Holiday

While the obvious connections with suicide or alcoholism could be drawn easily, more subtly this song could be about someone who views the world through a negative lens constantly and how as much as the writer tries to show the beauty in the world, this person refuses to see it. It's one or another between the rope and the bottle. There is no good option for this person. They can't see it. Skiba sings it in a kind of exasperated way like He's tired of hearing this negative view constantly and just allowing that person to continue feeling the way they feel knowing he can't do anything about it. You can hear it when he says maybe you're a vampire.

Just listening for the 784,654th time....and it's just perfect in every way. Just incredible. The only reason it was remade was to scoop up a boatload of money from a more modern and accepting audience. But it is a completely different song than the other one that sounds slapped together in a few takes without a thought for the meaning. This song captivates me still, after 50+ years. Takes me to the deep South and the poverty of some who lived thru truly hard times. And the powerful spirit of a poor young girl being abandoned to her future with only a red dress and her wits to keep her alive. She not only stayed alive, she turned her hard beginnings around, became self sufficient, successful and someone with respect for herself. She didn't let the naysayers and judgers stop her. She's the one sitting in the drivers seat at the end. So, not a song about a poor girl, but a song of hope and how you can rise up no matter how far down you started. There is a huge difference between a singer who simply belts out a song that is on a page in front of them, and someone who can convey an entire experience with their voice. Telling not just a story with words, but taking you inside it and making you feel like you are there, with their interpretation.

@Kahiara Actually I think the husband passed away, "She sang for you last night She heard you were calling" Many people say they have felt, heard, or seen their loved ones after they have passed. "Don't be scared now Close your eyes She holds guard tonight Go on forward no remorse Life will take it's course" This is said to the late husband by a third part (never named), who encourages him to pass on. Because life will eventually continue. The phrase "holds guard" refers to the ( en.wikipedia.org/wiki/… ) which is a Christian ceremony held after someone dies. Now it is usually held right after the funeral, but in most celtiic countries the wake is held before the funeral. "She danced with you last night so you will remember All you have shared, a lifetime." This sentence feels as if the only thing it wants to convey is their history together, namely, husband and wife. For the rest it just refers back to the first verse.

Matt Shadows their lead singer says the song was written as per request from the developers of Call of Duty: Black Ops 4. Watching the initial trailers for the game & looking at production sketches reminded him of the 'S-Town' podcast & its main protagonist, John B. McLemore. Matt also comments specifically on the lyrics: "I decided that the lyrics would shadow McLemore's life." In 2012, antiquarian horologist John B. McLemore sent an email to the staff of the show 'This American Life' asking them to investigate an alleged murder in his hometown of Woodstock, Alabama, a place McLemore claimed to despise. After a year of exchanging emails & several months of conversation with McLemore, producer Brian Reed traveled to Woodstock to investigate. Reed investigated the crime & eventually found that no such murder took place, though he struck up a friendship with the depressed but colorful character of McLemore. He recorded conversations with McLemore & other people in Woodstock. McLemore killed himself by drinking potassium cyanide on June 22, 2015 while the podcast was still in production. In the narrative of the podcast, this occurs at the end of the second episode; subsequent episodes deal with the fallout from McLemore's death while exploring more of McLemore's life & character.

This standalone single marks the latest collaboration between the artists. It was produced by Nico Stadi & Teemu Brunila and released on December 31, 2020.