Guns of Brixton (The Clash cover)

Per the FAQ on Keane's website, Keane's drummer Richard Hughes, stated the following: "We've been asked whether "Somewhere Only We Know" is about a specific place, and Tim has been saying that, for him, or us as individuals, it might be about a geographical space, or a feeling; it can mean something individual to each person, and they can interpret it to a memory of theirs... It's perhaps more of a theme rather than a specific message... Feelings that may be universal, without necessarily being totally specific to us, or a place, or a time..." With the nostalgic sentiment and the overall tone of the song, I think Keane is attempting to express a Portuguese term known as 'saudade', which does not have a direct English translation but roughly means "that which we remember because it is gone."

I believe this is another amazingly on point and nuanced commentary on the insanity that follows emotionally abusive relationships. The abuser has no anxieties, no emotional pain, or salience/memory for that matter, so the survivor appears to be the crazy one, obsessed with the abuse and that buzzword that seems to ignite arguments about diagnosing people without a degree, etc. funny how you say the words domestic violence, abuse, abuse survivor and boom the subject changes. Anyways, I especially relate to her midnights becoming afternoons, complex PTSD often leads to this phenomenon, whether due to purposeful sleep deprivation by the abuser, or just hyper vigilance associated with the PTSD, along with the fear of facing people, especially your loved ones, who Never actually understand, even if they try, because all they see is you, on fire, screaming about the arsonist that no one ever sees, and who has been spreading lies about your alleged mental instability, deceptive personality, etc. the whole time. While the last thing survivors need is more blame, our society supports a narrative that blames the objectively innocent party because the blatantly guilty party has spent their entire lives fabricating a persona and we’re just being human, and human psychology is quite counterintuitive especially in the context of trauma. Look at Amber Heard. Vilified and not believed, regardless of what any abuse survivor could recognize as a fellow survivor instantly. But Johnny depp is a malignant narcissist, a man, and wealthy as all get out. It’s sick.

Moyet later described how her song "Goodbye 70's" had been inspired by her disillusionment with how the late-1970s punk scene had turned out, saying, "'Goodbye 70's' is about punk and not caring how you were dressed, and then I discovered that so many of my friends that I'd thought it all really meant something to just saw it as another trend... That's what 'Goodbye 70's' was all about, about how sour the whole thing became."

The man has pseudo-friends who constantly criticize his actions. They moralize him, "teach" him and advise him to make a significant change in his life, because the way he is and what he does is not what they say it should be. They may find his life lame or immoral. They hold themselves up as role models. The man replies that he will make his own choices and decisions and he does not agree to unconditionally make himself under the influence of questionable quality advice. He justifies this by saying that there is always someone for whom he will be important, no matter what he does and no matter what he is. Although it is not said directly, I read it as meaning that he will always be important to himself in every way and he will always have his own support. "Everyone is different and maybe that's a good thing, but you exceeded that mark 1000 times" - I remember very well how sad the words I once heard (from my peers and it was in negative context) at school made me feel.

This track is the first official collaboration between the rappers. It was produced by SAMO, slowthai himself & Kwes Darko. The track was released on January 5, 2021, in anticipation of his latest studio album titled "TYRON".