This is about bronies. They communicate by stomping.
Headed out for Austin, now we're half way down the road
Hollering budda-budda-budda-budda-by
Steady staring out the window
It fells good, it fells nice, it feels like you need it
And back out on the road is where we like to be seated
We got half-pint style, we got a b-boy style
We got half-pint style, we got a b-boy style
We got to put that shit together in a creative style
We put that shit together in a creative style
Outside on the pavement I won't feel afraid
There's a little piece of paper saying how we walked that May
Back out on the highway, and this hurts to say
No one's got fingers, I got no one to blame
I can't make you overstand, rising up in a hip-hop stance
Society's got to me
That's all you need
Headed out to Houston, now we're halfway out the door
Hollering budda-budda-budda-budda-by
Staring out the window
It fells good, it feels nice, it feels like you need it
I know how females like to be treated
A license for me and the stars up above
And on the interstate I fell love, love, love
And If I never realize then that's how it has to be
And all DJs out there got to give me money
Back out on the freeway, I won't fell sane
Little yellow headlights look like snails smashed in the rain
Back out on the highway, and this hurts to say
Blown out speakers, I got no one to blame
I can't make you overstand, rising up in a hip-hop stance
Society's got to me
That's all you need, yeah, yeah
My way is your way, but I won't see
'Cause no one can tell you, you've got to be afraid
We got to go back on the highway, live behind the wheel
I want it real, I want it real
I want it real, real
Hollering budda-budda-budda-budda-by
Steady staring out the window
It fells good, it fells nice, it feels like you need it
And back out on the road is where we like to be seated
We got half-pint style, we got a b-boy style
We got half-pint style, we got a b-boy style
We got to put that shit together in a creative style
We put that shit together in a creative style
Outside on the pavement I won't feel afraid
There's a little piece of paper saying how we walked that May
Back out on the highway, and this hurts to say
No one's got fingers, I got no one to blame
I can't make you overstand, rising up in a hip-hop stance
Society's got to me
That's all you need
Headed out to Houston, now we're halfway out the door
Hollering budda-budda-budda-budda-by
Staring out the window
It fells good, it feels nice, it feels like you need it
I know how females like to be treated
A license for me and the stars up above
And on the interstate I fell love, love, love
And If I never realize then that's how it has to be
And all DJs out there got to give me money
Back out on the freeway, I won't fell sane
Little yellow headlights look like snails smashed in the rain
Back out on the highway, and this hurts to say
Blown out speakers, I got no one to blame
I can't make you overstand, rising up in a hip-hop stance
Society's got to me
That's all you need, yeah, yeah
My way is your way, but I won't see
'Cause no one can tell you, you've got to be afraid
We got to go back on the highway, live behind the wheel
I want it real, I want it real
I want it real, real
Lyrics submitted by The Big Andowski
All You Need Lyrics as written by Bradley James Nowell
Lyrics © Universal Music Publishing Group
Lyrics powered by LyricFind
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@[Diderik:33655] "Your a holiday!" Was a popular term used in the 50s/60s to compliment someone on their all around. For example, not only are they beautiful, but they are fun and kind too ... just an all around "holiday".
I think your first comment is closer to being accurate. The singer/song writers state "Millions of eyes can see, yet why am i so blind!? When the someone else is me, its unkind its unkind". I believe hes referring to the girl toying with him and using him. He wants something deeper with her, thats why he allows himself to be as a puppet (even though for her fun and games) as long as it makes her happy. But he knows deep down that she doesnt really want to be serious with him and thats what makes him.
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Page
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There aren’t many things that’ll hurt more than giving love a chance against your better judgement only to have your heart crushed yet again. Ed Sheeran tells such a story on “Page.” On this track, he is devastated to have lost his lover and even more saddened by the feeling that he may never move on from this.
Plastic Bag
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Ed Sheeran
“Plastic Bag” is a song about searching for an escape from personal problems and hoping to find it in the lively atmosphere of a Saturday night party. Ed Sheeran tells the story of his friend and the myriad of troubles he is going through. Unable to find any solutions, this friend seeks a last resort in a party and the vanity that comes with it.
“I overthink and have trouble sleepin’ / All purpose gone and don’t have a reason / And there’s no doctor to stop this bleedin’ / So I left home and jumped in the deep end,” Ed Sheeran sings in verse one. He continues by adding that this person is feeling the weight of having disappointed his father and doesn’t have any friends to rely on in this difficult moment. In the second verse, Ed sings about the role of grief in his friend’s plight and his dwindling faith in prayer. “Saturday night is givin’ me a reason to rely on the strobe lights / The lifeline of a promise in a shot glass, and I’ll take that / If you’re givin’ out love from a plastic bag,” Ed sings on the chorus, as his friend turns to new vices in hopes of feeling better.
During a road trip the band partied hard and overslept after a gig in Phoenix, Arizona. The band later had a gig in Austin, Texas in just a few short hours and were hundreds of miles away. The song is Bradley's high recollection of the band driving like a bat outta hell trying to get to the gig in Texas and get paid. The speed of the song shows the rush and chaos the band was feeling.