This is about bronies. They communicate by stomping.
(Gira, Westberg, Parsons, Kizys)
These are the things I hold onto
These are the things I use to deceive myself
I line them up in front of me
I judge them carefully
Then I throw them all away
I throw them all away
I am a small man
I am not a dangerous man
I love a child
I love a beautiful child
I love a child
I love a beautiful child
I will hold this child in my arms
And caress his soft head
Listen to him cry
Listen to him cry
I can kill the child
The beautiful child
I will kill the child
The beautiful child
This is my life
This is my choice
This is my damnation
This is my only regret
This is my life
This is my life
This is my sacrifice
This is my life
This is my only regret
That I ever was born
This is my sacrifice
Get out of my head
These are the things I hold onto
These are the things I use to deceive myself
I line them up in front of me
I judge them carefully
Then I throw them all away
I throw them all away
I am a small man
I am not a dangerous man
I love a child
I love a beautiful child
I love a child
I love a beautiful child
I will hold this child in my arms
And caress his soft head
Listen to him cry
Listen to him cry
I can kill the child
The beautiful child
I will kill the child
The beautiful child
This is my life
This is my choice
This is my damnation
This is my only regret
This is my life
This is my life
This is my sacrifice
This is my life
This is my only regret
That I ever was born
This is my sacrifice
Get out of my head
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Bron-Y-Aur Stomp
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I think much like another song “Anti-Matter” (that's also on the same album as this song), this one is also is inspired by a horrifying van crash the band experienced on Nov 3, 2022. This, much like the other track, sounds like it's an extension what they shared while huddled in the wreckage, as they helped frontman Garrett Russell stem the bleeding from his head wound while he was under the temporary effects of a concussion. The track speaks of where the mind goes at the most desperate & desolate of times, when it just about slips away to all but disconnect itself, and the aftermath.
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This song is written as the perspective of the boys in the street, as a whole, and what path they are going to choose as they get older and grow into men. (This is why the music video takes place in an orphanage.) The seen, and unseen collective suffering is imbedded in the boys’ mind, consciously or subconsciously, and is haunting them. Which path will the boys choose? Issac Hayes is the voice of reason, maybe God, the angel on his shoulder, or the voice of his forefathers from beyond the grave who can see the big picture and are pleading with the boys not to continue the violence and pattern of killing their brothers, but to rise above. The most beautiful song and has so many levels. Racism towards African Americans in America would not exist if everyone sat down and listened to this song and understood the history behind the words. The power, fear, pleading in RZA and Ghostface voices are genuine and powerful. Issac Hayes’ strong voice makes the perfect strong father figure, who is possibly from beyond the grave.
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Yeah, I can see that, but ultimately the imagery used in this song is too similar to that passage to just be a coincidence, and considering the popularity of "Maldoror" as a theme in the industrial scene etc in the 70s and 80s, it is pretty likely that Gira was familiar with the work.
What imagery? Besides holding a crying child? Admittedly, I haven't read the book, but this strikes me as being about abortion.
In Maldoror the narrator talks about holding a beautiful child in his arms, stroking his hair, and then killing him. The similarity is pretty big. Plus it wouldn't surprise me at all if Gira has read Maldoror; it seems like a book he'd dig. So yeah, I'll have to go with Waful on this one.