This is a sequel to 2001's "Reckless Abandon", and features the band looking back on their clumsy youth fondly.
{Marc}
Come on girl pick it up
{Girl}
Hello
{Marc}
Yo, what's up girl
{Girl}
Who this?
{Marc}
This me
{Girl}
Oh, what's up baby
Why you ain't call me?
{Marc}
Yeah you know, I'm just been a little busy
But you know I'm been thinking about you anyway, doll
{Girl}
What you been thinking about?
{Marc}
You know, I was thinking,
Maybe you and me get together tonight
{Girl}
And do what?
{Marc}
And talk a little bit more
{Girl}
All we gonna do is talk?
{Marc}
Yeah, what's up
{Girl}
I ain't doing nothing, just taking care of these nappy
{Marc}
(Whisping) Damn, I gotta remember this girl name
{Girl}
Anyway, my manager told me I got this lead part with them and I can't wait
{Marc}
Hmm, say what?
{Girl}
Are you listening to me?
{Marc}
I'm listing to you sweet heart
{Girl}
Why won't you ever say my name?
{Marc}
You know but you just
{Girl}
What's my name
{Marc}
Ah, baby come on stop trippin'
{Girl}
What's my name?
{Marc}
Baby you know girl
{Girl}
What's my name?
{Marc}
Come on now stop playin' with me
{Girl}
What's my name?
{Marc}
I don't know your name, but you're gonna come over?
(Phone click)
Damn
What's Stephanie Number
Come on girl pick it up
{Girl}
Hello
{Marc}
Yo, what's up girl
{Girl}
Who this?
{Marc}
This me
{Girl}
Oh, what's up baby
Why you ain't call me?
{Marc}
Yeah you know, I'm just been a little busy
But you know I'm been thinking about you anyway, doll
{Girl}
What you been thinking about?
{Marc}
You know, I was thinking,
Maybe you and me get together tonight
{Girl}
And do what?
{Marc}
And talk a little bit more
{Girl}
All we gonna do is talk?
{Marc}
Yeah, what's up
{Girl}
I ain't doing nothing, just taking care of these nappy
{Marc}
(Whisping) Damn, I gotta remember this girl name
{Girl}
Anyway, my manager told me I got this lead part with them and I can't wait
{Marc}
Hmm, say what?
{Girl}
Are you listening to me?
{Marc}
I'm listing to you sweet heart
{Girl}
Why won't you ever say my name?
{Marc}
You know but you just
{Girl}
What's my name
{Marc}
Ah, baby come on stop trippin'
{Girl}
What's my name?
{Marc}
Baby you know girl
{Girl}
What's my name?
{Marc}
Come on now stop playin' with me
{Girl}
What's my name?
{Marc}
I don't know your name, but you're gonna come over?
(Phone click)
Damn
What's Stephanie Number
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When We Were Young
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American Town
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Ed Sheeran shares a short story of reconnecting with an old flame on “American Town.” The track is about a holiday Ed Sheeran spends with his countrywoman who resides in America. The two are back together after a long period apart, and get around to enjoying a bunch of fun activities while rekindling the flames of their romance.

Page
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There aren’t many things that’ll hurt more than giving love a chance against your better judgement only to have your heart crushed yet again. Ed Sheeran tells such a story on “Page.” On this track, he is devastated to have lost his lover and even more saddened by the feeling that he may never move on from this.

Midnight
Ed Sheeran
Ed Sheeran
“Midnight” is a song about finding a love that is so true that it provides a calming feeling through every storm. Ed Sheeran reflects on his good fortunes in landing someone with such peace and support and speaks of not fearing the dark days because he knows they’ll all end in the safety nets of her arms.
“Well, good morning there / What a way to start the day / With everything laid bare,” Ed Sheeran sings in the first verse, enthusiastic to be waking up beside his woman. He apologizes for missing her calls in the second verse and promises to return them because for him, speaking to her is the most important thing. “Well, I get lost inside my head / In this chaos, you’re my calm / And I will find my feet again / ‘Cause еven the worst days of my life will always еnd / At midnight in your arms,” sings Ed Sheeran in the chorus, revelling in his good luck.

System
Mel And Kim
Mel And Kim
Just listening for the 784,654th time....and it's just perfect in every way. Just incredible. The only reason it was remade was to scoop up a boatload of money from a more modern and accepting audience. But it is a completely different song than the other one that sounds slapped together in a few takes without a thought for the meaning.
This song captivates me still, after 50+ years. Takes me to the deep South and the poverty of some who lived thru truly hard times. And the powerful spirit of a poor young girl being abandoned to her future with only a red dress and her wits to keep her alive.
She not only stayed alive, she turned her hard beginnings around, became self sufficient, successful and someone with respect for herself. She didn't let the naysayers and judgers stop her. She's the one sitting in the drivers seat at the end.
So, not a song about a poor girl, but a song of hope and how you can rise up no matter how far down you started.
There is a huge difference between a singer who simply belts out a song that is on a page in front of them, and someone who can convey an entire experience with their voice. Telling not just a story with words, but taking you inside it and making you feel like you are there, with their interpretation.