or slaves to the media. everybody wants to...nobody wants to be a slave.
Initially this song striked me as one about divorce. The lyrics "cut the kids in half" meant shared custody and "you can keep the furniture" seemed to be about who gets what in the divorce. Then, "release me" was an homage to ending the terrible relationship that needed release.
Turns out none of this was true. Yorke had never been divorced and only remarried after his wife Rachel Owen passed away. In an interview about the song, Yorke stated that he basically came up with the words impromptu and recorded it on his MiniDisc when he moved into a new house that was "haunted" and came up with violent lyrics. The MiniDisc was wiped out due to a storm and only recoveres the song after waking up from a flight. He denied that is was ever about divorce.
This song is much like other Radiohead songs where there is no explicit meaning behind the lyrics, but more themes. The themes here are a haunting, violent tone. Yorke had potentially subconsciously thought of Morning Bells as a sort of haunting sound that is almost like torture and the need to be released from it. The song is basically Thom Yorke's nightmare that could not be explained in plain English (like most dreams) other than being a nightmare of living in a haunted house.