This song is written as the perspective of the boys in the street, as a whole, and what path they are going to choose as they get older and grow into men. (This is why the music video takes place in an orphanage.) The seen, and unseen collective suffering is imbedded in the boys’ mind, consciously or subconsciously, and is haunting them. Which path will the boys choose? Issac Hayes is the voice of reason, maybe God, the angel on his shoulder, or the voice of his forefathers from beyond the grave who can see the big picture and are pleading with the boys not to continue the violence and pattern of killing their brothers, but to rise above. The most beautiful song and has so many levels. Racism towards African Americans in America would not exist if everyone sat down and listened to this song and understood the history behind the words. The power, fear, pleading in RZA and Ghostface voices are genuine and powerful. Issac Hayes’ strong voice makes the perfect strong father figure, who is possibly from beyond the grave.
If only you'd have known me before the accident
For with that grand collision came a grave consequence
Receptors overloaded, they burst and disconnect
'Til there was little feeling please work with what is left
Oh I need not be flattered that you've never been here before
So there's no need to mention that you've no firsts anymore
But if you let me be your skyline I'll let you be the wave
That reduces me to rubble that looked safe from far away
I don't know why, I don't know why
I return to the scenes of these crimes
Where the hedgerows slowly wind
Through the ghosts of Beverly Drive
I don't know why, I don't know why
I don't know what I expect to find
Where all the news is second hand
And everything just goes on as planned
You wanna teach but not be taught
And I wanna sell but not be bought
So let us not be lonesome
So let us not be lonesome
Lost in between our needs and wants
Our needs and wants
I don't know why, I don't know why
I return to the scenes of these crimes
Where the hedgerows slowly wind
Through the ghosts of Beverly Drive
I don't know why, I don't know why
I don't know what I expect to find
Where all the news is second hand
And everything just goes on as planned
I don't know why, I don't know why
I don't know why, I don't know why
I don't know why, I don't know why
I don't know why, I don't know why
For with that grand collision came a grave consequence
Receptors overloaded, they burst and disconnect
'Til there was little feeling please work with what is left
Oh I need not be flattered that you've never been here before
So there's no need to mention that you've no firsts anymore
But if you let me be your skyline I'll let you be the wave
That reduces me to rubble that looked safe from far away
I don't know why, I don't know why
I return to the scenes of these crimes
Where the hedgerows slowly wind
Through the ghosts of Beverly Drive
I don't know why, I don't know why
I don't know what I expect to find
Where all the news is second hand
And everything just goes on as planned
You wanna teach but not be taught
And I wanna sell but not be bought
So let us not be lonesome
So let us not be lonesome
Lost in between our needs and wants
Our needs and wants
I don't know why, I don't know why
I return to the scenes of these crimes
Where the hedgerows slowly wind
Through the ghosts of Beverly Drive
I don't know why, I don't know why
I don't know what I expect to find
Where all the news is second hand
And everything just goes on as planned
I don't know why, I don't know why
I don't know why, I don't know why
I don't know why, I don't know why
I don't know why, I don't know why
Lyrics submitted by Ozymandias25
The Ghosts of Beverly Drive Lyrics as written by Benjamin Gibbard
Lyrics © BMG Rights Management
Lyrics powered by LyricFind
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