@[Diderik:33655] "Your a holiday!" Was a popular term used in the 50s/60s to compliment someone on their all around. For example, not only are they beautiful, but they are fun and kind too ... just an all around "holiday".
I think your first comment is closer to being accurate. The singer/song writers state "Millions of eyes can see, yet why am i so blind!? When the someone else is me, its unkind its unkind". I believe hes referring to the girl toying with him and using him. He wants something deeper with her, thats why he allows himself to be as a puppet (even though for her fun and games) as long as it makes her happy. But he knows deep down that she doesnt really want to be serious with him and thats what makes him.
The walls are built up stone by stone
The fields divided one-by-one
And the train conductor says
"Take a break, Driver 8, Driver 8, take a break
We've been on this shift too long"
And the train conductor says
"Take a break, Driver 8, Driver 8, take a break
We can reach our destination but we're still a ways away"
I saw a treehouse on the outskirts of the farm
The power lines have floaters so the airplanes won't get snagged
Bells are ringing through the town again
The children look up, all they hear is sky-blue, bells ringing
And the train conductor says
"Take a break, Driver 8, Driver 8, take a break
We can reach our destination, but we're still a ways away"
But it's still a ways away
But we're still a ways away
But it's still a ways away
Way to shield the hated heat
Way to put myself to sleep
Way to shield the hated heat
Way to put myself, my children to sleep
He piloted this song in a plane like that one
She is selling faith on the Go Tell crusade
Locomotive 8, Southern Crescent, hear the bells ring again
The fields of wheat is lookin' thin
And the train conductor says
"Take a break, Driver 8, Driver 8, take a break
We've been on this shift too long"
And the train conductor says
"Take a break, Driver 8, Driver 8, take a break
We can reach our destination, but we're still a ways away"
But it's still a ways away
But we're still a ways away
But it's still a ways away
The fields divided one-by-one
And the train conductor says
"Take a break, Driver 8, Driver 8, take a break
We've been on this shift too long"
And the train conductor says
"Take a break, Driver 8, Driver 8, take a break
We can reach our destination but we're still a ways away"
I saw a treehouse on the outskirts of the farm
The power lines have floaters so the airplanes won't get snagged
Bells are ringing through the town again
The children look up, all they hear is sky-blue, bells ringing
And the train conductor says
"Take a break, Driver 8, Driver 8, take a break
We can reach our destination, but we're still a ways away"
But it's still a ways away
But we're still a ways away
But it's still a ways away
Way to shield the hated heat
Way to put myself to sleep
Way to shield the hated heat
Way to put myself, my children to sleep
He piloted this song in a plane like that one
She is selling faith on the Go Tell crusade
Locomotive 8, Southern Crescent, hear the bells ring again
The fields of wheat is lookin' thin
And the train conductor says
"Take a break, Driver 8, Driver 8, take a break
We've been on this shift too long"
And the train conductor says
"Take a break, Driver 8, Driver 8, take a break
We can reach our destination, but we're still a ways away"
But it's still a ways away
But we're still a ways away
But it's still a ways away
Lyrics submitted by sportcarder
Driver 8 Lyrics as written by Peter Buck Bill Berry
Lyrics © Universal Music Publishing Group
Lyrics powered by LyricFind
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More Featured Meanings
Holiday
Bee Gees
Bee Gees
Gentle Hour
Yo La Tengo
Yo La Tengo
This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version.
Great version of a great song,
Just A Little Lovin'
Dusty Springfield
Dusty Springfield
I don't think it's necessarily about sex. It's about wanting to start the day with some love and affection. Maybe a warm cuddle. I'm not alone in interpreting it that way! For example:
"'Just a Little Lovin’ is a timeless country song originally recorded by Eddy Arnold in 1954. The song, written by Eddie Miller and Jimmy Campbell, explores the delicate nuances of love and showcases Arnold’s emotive vocals. It delves into the universal theme of love and how even the smallest gesture of affection can have a profound impact on our lives." https://oldtimemusic.com/the-meaning-behind-the-song-just-a-little-lovin-by-eddy-arnold/
Magical
Ed Sheeran
Ed Sheeran
How would you describe the feeling of being in love? For Ed Sheeran, the word is “Magical.” in HIS three-minute album opener, he makes an attempt to capture the beauty and delicacy of true love with words. He describes the magic of it all over a bright Pop song produced by Aaron Dessner.
Blue
Ed Sheeran
Ed Sheeran
“Blue” is a song about a love that is persisting in the discomfort of the person experiencing the emotion. Ed Sheeran reflects on love lost, and although he wishes his former partner find happiness, he cannot but admit his feelings are still very much there. He expresses the realization that he might never find another on this stringed instrumental by Aaron Dessner.
What strikes me about the lyrics is how often Michael Stipe hangs on the numerous long "A" vowel sounds, especially in concert. Think about "eight" "break" and "ways away". It always sounded like he was trying to mimic the long sound of a locomotive whistle.
I think this song is perfectly executed lyrically. The themes are clear - Southern landscape, religion, trains, etc- but there is little narrative voice as to what it all means, allowing the listnener to extrapolate their own interpretations...unlike R.E.M.'s more heavy handed approach on later records.
Plus the technique of using vocal sounds to compliment the music and the lyrical theme is genius.