"Fast car" is kind of a continuation of Bruce Springsteen's "Born to Run." It has all the clawing your way to a better life, but in this case the protagonist never makes it with her love; in fact she is dragged back down by him.
There is still an amazing amount of hope and will in the lyrics; and the lyrics themselve rank and easy five. If only music was stronger it would be one of those great radio songs that you hear once a week 20 years after it was released. The imagery is almost tear-jerking ("City lights lay out before us", "Speeds so fast felt like I was drunk"), and the idea of starting from nothing and just driving and working and denigrating yourself for a chance at being just above poverty, then losing in the end is just painful and inspiring at the same time.
Want to tell you about the girl I love
My she looks so fine
She's the only one that I been dreamin' of
Maybe someday she will be all mine
I want to tell her that I love her so
I thrill with her every touch
I need to tell her she's the only one I really love
I got a woman, want to bawl all day
I got a woman, she won't be true, no
I got a woman, stay drunk all the time
I said I got a little woman and she won't be true
Sunday morning when we go down to church
See the menfolk standin' in line
I said they come to pray to the Lord
With my little girl, looks so fine
In the evening when the sun is sinkin' low
Everybody's with the one they love
I walk the town, keep a-searchin' all around
Lookin' for my street corner girl
I got a woman, want to bawl all day
I got a woman, she won't be true, no no
I got a woman, stay drunk all the time
I said I got a little woman and she won't be true
In the bars, with the men who play guitars
Singin', drinkin' and rememberin' the times
My little lover does a midnight shift
She followed around all the time
I guess there's just one thing a-left for me to do
Gonna pack my bags and move on my way
'Cause I got a worried mind sharin' what I thought was mine
Gonna leave her where the guitars play
I got a woman, she won't be true, no no
I got a woman, want to bawl all day, yeah, yeah
I got a woman, stay drunk all the time
I got a little woman and she won't be true
(Hey hey what can I do) I said she won't be true
No, yeah, no, yeah, no, yeah, no, yeah (hey, hey, what can I say?)
Ah (hey hey, what can I do) keep on, keep on
(No, no, what can I say?) she won't
Keep on, keep on (hey, hey, what can I do?)
(No, no, what can I say?)
(Hey, hey, what can I do?)
(No, no, what can I say?) hey, hey what can I do, I got a women she won't be true
(Hey, hey, what can I do?) oh oh hear what I said I got a woman wanna bawl all day
(No, no, what can I say?) keep on keep on
(Hey, hey, what can I do?)
My she looks so fine
She's the only one that I been dreamin' of
Maybe someday she will be all mine
I want to tell her that I love her so
I thrill with her every touch
I need to tell her she's the only one I really love
I got a woman, want to bawl all day
I got a woman, she won't be true, no
I got a woman, stay drunk all the time
I said I got a little woman and she won't be true
Sunday morning when we go down to church
See the menfolk standin' in line
I said they come to pray to the Lord
With my little girl, looks so fine
In the evening when the sun is sinkin' low
Everybody's with the one they love
I walk the town, keep a-searchin' all around
Lookin' for my street corner girl
I got a woman, want to bawl all day
I got a woman, she won't be true, no no
I got a woman, stay drunk all the time
I said I got a little woman and she won't be true
In the bars, with the men who play guitars
Singin', drinkin' and rememberin' the times
My little lover does a midnight shift
She followed around all the time
I guess there's just one thing a-left for me to do
Gonna pack my bags and move on my way
'Cause I got a worried mind sharin' what I thought was mine
Gonna leave her where the guitars play
I got a woman, she won't be true, no no
I got a woman, want to bawl all day, yeah, yeah
I got a woman, stay drunk all the time
I got a little woman and she won't be true
(Hey hey what can I do) I said she won't be true
No, yeah, no, yeah, no, yeah, no, yeah (hey, hey, what can I say?)
Ah (hey hey, what can I do) keep on, keep on
(No, no, what can I say?) she won't
Keep on, keep on (hey, hey, what can I do?)
(No, no, what can I say?)
(Hey, hey, what can I do?)
(No, no, what can I say?) hey, hey what can I do, I got a women she won't be true
(Hey, hey, what can I do?) oh oh hear what I said I got a woman wanna bawl all day
(No, no, what can I say?) keep on keep on
(Hey, hey, what can I do?)
Lyrics submitted by kevin, edited by thelance1997
Hey Hey What Can I Do Lyrics as written by John Paul Jones John Bonham
Lyrics © Warner Chappell Music, Inc.
Lyrics powered by LyricFind
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Fast Car
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This is a hauntingly beautiful song about introspection, specifically about looking back at a relationship that started bad and ended so poorly, that the narrator wants to go back to the very beginning and tell himself to not even travel down that road. I believe that the relationship started poorly because of the lines:
"Take me back to the night we met:When the night was full of terrors: And your eyes were filled with tears: When you had not touched me yet"
So, the first night was not a great start, but the narrator pursued the relationship and eventually both overcame the rough start to fall in love with each other:
"I had all and then most of you"
Like many relationships that turn sour, it was not a quick decline, but a gradual one where the narrator and their partner fall out of love and gradually grow apart
"Some and now none of you"
Losing someone who was once everything in your world, who you could confide in, tell your secrets to, share all the most intimate parts of your life, to being strangers with that person is probably one of the most painful experiences a person can go through. So Painful, the narrator wants to go back in time and tell himself to not even pursue the relationship.
This was the perfect song for "13 Reasons Why"
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This is about bronies. They communicate by stomping.
No Surprises
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Same ideas expressed in Fitter, Happier are expressed in this song. We're told to strive for some sort of ideal life, which includes getting a good job, being kind to everyone, finding a partner, getting married, having a couple kids, living in a quiet neighborhood in a nice big house, etc. But in Fitter, Happier the narrator(?) realizes that it's incredibly robotic to live this life. People are being used by those in power "like a pig in a cage on antibiotics"--being pacified with things like new phones and cool gadgets and houses while being sucked dry. On No Surprises, the narrator is realizing how this life is killing him slowly. In the video, his helmet is slowly filling up with water, drowning him. But he's so complacent with it. This is a good summary of the song. This boring, "perfect" life foisted upon us by some higher powers (not spiritual, but political, economic, etc. politicians and businessmen, perhaps) is not the way to live. But there is seemingly no way out but death. He'd rather die peacefully right now than live in this cage. While our lives are often shielded, we're in our own protective bubbles, or protective helmets like the one Thom wears, if we look a little harder we can see all the corruption, lies, manipulation, etc. that is going on in the world, often run by huge yet nearly invisible organizations, corporations, and 'leaders'. It's a very hopeless song because it reflects real life.
American Town
Ed Sheeran
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Ed Sheeran shares a short story of reconnecting with an old flame on “American Town.” The track is about a holiday Ed Sheeran spends with his countrywoman who resides in America. The two are back together after a long period apart, and get around to enjoying a bunch of fun activities while rekindling the flames of their romance.
Zeppelin was so good that they could not find a space for a song as amazing as this on any of their albums. Most brands would sell their mother to write a song this good.