This is one of my favorite songs. https://fnfgo.io
Amber cascades all over today
Then we walk on a crooked catwalk
Only to be delayed
Bubbles of blue burst into two
Eaten up by the incoming tide
Of the new
Then we call to the man who walks on the water
We talk of a plan to stop all the slaughter in view
It's in view
Granite charades are played in the rain
Till we fall through a sand castle window
To avoid the pain
Summer canoe paddles up to you
'Cause it's time for another beer run
Or something that's equally true
Then we call to the man who walks on the water
We talk of a plan to stop all the slaughter in view
Then we call to the man who walks on the water
We talk of a plan to stop all the slaughter in view
It's in view
Then we walk on a crooked catwalk
Only to be delayed
Bubbles of blue burst into two
Eaten up by the incoming tide
Of the new
Then we call to the man who walks on the water
We talk of a plan to stop all the slaughter in view
It's in view
Granite charades are played in the rain
Till we fall through a sand castle window
To avoid the pain
Summer canoe paddles up to you
'Cause it's time for another beer run
Or something that's equally true
Then we call to the man who walks on the water
We talk of a plan to stop all the slaughter in view
Then we call to the man who walks on the water
We talk of a plan to stop all the slaughter in view
It's in view
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Mental Istid
Ebba Grön
Ebba Grön
I Can't Go To Sleep
Wu-Tang Clan
Wu-Tang Clan
This song is written as the perspective of the boys in the street, as a whole, and what path they are going to choose as they get older and grow into men. (This is why the music video takes place in an orphanage.) The seen, and unseen collective suffering is imbedded in the boys’ mind, consciously or subconsciously, and is haunting them. Which path will the boys choose? Issac Hayes is the voice of reason, maybe God, the angel on his shoulder, or the voice of his forefathers from beyond the grave who can see the big picture and are pleading with the boys not to continue the violence and pattern of killing their brothers, but to rise above. The most beautiful song and has so many levels. Racism towards African Americans in America would not exist if everyone sat down and listened to this song and understood the history behind the words. The power, fear, pleading in RZA and Ghostface voices are genuine and powerful. Issac Hayes’ strong voice makes the perfect strong father figure, who is possibly from beyond the grave.
No Surprises
Radiohead
Radiohead
Same ideas expressed in Fitter, Happier are expressed in this song. We're told to strive for some sort of ideal life, which includes getting a good job, being kind to everyone, finding a partner, getting married, having a couple kids, living in a quiet neighborhood in a nice big house, etc. But in Fitter, Happier the narrator(?) realizes that it's incredibly robotic to live this life. People are being used by those in power "like a pig in a cage on antibiotics"--being pacified with things like new phones and cool gadgets and houses while being sucked dry. On No Surprises, the narrator is realizing how this life is killing him slowly. In the video, his helmet is slowly filling up with water, drowning him. But he's so complacent with it. This is a good summary of the song. This boring, "perfect" life foisted upon us by some higher powers (not spiritual, but political, economic, etc. politicians and businessmen, perhaps) is not the way to live. But there is seemingly no way out but death. He'd rather die peacefully right now than live in this cage. While our lives are often shielded, we're in our own protective bubbles, or protective helmets like the one Thom wears, if we look a little harder we can see all the corruption, lies, manipulation, etc. that is going on in the world, often run by huge yet nearly invisible organizations, corporations, and 'leaders'. It's a very hopeless song because it reflects real life.
Just A Little Lovin'
Dusty Springfield
Dusty Springfield
I don't think it's necessarily about sex. It's about wanting to start the day with some love and affection. Maybe a warm cuddle. I'm not alone in interpreting it that way! For example:
"'Just a Little Lovin’ is a timeless country song originally recorded by Eddy Arnold in 1954. The song, written by Eddie Miller and Jimmy Campbell, explores the delicate nuances of love and showcases Arnold’s emotive vocals. It delves into the universal theme of love and how even the smallest gesture of affection can have a profound impact on our lives." https://oldtimemusic.com/the-meaning-behind-the-song-just-a-little-lovin-by-eddy-arnold/
American Town
Ed Sheeran
Ed Sheeran
Ed Sheeran shares a short story of reconnecting with an old flame on “American Town.” The track is about a holiday Ed Sheeran spends with his countrywoman who resides in America. The two are back together after a long period apart, and get around to enjoying a bunch of fun activities while rekindling the flames of their romance.
‘"Amber Cascades." Perhaps one of America's most underrated songs, "Amber Cascades" had a peaceful, yet uptempo sound with harps, soft trombones, and breezy harmonies. Underneath the exterior, though, lay a more ominous current. As Dewey explained: It's harder for me to write a good song about something that's just a good, groovy time; there's always a "minor," as in minor chord, that I like to write about. It's sure hard for me to write about "bounced the baby on my knee" or "these fun times," you know. That isn't enough to get me to write. I always like to throw in something, get something extra; the words, the images, the colors, like purple or whatever, that have that little tinge of possible terror -- I call it menacing, that's the word. A little menacing. Minor keys, minor choruses, as in "Sandman": "I understand you've been running from the man." Or in "Midnight" and even in "Amber Cascades": "stop all the slaughter in view" -- just a word like slaughter. For all of its appeal, "Amber Cascades" was unable to rise past number 75 on the Billboard survey, and disappeared after just four weeks on the charts.’
Source: Comprehensive History: America Revisited accessbackstage.com/america/hist01.htm