Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Blue jean baby, L.A. lady, seamstress for the band
Pretty eyed, pirate smile, you'll marry a music man
Ballerina, you must've seen her dancing in the sand
And now she's in me, always with me, tiny dancer in my hand
Jesus freaks out in the street
Handing tickets out for God
Turning back, she just laughs
The boulevard is not that bad
Piano man, he makes his stand
In the auditorium
Looking on, she sings the songs
The words she knows, the tune she hums
But oh, how it feels so real
Lying here with no one near
Only you, and you can hear me
When I say softly, slowly
Hold me closer, tiny dancer
Count the headlights on the highway
Lay me down in sheets of linen
You had a busy day today
Hold me closer, tiny dancer
Count the headlights on the highway
Lay me down in sheets of linen
You had a busy day today
Blue jean baby, L.A. lady, seamstress for the band
Pretty eyed, pirate smile, you'll marry a music man
Ballerina, you must've seen her dancing in the sand
Now she's in me, always with me, tiny dancer in my hand
Oh, how it feels so real
Lying here with no one near
Only you, and you can hear me
When I say softly, slowly
Hold me closer, tiny dancer
Count the headlights on the highway
Lay me down in sheets of linen
You had a busy day today
Hold me closer, tiny dancer
Count the headlights on the highway
Lay me down in sheets of linen
You had a busy day today
Pretty eyed, pirate smile, you'll marry a music man
Ballerina, you must've seen her dancing in the sand
And now she's in me, always with me, tiny dancer in my hand
Jesus freaks out in the street
Handing tickets out for God
Turning back, she just laughs
The boulevard is not that bad
Piano man, he makes his stand
In the auditorium
Looking on, she sings the songs
The words she knows, the tune she hums
But oh, how it feels so real
Lying here with no one near
Only you, and you can hear me
When I say softly, slowly
Hold me closer, tiny dancer
Count the headlights on the highway
Lay me down in sheets of linen
You had a busy day today
Hold me closer, tiny dancer
Count the headlights on the highway
Lay me down in sheets of linen
You had a busy day today
Blue jean baby, L.A. lady, seamstress for the band
Pretty eyed, pirate smile, you'll marry a music man
Ballerina, you must've seen her dancing in the sand
Now she's in me, always with me, tiny dancer in my hand
Oh, how it feels so real
Lying here with no one near
Only you, and you can hear me
When I say softly, slowly
Hold me closer, tiny dancer
Count the headlights on the highway
Lay me down in sheets of linen
You had a busy day today
Hold me closer, tiny dancer
Count the headlights on the highway
Lay me down in sheets of linen
You had a busy day today
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Mountain Song
Jane's Addiction
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This is a sequel to 2001's "Reckless Abandon", and features the band looking back on their clumsy youth fondly.
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How would you describe the feeling of being in love? For Ed Sheeran, the word is “Magical.” in HIS three-minute album opener, he makes an attempt to capture the beauty and delicacy of true love with words. He describes the magic of it all over a bright Pop song produced by Aaron Dessner.
Head > Heels
Ed Sheeran
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“Head > Heels” is a track that aims to capture what it feels like to experience romance that exceeds expectations. Ed Sheeran dedicates his album outro to a lover who has blessed him with a unique experience that he seeks to describe through the song’s nuanced lyrics.
Plastic Bag
Ed Sheeran
Ed Sheeran
“Plastic Bag” is a song about searching for an escape from personal problems and hoping to find it in the lively atmosphere of a Saturday night party. Ed Sheeran tells the story of his friend and the myriad of troubles he is going through. Unable to find any solutions, this friend seeks a last resort in a party and the vanity that comes with it.
“I overthink and have trouble sleepin’ / All purpose gone and don’t have a reason / And there’s no doctor to stop this bleedin’ / So I left home and jumped in the deep end,” Ed Sheeran sings in verse one. He continues by adding that this person is feeling the weight of having disappointed his father and doesn’t have any friends to rely on in this difficult moment. In the second verse, Ed sings about the role of grief in his friend’s plight and his dwindling faith in prayer. “Saturday night is givin’ me a reason to rely on the strobe lights / The lifeline of a promise in a shot glass, and I’ll take that / If you’re givin’ out love from a plastic bag,” Ed sings on the chorus, as his friend turns to new vices in hopes of feeling better.
"Tiny Dancer" is a sexual fantasy. The narrator loves TD, but she is not his girlfriend or wife, as the narrator refers to the music man and the piano man in 3rd person, not 1st person. The narrator loves TD for two reasons: first, he loves her because she is a "ballerina," not literally, but metaphorically in the sense that she loves life and lives naturally and effortlessly, with no trace of awkwardness or worry. second, he loves her because she is a pagan, not burdened by the onerous demands of Jesus freaks or other religious zealots. The narrator's love for TD is more intense due to the fact that he feels inferior to her and therefore cannot really possess her (probably the narrator is awkward, worried, and burdened by life and religion). Thus the only way to possess TD is through fantasy. "And now she's in me, always with me" means that he has grabbed hold of her spirit, but not her body. When the narrator says, "but oh how it feels so real, lying here with no one near, only you," the implication is that it is not real, and she is not really lying there. TD is the narrator's ideal, but their relationship in consummated in masturbation.
Be careful to explain meanings of songs by reference to real life events. Journalism is the means of communicating real life events whereas art is the means of communicating the artist's own reality according to his values. A real life event may trigger the making of art, but that does not mean the event is the art itself, far from it. The art is contained in the actual words, nothing more and nothing less.
@mark2marie Nonsense. Its about Bernies gf. Theres a video of Elton playing this in an interview for the very first time in front of anyone. He says "this is about Bernies GIRLFRIEND."