| Avril Lavigne – Sk8er Boi Lyrics | 22 years ago |
| I bet if you put a preppy boi (with a good soul) infront of Avril she wouldn't see past his cloths :P | |
| Fiona Apple – Across the Universe (The Beatles cover) Lyrics | 22 years ago |
| Well, the original was better, but this is quite an excellent cover. She is very talented. | |
| OutKast – B.O.B. Lyrics | 22 years ago |
| This IS one of the best rap songs ever recorded. I personaly love it's seemless blending of so many musical styles. What a wonderfull and energetic piece. | |
| Eminem – Hailie's Song Lyrics | 22 years ago |
| EkayB...it's "want her", not "abort her". Go re-reverse the words yours and listen :) | |
| Eminem – Hailie's Song Lyrics | 22 years ago |
| i just submited the correction to the bleeped out line in the song... guess it'll get updated eventually. | |
| Eminem – Hailie's Song Lyrics | 22 years ago |
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I found out what is bleeped out in this song. since his words were only reverse, I just reversed them again. What he says is... God, i'm a daddy, i'm so glad that her mum didn't WANT HER |
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| Eminem – Hailie's Song Lyrics | 22 years ago |
| he has an better voice then I thought. was off pitch at a point or two, but hey he’s a rapper not a singer. if he was a singer I'd "boo" him off the stage. But anyway, his smooth child like singing voice works surprisingly well here, disregarding the obvious singing flaws which have no president because no one expects him to be a good singer. Best part in the song, the way he goes from light soft singing voice to the screaming singing voice we have heard on so many of his tracks to when he says "I act like shit don't faze me... IN SIDE IT DRIVES ME CRAZY! MY INSECURITIES COULD EAT ME ALIVE". Got to love when an awkward high-pitched squeaky sounding voice works so damn effectively (in his raps). | |
| Radiohead – You and Whose Army? Lyrics | 22 years ago |
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Originally Released: June 2001 Found on: Amnesiac This song premiered during the Kid A tour 2000 and was a crowd favorite. It featured Thom sitting at piano and Colin playing an upright bass. Towards the end of the song, the full band comes in and the song really takes off. The version that was played at the Sundance Festival is indeed the studio version that will appear on Amnesiac. From Jam!: Here's a novelty: guitars! Yorke's voice is pushed way up front, and the track begins with him loudly inhaling. The full band gradually joins the mix, and it all ends with an almost gospelly, piano-led denouement. The lyrics, which seem to taunt authority into cracking down on the rabble, could have been given a completely different meaning had they been set to more triumphant music. (You can practically hear Bono delivering a song like this without a shred of irony). But here, Yorke sounds defeated, as if even he's not confident that an insurgency would succeed. Review from SXSW by Allstar: "You and Whose Army?" slightly recalled OK Computer in that Yorke's yearning vocal cry of "Come on, Come on, Come on…" repeated over and over somehow felt a tad like "Karma Police." A crunching organ and string section drives the track, which falls under lilting and poetic. |
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| Radiohead – Pulk/Pull Revolving Doors Lyrics | 22 years ago |
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Originally released: June 2001 Found on: Amnesiac From Jam!: Stop-start, bass-heavy sounds (perhaps a lingering manifestation of Yorke's collaborations with DJ Shadow?) and elevator pings form the backdrop as an electronically distorted, sped-up voice free-associates on the topic of doors. Video-game sound effects rise and descend throughout. More sonic experiment than song, this is perhaps the strangest track on either "Amnesiac" or "Kid A." Certainly it bears the strangest title -- that isn't a typo. Colin: Pull Pulk Revolving Doors was made using an MC505 and some loops, together with some other found loops that we made in St Catherine’s Court when we were recording OK Computer. |
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| Radiohead – Pyramid Song Lyrics | 22 years ago |
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Released: June 2001 Found on: Amnesiac and Pyramid Song CD1 & CD2 This song debuted at the Tibetan Freedom Concert in 1999 with Thom solo on the piano. The running name for it at the time was "Nothing to Fear." It has since been called "Egyptian Song" and finally "Pyramid Song." From Jam!: It begins with simple piano and singer Thom Yorke intoning non-verbal, falsetto noise, against what sounds like the buzz of conversation. An assortment of sounds plays out in the background as jazzy drumming joins the mix and the track builds to a more conventional, full arrangement. "There was nothing left to fear/Nothing dark," Yorke (apparently) sings. Review from SXSW by Allstar: "Pyramid Song" creeped up next, as a piano-laden intro quickly gave way to a minor howl from Yorke. A lush and stormy backing track persevered throughout, giving off the impression that the band is symbolically lost at sea. When the drums kicked in, the song almost became a big band-era jam (more on that later). As the crowd at Plush became lost in the track (many folks were seen with their eyes shut, as if in some sort of trance), a large, overpowering orchestral crescendo rose and fell, bolting those lost in the music back to reality that this is Austin, Texas, not a Pentecostal sermon. |
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| Radiohead – Idioteque Lyrics | 22 years ago |
| http://silvertone.princeton.edu/%7Epaul/radiohead.ml.html | |
| Radiohead – Idioteque Lyrics | 22 years ago |
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Originally released: October 2000 Found on: Kid A Also found on: (live) I Might Be Wrong - Live Recordings "Idioteque" can be seen in two ways: A blatantly stupid attempt at making a cheesy dance song (hence the name), or genius. What "Idioteque" essentially is, is a dance song, beats, and all. This, of all the songs on the album, is the experimental one that stands out as much as "Electioneering" did on OKC. It will either be your favorite song, or your most hated. However, it can't be ignored. The song samples a bit from Paul Lansky's 1975 computer-made song "Mild Und Leise." For more info about Lansky and his RH experience, check out his website. |
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| Sarah McLachlan – Fear Lyrics | 22 years ago |
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easily one of my favorite songs of all time. instinaniously brings me back to the deepest days of my depression. sick as it may be, i from time to time like to savor the angst that once plegued me. this song embodys that feeling all too perfectly. so perfectly its scary. have you ever been at a point in your life when you can just feel the dismay... pain... anger... in your skin, in heart, in your mind, and deep in your soul. well, if you havent... listen to this song and prepare to. |
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