"Fast car" is kind of a continuation of Bruce Springsteen's "Born to Run." It has all the clawing your way to a better life, but in this case the protagonist never makes it with her love; in fact she is dragged back down by him.
There is still an amazing amount of hope and will in the lyrics; and the lyrics themselve rank and easy five. If only music was stronger it would be one of those great radio songs that you hear once a week 20 years after it was released. The imagery is almost tear-jerking ("City lights lay out before us", "Speeds so fast felt like I was drunk"), and the idea of starting from nothing and just driving and working and denigrating yourself for a chance at being just above poverty, then losing in the end is just painful and inspiring at the same time.
Yeah, you got satin shoes
Yeah, you got plastic boots
Y'all got cocaine eyes
Yeah, you got speed-freak jive
Can't you hear me knockin' on your window
Can't you hear me knockin' on your door
Can't you hear me knockin' down your dirty street, yeah
Help me baby, ain't no stranger
Can you help me baby, ain't no stranger
Help me baby, ain't no stranger
Can't you hear me knockin', ah, are you safe asleep?
Can't you hear me knockin', yeah, down the gas light street, now
Can't you hear me knockin', yeah, throw me down the keys
Alright now
Hear me ringing big bell tolls
Hear me singing soft and low
I've been begging on my knees
I've been kickin', help me please
Hear me prowlin'
I'm gonna take you down
Hear me growlin'
Yeah, I've got flatted feet now, now, now, now
Hear me howlin'
And all, all around your street now
Hear me knockin'
And all, all around your town
Yeah, you got plastic boots
Y'all got cocaine eyes
Yeah, you got speed-freak jive
Can't you hear me knockin' on your window
Can't you hear me knockin' on your door
Can't you hear me knockin' down your dirty street, yeah
Help me baby, ain't no stranger
Can you help me baby, ain't no stranger
Help me baby, ain't no stranger
Can't you hear me knockin', ah, are you safe asleep?
Can't you hear me knockin', yeah, down the gas light street, now
Can't you hear me knockin', yeah, throw me down the keys
Alright now
Hear me ringing big bell tolls
Hear me singing soft and low
I've been begging on my knees
I've been kickin', help me please
Hear me prowlin'
I'm gonna take you down
Hear me growlin'
Yeah, I've got flatted feet now, now, now, now
Hear me howlin'
And all, all around your street now
Hear me knockin'
And all, all around your town
Lyrics submitted by spliphstar
Can't You Hear Me Knocking Lyrics as written by Mick Jagger Keith Richards
Lyrics © Abkco Music Inc.
Lyrics powered by LyricFind
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Fast Car
Tracy Chapman
Tracy Chapman
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Hayalperest
Hayalperest
This song seemingly tackles the methods of deception those who manipulate others use to get victims to follow their demands, as well as diverting attention away from important issues. They'll also use it as a means to convince people to hate or kill others by pretending acts of terrorism were committed by the enemy when the acts themselves were done by the masters of control to promote discrimination and hate. It also reinforces the idea that these manipulative forces operate in various locations, infiltrating everyday life without detection, and propagate any and everywhere.
In general, it highlights the danger of hidden agendas, manipulation, and distraction, serving as a critique of those who exploit chaos and confusion to control and gain power, depicting a cautionary tale against falling into their traps. It encourages us to question the narratives presented to us and remain vigilant against manipulation in various parts of society.
Gentle Hour
Yo La Tengo
Yo La Tengo
This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version.
Great version of a great song,
I Can't Go To Sleep
Wu-Tang Clan
Wu-Tang Clan
This song is written as the perspective of the boys in the street, as a whole, and what path they are going to choose as they get older and grow into men. (This is why the music video takes place in an orphanage.) The seen, and unseen collective suffering is imbedded in the boys’ mind, consciously or subconsciously, and is haunting them. Which path will the boys choose? Issac Hayes is the voice of reason, maybe God, the angel on his shoulder, or the voice of his forefathers from beyond the grave who can see the big picture and are pleading with the boys not to continue the violence and pattern of killing their brothers, but to rise above. The most beautiful song and has so many levels. Racism towards African Americans in America would not exist if everyone sat down and listened to this song and understood the history behind the words. The power, fear, pleading in RZA and Ghostface voices are genuine and powerful. Issac Hayes’ strong voice makes the perfect strong father figure, who is possibly from beyond the grave.
When We Were Young
Blink-182
Blink-182
This is a sequel to 2001's "Reckless Abandon", and features the band looking back on their clumsy youth fondly.
This isn't really about drugs. It's just another installment of "Mick Jagger the prowler"--a continuation if you will of Midnight Rambler. Having said that---it is the single greatest rock song of all-time. Keith Richards is the finest rhythm guitarist ever and an underrated lead guitarist as well.
@JumpyJack OK...I am officially an almost sixty year old nerd with no Life. I went through life thinking the lyrics were "Really should be rocking" and thought it was from the Disco Era-maybe on "Some Girls"-instead of "Sticky Fingers." That Bridge is Da BOMB...for me what stands out is all the Good Sax.