This is a hauntingly beautiful song about introspection, specifically about looking back at a relationship that started bad and ended so poorly, that the narrator wants to go back to the very beginning and tell himself to not even travel down that road. I believe that the relationship started poorly because of the lines:
"Take me back to the night we met:When the night was full of terrors: And your eyes were filled with tears: When you had not touched me yet"
So, the first night was not a great start, but the narrator pursued the relationship and eventually both overcame the rough start to fall in love with each other:
"I had all and then most of you"
Like many relationships that turn sour, it was not a quick decline, but a gradual one where the narrator and their partner fall out of love and gradually grow apart
"Some and now none of you"
Losing someone who was once everything in your world, who you could confide in, tell your secrets to, share all the most intimate parts of your life, to being strangers with that person is probably one of the most painful experiences a person can go through. So Painful, the narrator wants to go back in time and tell himself to not even pursue the relationship.
This was the perfect song for "13 Reasons Why"
Shine, shine, the light of good works shine
The watch before the city gates depicted in their prime
That golden light all grimy now
Three hundred years have passed
The worthy Captain and his squad of troopers standing fast
The artist knew their faces well
The husbands of his lady friends
His creditors and councilors
In armor bright, the merchant men
Official moments of the guild
In poses keen from bygone days
The city fathers frozen there
Upon the canvas dark with age
The smell of paint, a flask of wine
And turn those faces all to me
The blunderbuss and halberd-shaft
And Dutch respectability
They make their entrance one by one
Defenders of that way of life
The redbrick home, the bourgeoisie
Guitar lessons for the wife
So many years we suffered here
Our country racked with Spanish wars
Now comes a chance to find ourselves
And quiet reigns behind our doors
We think about posterity again
And so the pride of little men
The burghers good and true
Still living through the painter's hand
Request you all to understand
The watch before the city gates depicted in their prime
That golden light all grimy now
Three hundred years have passed
The worthy Captain and his squad of troopers standing fast
The artist knew their faces well
The husbands of his lady friends
His creditors and councilors
In armor bright, the merchant men
Official moments of the guild
In poses keen from bygone days
The city fathers frozen there
Upon the canvas dark with age
The smell of paint, a flask of wine
And turn those faces all to me
The blunderbuss and halberd-shaft
And Dutch respectability
They make their entrance one by one
Defenders of that way of life
The redbrick home, the bourgeoisie
Guitar lessons for the wife
So many years we suffered here
Our country racked with Spanish wars
Now comes a chance to find ourselves
And quiet reigns behind our doors
We think about posterity again
And so the pride of little men
The burghers good and true
Still living through the painter's hand
Request you all to understand
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I believe frijolito_ts is correct in most of his remarks, but I would like to add a little more perspective.
The narrator in these lyrics is obviously standing on front of the painting referred to as "The Night Watch" in the National Museum of Amsterdam, and expresses his admiration for it both by calling it a "good work" and analysing the scene depicted at length. Through the painting, he seems to acquire an understanding of the suffering of the Dutch people after their struggle with the Spanish reign and of their longing for a free and prosperous society, with all the petty bourgousie stuff that comes along with it.
The pivoting point of these lyrics lies in the possible dual interpretation of the last verse:
The burghers good and true / still living through the painter's hand / request you all to understand
According to this line, the good and true burghers who are immortalised by the painter (i.e. the people depicted in the painting) request "you all" to show an understanding for their cause. However, if this verse is read as follows:
The burghers good and true still living / through the painter's hand / request you all to understand
perhaps the good and true burghers of the Netherlands, in their petty society of today (=1974), request you all to show an understanding of their way of life, by invoking this painting.
I wouldn't go as far as to say that Palmer-James consciously included this dual interpretation in his lines; on the other hand, it is obvious that whatever the feelings of the narrator towards the Dutch society were, it is this painting by Rembrandt that made him judge it in a more flexible manner.