This is one of my favorite songs. https://fnfgo.io
Start the car lets make a midnight run
Across the river to South London
To dance to the latest hi-fi sound
Of bass, guitar and drum
Seeking out a rhythm that can take the pressure off
Stepping in and out of that crooked crooked beat
Take a piece of cloth, a coin for thirst
For the sweat will start to run
With a cymbal splash, a word of truth
And a rocking bass and drum
Seeking out a rhythm that can take the pressure on
Stepping in and out of that crooked crooked beat
So one by one they come on down
From the tower blocks of my home town
Stepping with the rhythm of the rockers beat
Drowning out the pressure of the crooked beat
Seeking out a rhythm that can take the tension on
Stepping in and out of that crooked crooked beat
It has crooked past this crooked street
Where cars patrol this crooked beat
Badges flash and sirens wail
They'll be taking one and all to jail
Prance! Prance! You want a law to dance?
Across the river to South London
To dance to the latest hi-fi sound
Of bass, guitar and drum
Seeking out a rhythm that can take the pressure off
Stepping in and out of that crooked crooked beat
Take a piece of cloth, a coin for thirst
For the sweat will start to run
With a cymbal splash, a word of truth
And a rocking bass and drum
Seeking out a rhythm that can take the pressure on
Stepping in and out of that crooked crooked beat
So one by one they come on down
From the tower blocks of my home town
Stepping with the rhythm of the rockers beat
Drowning out the pressure of the crooked beat
Seeking out a rhythm that can take the tension on
Stepping in and out of that crooked crooked beat
It has crooked past this crooked street
Where cars patrol this crooked beat
Badges flash and sirens wail
They'll be taking one and all to jail
Prance! Prance! You want a law to dance?
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Yet another homage to the Clash's love of reggae, courtesy of Paul Simonon. A simple yet effective bass line with with the echo drums we all love in reggae, and a Mikey Dread vocal bit to emphasize the point. People can go on about "London Calling" all they want (and deservedly so), but "Sandinista" is my favorite Clash album. Beyond the constraints of simple "punk", that album took it all in (a flawed masterpiece is still a masterpiece). Anyways, Paul Simonon always was the reggae man of the band ("Guns of Brixton" anyone?), and it shows here. i guess reggae in those days was basically punk from a different place (or punk was reggae from a different place), and it is interesting how the punks of the time were into the whole reggae scene. Now when one thinks "reggae", they tend to think hippies and/or dancehall. But this song shows ya where the Clash were coming from, and what they were into.
The bass line in this song is great. In terms of the meaning, the first post seems to have nailed it.
Yeah, this is a great song. I would have to say Shiro K said it all.
This is one of my favourites on Sandinista! I just LOVE how Paul says, "And a rocking bass and drum".
And I hate how few comments there are. Come one everyone.
Prance! Prance! you want a law to dance?
Sandinista is the best Clash Album EVER! its by far the most diverse album with plenty of punk/Dub/Reggae/Calypso/Funk/ and RAP!
R.I.P. Joe Strummer and Mikey Dread