So I'm guessing none of you have invested in the September issue of AP magazine. Where they had an interview with Aaron. And he made a comment about this one song.
"Clearly, the Almost aren’t a vehicle for Gillespie to escape the shadow of Underoath. Rather, it’s his plan to survive the entire era of contemporary punk in all it’s manifestations. The fourth track on Southern Weather, “I mostly copy other people,” takes a frank look at the current emo glut. He clearly doesn’t single out any bands, and he loves the scene that’s supported him. But consider: If 1980s hair-metal bands went from arenas to nightclubs in a sudden flash of flannel and grunge, nobody with a shirt currently on the wall at hot topic is really safe.
“I feel in a lot of ways, this whole genre is something people are going to forget about,” says Gillespie. “They’ve forgotten about every other genre. The chorus goes, ‘Ain’t it a shame they won’t remember all this.’ It’s about how I feel that we’re all spinning our wheels, and we have to constantly check our reasons for playing this kind of music and make sure we’re doing it for a passionate reason, as opposed to just doing it because we’re in a band. I think we all do it sometimes, but I want to do it for bigger reasons.”
So yeah, That’s pree much it. Not relationships or anything.
So I'm guessing none of you have invested in the September issue of AP magazine. Where they had an interview with Aaron. And he made a comment about this one song. "Clearly, the Almost aren’t a vehicle for Gillespie to escape the shadow of Underoath. Rather, it’s his plan to survive the entire era of contemporary punk in all it’s manifestations. The fourth track on Southern Weather, “I mostly copy other people,” takes a frank look at the current emo glut. He clearly doesn’t single out any bands, and he loves the scene that’s supported him. But consider: If 1980s hair-metal bands went from arenas to nightclubs in a sudden flash of flannel and grunge, nobody with a shirt currently on the wall at hot topic is really safe. “I feel in a lot of ways, this whole genre is something people are going to forget about,” says Gillespie. “They’ve forgotten about every other genre. The chorus goes, ‘Ain’t it a shame they won’t remember all this.’ It’s about how I feel that we’re all spinning our wheels, and we have to constantly check our reasons for playing this kind of music and make sure we’re doing it for a passionate reason, as opposed to just doing it because we’re in a band. I think we all do it sometimes, but I want to do it for bigger reasons.”
So yeah, That’s pree much it. Not relationships or anything.