Blue rinse sugar
Wipe clean couple
Pinched last supper
Counting pretty penny

John Betjeman
Some dead liar
Quiet pink picture
Under heavy manners

This is Tearoom England
They'll kick your face in
So politely
This is Tearoom England

They'll kick your face in
Oh so nicely
I want more!
No hurry

So sorry
Don't worry
Bite size china
Tea or tartar

Lipstick traces
Table set to bless
Sweet charity
Lukewarm whisper

Still-life platter
Under heavy manners
This is Tearoom England
They'll kick your face in

So politely
This is Tearoom England
They'll kick your face in
Oh so nicely

I want more!
No hurry
So sorry
Don't worry

I want more!


Lyrics submitted by weezerific:cutlery

I Want More Lyrics as written by Allen Whalley Alice Nutter

Lyrics © Sony/ATV Music Publishing LLC

Lyrics powered by LyricFind

I Want More song meanings
Add Your Thoughts

2 Comments

sort form View by:
  • 0
    General Comment

    Greed

    King Nothingon April 13, 2002   Link
  • 0
    General Comment

    This is the text for this song that was ommitted from the North American version of the "Tubthumper" album:

    This is Tearoom England: the class system in microcosm. The worst bigotry can have the best table manners.

    "The distinctions separating the social classes are false; in the last analysis they rest on force." --Albert Einstein

    "There is nothing to which men cling more tenaciously than the privileges of class." --Leonard Sidney Woolf

    "What do you think the effect of the Beatles was on the history of Britain?" - "I don't know about the history. The people who are in control and in power and the class system and the whole bullshit bourgeois scene is exactly the same except there is a lot of middle class kids with long hair walking round London in trendy clothes and Kenneth Tynan's making a fortune from the word 'fuck'. But apart from that, nothing happened except that we're all dressed up. The same bastards are in control, the same people are runnin' everything, it's exactly the same. They hyped the kids and the generation. We've grown up a little, a lot of us, and there has been a change and we're a bit freer and all that, but it's the same game, nothing's really changed. They're doing exactly the same things, selling arms to South Africa, killing blacks on the street, people are living in poverty with rats crawling over them, it's the same. It just makes you puke. And I woke up to that, too. The dream is over. It's just the same only I'm thirty and a lot of people have got long hair, that's all." --John Lennon, 1970

    "Cautious, careful people, always casting about to preserve their reputation and social standing, can never bring about a reform." --Susan B Anthony

    "Everybody knows that the influence of social class is much less than it used to be - except that it isn't. Scrutiny of General Household Survey figures shows, for example, that sons and daughters of unskilled workers are no more likely to go to university now than they were two decades ago." --Observer, January 26, 1997

    "With the benefit of hindsight, most historians of sport recognise that the concern with the seperation between amateur and professional was a semantic masking of class divisions. Such segregation served the objective of retaining power over the control and allocation of resources through the exclusion of the majority. The formation of the Amateur Football Association in 1907 - originally called the Amateur Football Defence Foundation - over the issue of admittance of professionals to county football associations, was essentially a southern-based, public school reaction to the growing economic might of the Northern, working-class professional clubs. The amateur/professional debate used language that betrayed a political agenda, the double standards and selective application of the rules were breath-taking in their hypocrisy. The elitist, amateur Corinthians often charged more in expenses to play than the weekly wage bill of their professional opponents; amateur cricketers could receive unlimited income from benefit matches. Amateurs didn't need or want to earn a living from sport. Thus their performance didn't carry the same practical or symbolic value. If they played badly the disadvantages were metaphysical - a loss to pride not to the pocket. Loss of form didn't have the demon material consequences that shadowed the exploits of the working class professional. Shamateur clubs were snobs: They wanted to compete, to use the same devices as professional clubs to build a successful team, but at the same time remain unsullied by the grubby practice of openly paying hirelings to beat opponents." --From 'Walter Daniel Tull, 1888-1918: Soldier, Footballer, Black', by Phil Vasili

    "The use of legislation, however, should not be allowed to muffle the noise and directness of class conflict. Indeed, legislation cannot be understood without being seen as part of that conflict. Commissioner of Police, Sir Charles Warren said, in relation to the Feltham fair of 1887, "the abolition of the fair is a class question on which as commissioner of police I can say little beyond the fact that it gives the police trouble to keep order, and while one class certainly enjoy it, its existence is a cause of annoyance to others." --Popular Culture and Class Conflict 1590-1914, edited by Eileen and Stephen Yeo, 1981

    king nothing2on April 15, 2004   Link

Add your thoughts

Log in now to tell us what you think this song means.

Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise!

More Featured Meanings

Album art
Light Up The Sky
Van Halen
The song lyrics were written by the band Van Halen, as they were asked to write a song for the 1979 movie "Over the Edge" starring Matt Dillon. The movie (and the lyrics, although more obliquely) are about bored, rebellious youth with nothing better to do than get into trouble. If you see the movie, these lyrics will make more sense. It's a great movie if you grew up in the 70s/80s you'll definitely remember some of these characters from your own life. Fun fact, after writing the song, Van Halen decided not to let the movie use it.
Album art
Mental Istid
Ebba Grön
This is one of my favorite songs. https://fnfgo.io
Album art
Bron-Y-Aur Stomp
Led Zeppelin
This is about bronies. They communicate by stomping.
Album art
Holiday
Bee Gees
@[Diderik:33655] "Your a holiday!" Was a popular term used in the 50s/60s to compliment someone on their all around. For example, not only are they beautiful, but they are fun and kind too ... just an all around "holiday". I think your first comment is closer to being accurate. The singer/song writers state "Millions of eyes can see, yet why am i so blind!? When the someone else is me, its unkind its unkind". I believe hes referring to the girl toying with him and using him. He wants something deeper with her, thats why he allows himself to be as a puppet (even though for her fun and games) as long as it makes her happy. But he knows deep down that she doesnt really want to be serious with him and thats what makes him.
Album art
I Can't Go To Sleep
Wu-Tang Clan
This song is written as the perspective of the boys in the street, as a whole, and what path they are going to choose as they get older and grow into men. (This is why the music video takes place in an orphanage.) The seen, and unseen collective suffering is imbedded in the boys’ mind, consciously or subconsciously, and is haunting them. Which path will the boys choose? Issac Hayes is the voice of reason, maybe God, the angel on his shoulder, or the voice of his forefathers from beyond the grave who can see the big picture and are pleading with the boys not to continue the violence and pattern of killing their brothers, but to rise above. The most beautiful song and has so many levels. Racism towards African Americans in America would not exist if everyone sat down and listened to this song and understood the history behind the words. The power, fear, pleading in RZA and Ghostface voices are genuine and powerful. Issac Hayes’ strong voice makes the perfect strong father figure, who is possibly from beyond the grave.