"Fast car" is kind of a continuation of Bruce Springsteen's "Born to Run." It has all the clawing your way to a better life, but in this case the protagonist never makes it with her love; in fact she is dragged back down by him.
There is still an amazing amount of hope and will in the lyrics; and the lyrics themselve rank and easy five. If only music was stronger it would be one of those great radio songs that you hear once a week 20 years after it was released. The imagery is almost tear-jerking ("City lights lay out before us", "Speeds so fast felt like I was drunk"), and the idea of starting from nothing and just driving and working and denigrating yourself for a chance at being just above poverty, then losing in the end is just painful and inspiring at the same time.
And you know it's time to go
Through the sleet and driving snow
Across the fields of mourning
Light in the distance
And you hunger for the time
Time to heal, desire, time
And your earth moves beneath
Your own dream landscape
Oh, oh, oh
On borderland we run
I'll be there
I'll be there
Tonight
A high road
A high road out from here
The city walls are all come down
The dust, a smoke screen all around
See faces ploughed like fields that once
Gave no resistance
And we live by the side of the road
On the side of a hill
As the valley explode
Dislocated, suffocated
The land grows weary of its own
Oh come away, oh come away, oh come away, I say I
Oh come away, come away, oh come, oh come away, I say I
Oh, oh, oh
On borderland we run
And still we run
We run and don't look back
I'll be there
I'll be there
Tonight
Tonight
I'll be there tonight, I believe
I'll be there so high
I'll be there tonight, tonight
Oh come away, I say, I say oh
Oh come away, I say
The wind will crack in winter time
This bomb-blast lightning waltz
No spoken words, just a scream
Oh
Oh
Tonight we'll build a bridge
Across the sea and land
See the sky, the burning rain
She will die and live again
Tonight
And your heart beats so slow
Through the rain and fallen snow
Across the fields of mourning
Lights in the distance
Oh don't sorrow, no don't weep
For tonight, at last
I am coming home
I am coming home
Through the sleet and driving snow
Across the fields of mourning
Light in the distance
And you hunger for the time
Time to heal, desire, time
And your earth moves beneath
Your own dream landscape
Oh, oh, oh
On borderland we run
I'll be there
I'll be there
Tonight
A high road
A high road out from here
The city walls are all come down
The dust, a smoke screen all around
See faces ploughed like fields that once
Gave no resistance
And we live by the side of the road
On the side of a hill
As the valley explode
Dislocated, suffocated
The land grows weary of its own
Oh come away, oh come away, oh come away, I say I
Oh come away, come away, oh come, oh come away, I say I
Oh, oh, oh
On borderland we run
And still we run
We run and don't look back
I'll be there
I'll be there
Tonight
Tonight
I'll be there tonight, I believe
I'll be there so high
I'll be there tonight, tonight
Oh come away, I say, I say oh
Oh come away, I say
The wind will crack in winter time
This bomb-blast lightning waltz
No spoken words, just a scream
Oh
Oh
Tonight we'll build a bridge
Across the sea and land
See the sky, the burning rain
She will die and live again
Tonight
And your heart beats so slow
Through the rain and fallen snow
Across the fields of mourning
Lights in the distance
Oh don't sorrow, no don't weep
For tonight, at last
I am coming home
I am coming home
Lyrics submitted by yuri_sucupira
A Sort of Homecoming Lyrics as written by Dave Evans Adam Clayton
Lyrics © Universal Music Publishing Group
Lyrics powered by LyricFind
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Fast Car
Tracy Chapman
Tracy Chapman
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Hayalperest
Hayalperest
This song seemingly tackles the methods of deception those who manipulate others use to get victims to follow their demands, as well as diverting attention away from important issues. They'll also use it as a means to convince people to hate or kill others by pretending acts of terrorism were committed by the enemy when the acts themselves were done by the masters of control to promote discrimination and hate. It also reinforces the idea that these manipulative forces operate in various locations, infiltrating everyday life without detection, and propagate any and everywhere.
In general, it highlights the danger of hidden agendas, manipulation, and distraction, serving as a critique of those who exploit chaos and confusion to control and gain power, depicting a cautionary tale against falling into their traps. It encourages us to question the narratives presented to us and remain vigilant against manipulation in various parts of society.
Mountain Song
Jane's Addiction
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Mountain Song
Jane's Addiction
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Magical
Ed Sheeran
Ed Sheeran
How would you describe the feeling of being in love? For Ed Sheeran, the word is “Magical.” in HIS three-minute album opener, he makes an attempt to capture the beauty and delicacy of true love with words. He describes the magic of it all over a bright Pop song produced by Aaron Dessner.
Because I have way too much time on my hands, I like looking at most of their albums as a story being played out. You have the innocence of childhood and spirtuality (boy into October) then he grows up, get's drafted, and witnesses the horrors of war (war)... I see "The Unforgettable Fire" as the the unsteady, post-traumatic return home. It's a shaky, flavorless, spacy album with ambiguously poetic lyrics (no where more evident than in the stretch of promenade-Elvis Presley and America).
I think 'A Sort of Homecoming' is about coming home from "war" (both the album and the literal sense), while reflecting back on it and how people have been changed by it. While most of the chorus lyrics are self explanatory, and about the hunger to finally return home. Lyrics like:
"...faces ploughed like fields That once gave no resistance...Dislocated, suffocated" Emphasizes the numbness and emotional disconnection that soldiers incur in warfare and post-traumatic depression. These lyrics are a reoccuring theme throughout the album.