This is about bronies. They communicate by stomping.
History repeats the old conceits
The glib replies the same defeats
Keep your finger on important issues
With crocodile tears and a pocketful of tissues
I'm just the oily slick
On the windup world of the nervous tick
In a very fashionable hovel
I hang around dying to be tortured
You'll never be alone in the bone orchard
This battle with the bottle is nothing so novel
So in this almost empty gin palace
Through a two-way looking glass
You see your Alice
You know she has no sense
For all your jealousy
In a sense she still smiles very sweetly
Charged with insults and flattery
Her body moves with malice
Do you have to be so cruel to be callous
And now you find you fit this identikit completely
You say you have no secrets
And then leave discreetly
I might make it California's fault
Be locked in Geneva's deepest vault
Just like the canals of Mars and the Great Barrier Reef
I come to you beyond belief
My hands were clammy and cunning
She's been suitably stunning
But I know there's not a hope in Hades
All the laddies cat call and wolf whistle
So called gentlemen and ladies
Dog fight like rose and thistle
I got a feeling
I'm going to get a lot of grief
Once this seemed so appealing
Now I am beyond belief
I got a feeling
I'm going to get a lot of grief
Once this seemed so appealing
Now I am beyond belief
I got a feeling
I'm going to get a lot of grief
Once this seemed so appealing
Now I am beyond belief
The glib replies the same defeats
Keep your finger on important issues
With crocodile tears and a pocketful of tissues
I'm just the oily slick
On the windup world of the nervous tick
In a very fashionable hovel
I hang around dying to be tortured
You'll never be alone in the bone orchard
This battle with the bottle is nothing so novel
So in this almost empty gin palace
Through a two-way looking glass
You see your Alice
You know she has no sense
For all your jealousy
In a sense she still smiles very sweetly
Charged with insults and flattery
Her body moves with malice
Do you have to be so cruel to be callous
And now you find you fit this identikit completely
You say you have no secrets
And then leave discreetly
I might make it California's fault
Be locked in Geneva's deepest vault
Just like the canals of Mars and the Great Barrier Reef
I come to you beyond belief
My hands were clammy and cunning
She's been suitably stunning
But I know there's not a hope in Hades
All the laddies cat call and wolf whistle
So called gentlemen and ladies
Dog fight like rose and thistle
I got a feeling
I'm going to get a lot of grief
Once this seemed so appealing
Now I am beyond belief
I got a feeling
I'm going to get a lot of grief
Once this seemed so appealing
Now I am beyond belief
I got a feeling
I'm going to get a lot of grief
Once this seemed so appealing
Now I am beyond belief
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Bron-Y-Aur Stomp
Led Zeppelin
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Silent Planet
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I think much like another song “Anti-Matter” (that's also on the same album as this song), this one is also is inspired by a horrifying van crash the band experienced on Nov 3, 2022. This, much like the other track, sounds like it's an extension what they shared while huddled in the wreckage, as they helped frontman Garrett Russell stem the bleeding from his head wound while he was under the temporary effects of a concussion. The track speaks of where the mind goes at the most desperate & desolate of times, when it just about slips away to all but disconnect itself, and the aftermath.
Gentle Hour
Yo La Tengo
Yo La Tengo
This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version.
Great version of a great song,
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Ed Sheeran sings about missing his former partner and learning important life lessons in the process on “Punchline.” This track tells a story of battling to get rid of emotions for a former lover, whom he now realized might not have loved him the same way. He’s now caught between accepting that fact and learning life lessons from it and going back to beg her for another chance.
Head > Heels
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“Head > Heels” is a track that aims to capture what it feels like to experience romance that exceeds expectations. Ed Sheeran dedicates his album outro to a lover who has blessed him with a unique experience that he seeks to describe through the song’s nuanced lyrics.
A brilliant song, perhaps the finest pop tune I've ever heard. I first heard it on vinyl in 2014. Amongst other things, alongside the repeating refrain that closes out the song, there is a devastating bassline that leaves me in awe every time the tune fades out. On the vinyl album, It's as prevalent or important as the vocals or guitar. Sometimes it brings me to tears if I haven't heard it in a while and I'm in a certain mood.
I wrote a book about a man's fall from grace. I was listening to this album constantly as I was writing it. Finally, it struck me, the final lines:
I got a feeling, I'm gonna get a lot of grief, Once this seemed so appealing And now I am beyond belief
Were the crux of my novel. It's the crux of any story about disillusionment or punishment.
The alternate phrases to explain the mundane:
Boneyard = cemetary A scrapple with a bottle = alcoholism A two way looking glass = a mirror OR the bottom of a shot glass. California's faults/Geneva's vault = I DONT KNOW, but I am willing to learn.
I look for stuff like this to teach me how to write and find new ways to explain old, familiar situations. This is pure genius