Per the FAQ on Keane's website, Keane's drummer Richard Hughes, stated the following:
"We've been asked whether "Somewhere Only We Know" is about a specific place, and Tim has been saying that, for him, or us as individuals, it might be about a geographical space, or a feeling; it can mean something individual to each person, and they can interpret it to a memory of theirs... It's perhaps more of a theme rather than a specific message... Feelings that may be universal, without necessarily being totally specific to us, or a place, or a time..."
With the nostalgic sentiment and the overall tone of the song, I think Keane is attempting to express a Portuguese term known as 'saudade', which does not have a direct English translation but roughly means "that which we remember because it is gone."
I saw you dancin' out the ocean
Runnin' fast along the sand
A spirit born of earth and water
Fire flyin' from your hands
In the instant that you love someone
In the second that the hammer hits
Reality runs up your spine
And the pieces finally fit
And all I ever needed was the one
Like freedom fields where wild horses run
When stars collide like you and I
No shadows block the sun
You're all I've ever needed
Baby you're the one
There are caravans we follow
Drunken nights in dark hotels
When chances breathe between the silence
Where sex and love no longer gel
For each man in his time is Cain
Until he walks along the beach
And sees his future in the water
A long lost heart within his reach
And all I ever needed was the one
Like freedom fields where wild horses run
When stars collide like you and I
No shadows block the sun
You're all I've ever needed
Baby you're the one
And all I ever needed and was the one
Like freedom fields where wild horses run
When stars collide like you and I
No shadows block the sun
You're all I've ever needed
Baby you're the one
All I ever needed was the one
Like freedom fields where wild horses run
When stars collide like you and I
No shadows block the sun
You're all I've ever needed
Baby you're the one
Runnin' fast along the sand
A spirit born of earth and water
Fire flyin' from your hands
In the instant that you love someone
In the second that the hammer hits
Reality runs up your spine
And the pieces finally fit
And all I ever needed was the one
Like freedom fields where wild horses run
When stars collide like you and I
No shadows block the sun
You're all I've ever needed
Baby you're the one
There are caravans we follow
Drunken nights in dark hotels
When chances breathe between the silence
Where sex and love no longer gel
For each man in his time is Cain
Until he walks along the beach
And sees his future in the water
A long lost heart within his reach
And all I ever needed was the one
Like freedom fields where wild horses run
When stars collide like you and I
No shadows block the sun
You're all I've ever needed
Baby you're the one
And all I ever needed and was the one
Like freedom fields where wild horses run
When stars collide like you and I
No shadows block the sun
You're all I've ever needed
Baby you're the one
All I ever needed was the one
Like freedom fields where wild horses run
When stars collide like you and I
No shadows block the sun
You're all I've ever needed
Baby you're the one
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Somewhere Only We Know
Keane
Keane
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Shudder to Think
Shudder to Think
This song is timeless, and nearly 20 years after its creation, still possesses the mystique it did the first time i heard it ~1994. To me, at first blush, all those years ago, it had some kind of homo-erotic allure. The line "so that the others may do" tells of something which must be done for others to follow suit. It felt like like some kind of roxy-glam-pop invitation to sexual liberation.
Upon further introspection I think the song may not have an intrinsic meaning, but simply represents a sort of "holding open the door" for people who otherwise might be affronted by this song/band's unusual style. I know, as a sort of armchair rock-historian, that there have been few bands so daring and so true to the sound that wanted to emerge from within, whether the creator wanted it or not. This band handled it with elegance and grace seldom, if ever, seen.
Anti-Hero
Taylor Swift
Taylor Swift
I believe this is another amazingly on point and nuanced commentary on the insanity that follows emotionally abusive relationships. The abuser has no anxieties, no emotional pain, or salience/memory for that matter, so the survivor appears to be the crazy one, obsessed with the abuse and that buzzword that seems to ignite arguments about diagnosing people without a degree, etc. funny how you say the words domestic violence, abuse, abuse survivor and boom the subject changes. Anyways, I especially relate to her midnights becoming afternoons, complex PTSD often leads to this phenomenon, whether due to purposeful sleep deprivation by the abuser, or just hyper vigilance associated with the PTSD, along with the fear of facing people, especially your loved ones, who
Never actually understand, even if they try, because all they see is you, on fire, screaming about the arsonist that no one ever sees, and who has been spreading lies about your alleged mental instability, deceptive personality, etc. the whole time. While the last thing survivors need is more blame, our society supports a narrative that blames the objectively innocent party because the blatantly guilty party has spent their entire lives fabricating a persona and we’re just being human, and human psychology is quite counterintuitive especially in the context of trauma. Look at Amber Heard. Vilified and not believed, regardless of what any abuse survivor could recognize as a fellow survivor instantly. But Johnny depp is a malignant narcissist, a man, and wealthy as all get out. It’s sick.
High On Life
Viyaa
Viyaa
This track marks the first collaboration between the artists. It was produced in its entirety by Datbeatgod and released for public consumption on January 1, 2021.
Hypnotized
River Tiber
River Tiber
This standout psychedelic track was produced in its entirety by River Tiber, being released to all major digital streaming platforms on December 29, 2020.
For each man in his time is Cain
Until he walks along the beach
And sees his future in the water
A long lost heart within his reach
I think that means that everyone in their youth while dating is lustful, jealous, and greedy. And that kind of further points to that finding the One brought about the end of that behavior.
But the actual lyrics is most definitely "fields", you can see and hear the "d" enunciated very clearly when he sings the song live.