To all my Brooklyn (Niggas!)
To all my Uptown (Niggas!)
To all my Bronx (Niggas!)
To all my Queensbridge (Niggas!)
(Nigga, nigga, nigga, nigga!)

Back up chump, you know Biggie Smalls rips it quick
And kicks it quick, you know how black niggas get
With the hoods, fatigues with the boots with trees
Smokin' weed, flippin' ki's, making crazy G's
Hitting buckshots at niggas that open spots
On the avenue, take my loot, and I'm bagging you
Pimping hoes that drive Volvos and Rodeos
Flash the Rol', make her wet in her pantyhose
Damn, a nigga's style is unorthodox
Grip the Glock, when I walk down the crowded blocks
Just in case a nigga want to act out
I just black out, and blow they motherfucking back out
That's a real nigga for ya

To all my Brooklyn (Niggas!)
To all my Uptown (Niggas!)
To all my Bronx (Niggas!)
To all my Queensbridge (Niggas!)

When we smoke spliffs, we pack four-fifths
Just in case Dread want to riff
He get a free lift to the cemetery, rough very
Not your ordinary, we watch you get buried
That's a real nigga for ya
Get mad, do a quarter, flip the script, and rip your lawyer
Spit at the DA, 'cause fuck what she say
She don't give a fuck about your ass anyway
Up north, bound first stop for the town
Of Fishkill, where the hand skills are real ill
You'll be a super Hoover doo-doo stain remover
Ha-hah! Yo G, pass the buddha

To all my Brooklyn (Niggas!)
To all my Uptown (Niggas!)
To all my Bronx (Niggas!)
To all my Queensbridge (Niggas!)

To all my Brooklyn (Niggas!)
To all my Uptown (Niggas!)
To all my Bronx (Niggas!)
To all my Queensbridge (Niggas!)
(Nigga, nigga, nigga, nigga!)

Money, hoes, and clothes
Blunt smoke coming out the nose, is all a nigga knows
Flipping on foes, putting tags on toes
Watching the stash grow, clocking the cashflow
The neighborhood gravedigger
Getting paid so much, all the bitches want to see a nigga
I guess they figure I'm paid, I want to get laid
Or since I got loot, I want to knock boots
I'd rather beat my dick than trick
And if she don't suck, then we don't fuck
I'd rather make a buck, drive a fat-ass truck
Grab the 9, two clips, and run amuck
Yes, flex after two or three Becks
As I wreck shit, what the fuck you expected?
A fly guy? Well fuck it, I'm the high guy
From Bed-Stuy, putting the swelling on your eye
And your nose even, when I choke ya, you stop breathing
And when Jake come, I'm leaving

To all my Brooklyn (Niggas!)
To all my Uptown (Niggas!)
To all my Bronx (Niggas!)
To all my Queensbridge (Niggas!)

To all my Brooklyn (Niggas!)
To all my Uptown (Niggas!)
To all my Bronx (Niggas!)
To all my Queensbridge (Niggas!)

To all my Brooklyn (Niggas!)
To all my Uptown (Niggas!)
To all my Bronx (Niggas!)
To all my Queensbridge (Niggas!)

To all my Brooklyn (Niggas!)
To all my Uptown (Niggas!)
To all my Bronx (Niggas!)
To all my Queensbridge

This hotel guest that you have called is unavailable
You may leave a private recorded message at the tone
Or press zero and a hotel operator will assist you
You may start your message now, press zero to return to the attendant
Ayo BIG whats up man? Its Short man, heard you're in Miami boy give me a call
I got some bitches men I got eight bitches
I got some chronic, I got the keys to Luke's crib nigga, that nigga ain't gonna be here for two weeks
Hit me up dude, hit me up its Short, its Short, holla at me


Lyrics submitted by spliphstar

Niggas Lyrics as written by Rob Herbert Sean Combs

Lyrics © Universal Music Publishing Group, Sony/ATV Music Publishing LLC

Lyrics powered by LyricFind

Niggas song meanings
Add Your Thoughts

0 Comments

sort form View by:
  • No Comments

Add your thoughts

Log in now to tell us what you think this song means.

Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise!

More Featured Meanings

Album art
Son Şansın - Şarkı Sözleri
Hayalperest
This song seemingly tackles the methods of deception those who manipulate others use to get victims to follow their demands, as well as diverting attention away from important issues. They'll also use it as a means to convince people to hate or kill others by pretending acts of terrorism were committed by the enemy when the acts themselves were done by the masters of control to promote discrimination and hate. It also reinforces the idea that these manipulative forces operate in various locations, infiltrating everyday life without detection, and propagate any and everywhere. In general, it highlights the danger of hidden agendas, manipulation, and distraction, serving as a critique of those who exploit chaos and confusion to control and gain power, depicting a cautionary tale against falling into their traps. It encourages us to question the narratives presented to us and remain vigilant against manipulation in various parts of society.
Album art
Cajun Girl
Little Feat
Overall about difficult moments of disappointment and vulnerability. Having hope and longing, while remaining optimistic for the future. Encourages the belief that with each new morning there is a chance for things to improve. The chorus offers a glimmer of optimism and a chance at a resolution and redemption in the future. Captures the rollercoaster of emotions of feeling lost while loving someone who is not there for you, feeling let down and abandoned while waiting for a lover. Lost with no direction, "Now I'm up in the air with the rain in my hair, Nowhere to go, I can go anywhere" The bridge shows signs of longing and a plea for companionship. The Lyrics express a desire for authentic connection and the importance of Loving someone just as they are. "Just in passing, I'm not asking. That you be anyone but you”
Album art
Mountain Song
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988. "'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it." "There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Album art
Gentle Hour
Yo La Tengo
This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version. Great version of a great song,
Album art
Page
Ed Sheeran
There aren’t many things that’ll hurt more than giving love a chance against your better judgement only to have your heart crushed yet again. Ed Sheeran tells such a story on “Page.” On this track, he is devastated to have lost his lover and even more saddened by the feeling that he may never move on from this.