Hold in your last breath and stare
Assure me your metronome's left arm stick shift
Is stuck on the right words in your ear
Did you hear me loud and clear, in sight and out of mind?
Cautiously avoiding the cracks
Not to disturb your steadied-arm straight line
The facts before a climb, a plan before a crime
Tired in the days that passed away
Sporadically arranged across your floor when you've got it made

Dear Mariah
The world's not big enough for the both of us
When we live in the same town, that's wrong
Fight on, fire (fight on, fire)
I'll burn my hands 'til I've got nothing left
To count my numbers on, that's wrong
What's right?

Wise-ass comments could cheer you up
The emotional disturbance, relax, deep breath, sit back
From the space in which you stand
Here and in demand
Don't touch a fresh wound that bleeds
All over your carpets, the stains, the storybook remains
And the page that states you've lied
Accept and then reply, acknowledge the other guy
Tired in the days that passed away
Sporadically arranged across the floor when you've got it made (days that passed away)

Dear Mariah
The world's not big enough for the both of us
When we live in the same town, that's wrong
Fight on, fire (fight on, fire)
I'll burn my hands 'til I've got nothing left
To count my numbers on

Don't change your mind when all's been won
Your words, in time, with the loss that you'd let them go
Don't let them fall if your grip's not strong
In time, decide, with the words that you'd let them go
Don't let them fall if your grip's not strong

Dear Mariah, come sleep in your own
Oh, dear Mariah, come sleep in your own
Well, dear Mariah, come sleep in your own
Oh, dear Mariah, come sleep in your own

When eye meets eye, become
We'll lie here alone, locked, our children in the floor
When eye meets eye, become
We'll lie here alone, locked, the children in the floor
When eye meets eye, become (your dreams can't last forever)
We'll lie here alone, locked, the children in the floor, in the floor

Father figure wraps his face up
He'll be coming home to you
(Who sat me down here?) (Your dreams can't last forever)
Locked, our children in the floor
When eye meets eye, become (who sat me down here?) (Your dreams can't last forever)
We'll lie here alone, locked, our children in the floor
When eye meets eye, become (who sat me down here?) (Your dreams can't last forever)
We'll lie here alone, locked, the children in the floor
When eye meets eye, become (who sat me down here?) (Your dreams can't last forever)
We'll lie here alone


Lyrics submitted by justLikeYou

God Send Conspirator Lyrics as written by Travis Stever Claudio Sanchez

Lyrics © BMG Rights Management

Lyrics powered by LyricFind

God Send Conspirator song meanings
Add Your Thoughts

47 Comments

sort form View by:
  • 0
    General Comment

    i've seen these guys live, they kick ass.. this is probably one of my favorite songs of theirs.. i dont really know what they're talking about in it but its awesome! alright later

    Pr0fouNdInSiGhton July 23, 2002   Link

Add your thoughts

Log in now to tell us what you think this song means.

Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise!

More Featured Meanings

Album art
Fast Car
Tracy Chapman
"Fast car" is kind of a continuation of Bruce Springsteen's "Born to Run." It has all the clawing your way to a better life, but in this case the protagonist never makes it with her love; in fact she is dragged back down by him. There is still an amazing amount of hope and will in the lyrics; and the lyrics themselve rank and easy five. If only music was stronger it would be one of those great radio songs that you hear once a week 20 years after it was released. The imagery is almost tear-jerking ("City lights lay out before us", "Speeds so fast felt like I was drunk"), and the idea of starting from nothing and just driving and working and denigrating yourself for a chance at being just above poverty, then losing in the end is just painful and inspiring at the same time.
Album art
When We Were Young
Blink-182
This is a sequel to 2001's "Reckless Abandon", and features the band looking back on their clumsy youth fondly.
Album art
No Surprises
Radiohead
Same ideas expressed in Fitter, Happier are expressed in this song. We're told to strive for some sort of ideal life, which includes getting a good job, being kind to everyone, finding a partner, getting married, having a couple kids, living in a quiet neighborhood in a nice big house, etc. But in Fitter, Happier the narrator(?) realizes that it's incredibly robotic to live this life. People are being used by those in power "like a pig in a cage on antibiotics"--being pacified with things like new phones and cool gadgets and houses while being sucked dry. On No Surprises, the narrator is realizing how this life is killing him slowly. In the video, his helmet is slowly filling up with water, drowning him. But he's so complacent with it. This is a good summary of the song. This boring, "perfect" life foisted upon us by some higher powers (not spiritual, but political, economic, etc. politicians and businessmen, perhaps) is not the way to live. But there is seemingly no way out but death. He'd rather die peacefully right now than live in this cage. While our lives are often shielded, we're in our own protective bubbles, or protective helmets like the one Thom wears, if we look a little harder we can see all the corruption, lies, manipulation, etc. that is going on in the world, often run by huge yet nearly invisible organizations, corporations, and 'leaders'. It's a very hopeless song because it reflects real life.
Album art
Just A Little Lovin'
Dusty Springfield
I don't think it's necessarily about sex. It's about wanting to start the day with some love and affection. Maybe a warm cuddle. I'm not alone in interpreting it that way! For example: "'Just a Little Lovin’ is a timeless country song originally recorded by Eddy Arnold in 1954. The song, written by Eddie Miller and Jimmy Campbell, explores the delicate nuances of love and showcases Arnold’s emotive vocals. It delves into the universal theme of love and how even the smallest gesture of affection can have a profound impact on our lives." https://oldtimemusic.com/the-meaning-behind-the-song-just-a-little-lovin-by-eddy-arnold/
Album art
Punchline
Ed Sheeran
Ed Sheeran sings about missing his former partner and learning important life lessons in the process on “Punchline.” This track tells a story of battling to get rid of emotions for a former lover, whom he now realized might not have loved him the same way. He’s now caught between accepting that fact and learning life lessons from it and going back to beg her for another chance.