One, two
One, two, three

Yeah, inslumnational, underground
Thunder pounds when I stomp the ground (woo)
Like a million elephants or silverback orangutans
You can't stop a train
Who want some? Don't come unprepared
I'll be there, but when I leave there
Better be a household name
Weather man tellin' us it ain't gon' rain
So now we sittin' in a drop-top, soakin' wet
In a silk suit, tryin' not to sweat
Hit somersaults without the net
But this'll be the year that we won't forget
1-9-9-9, Anno Domini, anything goes, be whatchu wanna be
Long as you know consequences are given for livin'
The fence is too high to jump in jail
Too low to dig, I might just touch hell, hot
Get a life, now they on sale
Then I might cast you a spell
Look at what came in the mail
A scale and some Arm & Hammer
Soul-gold grill and a baby mama
Black Cadillac and a pack of Pampers
Stack of question with no answers
Cure for cancer, cure for AIDS
Make a nigga wanna stay on tour for days
Get back home, things are wrong
Well not really, it was bad all along
Before you left adds up to a ball of power
Thoughts at a thousands miles per hour
Hello, ghetto, let your brain breathe
Believe there's always mo', ow

Don't pull the thang out, unless you plan to bang
Bombs over Baghdad (yeah, yeah)
Don't even bang unless you plan to hit something
Bombs over Baghdad (yeah, uh)
Don't pull the thang out, unless you plan to bang
Bombs over Baghdad, yeah (ha, ha, ha)
Don't even bang unless you plan to hit something
Bombs over Baghdad

Uno, dos, tres, it's on
Did you ever think a pimp rock a microphone?
Like that there Boi and will still stay street
Big things happen every time we meet
Like a track team, crack fiend, dyin' to geek
Outkast bumpin' up and down the street
Slam back, Cadillac, 'bout five nigga deep
Seventy-five emcee's freestylin' to the beat
'Cause we get krunk, stay drunk, at the club
Should have bought an ounce, but you copped a dub
Should have held back, but you throwed the punch
'Spose to meet your girl but you packed a lunch
No D to the U to the G for you
Got a son on the way by the name of Bamboo
Got a little baby girl, four year, Jordan
Never turn my back on my kids for them
Should have hit it, quit it, rag-top
Before you re-up, get a laptop
Make a business for yourself, boy, set some goals
Make a fat diamond out of dusty coals
Record number four, but we on a roll
Hold up, slow up, stop, control
Like Janet, Planet, Stankonia's on ya
Movin' like Floyd, comin' straight to Florida
Lock all your windows, then block the corridors
Pullin' off my belt 'cause a whipping's in order
Like a three-piece fish before I cut your daughter
Yo quiero Taco Bell, then I hit the border
Pitty-pat rappers tryin' to get the five
I'm a microphone fiend tryin' to stay alive
When you come to ATL, boy, you betta not hide
'Cause the Dungeon Family gon' ride, ha

Don't pull the thang out, unless you plan to bang
Bombs over Baghdad (yeah)
Don't even bang unless you plan to hit something
Bombs over Baghdad (uh, yeah)
Don't pull the thang out, unless you plan to bang
Bombs over Baghdad (y'all heard me, yeah)
Don't even bang unless you plan to hit something
Bombs over Baghdad, yeah

Bombs over Baghdad, yeah
Bombs over Baghdad, yeah
Bombs over Baghdad, yeah
Bombs over Baghdad, yeah

(B-I-G B-O-I)

Bob your head, rag-top
Bob your head, rag-top
Bob your head, rag-top
Bob your head, rag-top
Bob your head, rag-top
Bob your head, rag-top
Bob your head, rag-top
Bob your head, rag-top
Bob your head, rag-top
Bob your head, rag-top
Bob your head, rag-top
Bob your head, rag-top
Bob your head, rag-top
Bob your head, rag-top
Bob your head, rag-top
Bob your head, rag-top (one, two, three, let's go)

Power music, electric revival
Power music, electric revival
Power music, electric revival
Power music, electric revival
Power music, electric revival
Power music, electric revival
Power music, electric revival
Power music, electric revival
Power music, electric revival
Power music, electric revival
Power music, electric revival
Power music, electric revival
Power music, electric revival
Power music, electric revival
Power music, electric revival
Power music, electric revival


Lyrics submitted by SNYder

B.O.B. Lyrics as written by Andre Benjamin David Sheats

Lyrics © BMG Rights Management, Sony/ATV Music Publishing LLC, Warner Chappell Music, Inc.

Lyrics powered by LyricFind

B.O.B. song meanings
Add Your Thoughts

52 Comments

sort form View by:
  • -1
    General Comment

    Fuck you

    slim883on August 15, 2002   Link

Add your thoughts

Log in now to tell us what you think this song means.

Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise!

More Featured Meanings

Album art
The Night We Met
Lord Huron
This is a hauntingly beautiful song about introspection, specifically about looking back at a relationship that started bad and ended so poorly, that the narrator wants to go back to the very beginning and tell himself to not even travel down that road. I believe that the relationship started poorly because of the lines: "Take me back to the night we met:When the night was full of terrors: And your eyes were filled with tears: When you had not touched me yet" So, the first night was not a great start, but the narrator pursued the relationship and eventually both overcame the rough start to fall in love with each other: "I had all and then most of you" Like many relationships that turn sour, it was not a quick decline, but a gradual one where the narrator and their partner fall out of love and gradually grow apart "Some and now none of you" Losing someone who was once everything in your world, who you could confide in, tell your secrets to, share all the most intimate parts of your life, to being strangers with that person is probably one of the most painful experiences a person can go through. So Painful, the narrator wants to go back in time and tell himself to not even pursue the relationship. This was the perfect song for "13 Reasons Why"
Album art
Bron-Y-Aur Stomp
Led Zeppelin
This is about bronies. They communicate by stomping.
Album art
Mountain Song
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988. "'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it." "There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Album art
No Surprises
Radiohead
Same ideas expressed in Fitter, Happier are expressed in this song. We're told to strive for some sort of ideal life, which includes getting a good job, being kind to everyone, finding a partner, getting married, having a couple kids, living in a quiet neighborhood in a nice big house, etc. But in Fitter, Happier the narrator(?) realizes that it's incredibly robotic to live this life. People are being used by those in power "like a pig in a cage on antibiotics"--being pacified with things like new phones and cool gadgets and houses while being sucked dry. On No Surprises, the narrator is realizing how this life is killing him slowly. In the video, his helmet is slowly filling up with water, drowning him. But he's so complacent with it. This is a good summary of the song. This boring, "perfect" life foisted upon us by some higher powers (not spiritual, but political, economic, etc. politicians and businessmen, perhaps) is not the way to live. But there is seemingly no way out but death. He'd rather die peacefully right now than live in this cage. While our lives are often shielded, we're in our own protective bubbles, or protective helmets like the one Thom wears, if we look a little harder we can see all the corruption, lies, manipulation, etc. that is going on in the world, often run by huge yet nearly invisible organizations, corporations, and 'leaders'. It's a very hopeless song because it reflects real life.
Album art
Head > Heels
Ed Sheeran
“Head > Heels” is a track that aims to capture what it feels like to experience romance that exceeds expectations. Ed Sheeran dedicates his album outro to a lover who has blessed him with a unique experience that he seeks to describe through the song’s nuanced lyrics.