"Fast car" is kind of a continuation of Bruce Springsteen's "Born to Run." It has all the clawing your way to a better life, but in this case the protagonist never makes it with her love; in fact she is dragged back down by him.
There is still an amazing amount of hope and will in the lyrics; and the lyrics themselve rank and easy five. If only music was stronger it would be one of those great radio songs that you hear once a week 20 years after it was released. The imagery is almost tear-jerking ("City lights lay out before us", "Speeds so fast felt like I was drunk"), and the idea of starting from nothing and just driving and working and denigrating yourself for a chance at being just above poverty, then losing in the end is just painful and inspiring at the same time.
Eh-eh-oh, eh-oh
Eh-eh-oh, eh-oh
Eh-eh-oh, eh-oh
Eh-eh-oh, eh-oh
Eh-eh-oh, eh-oh
Eh-eh-oh, eh-oh
Eh-eh-oh, eh-oh
Eh-eh-oh, eh-oh
I was left to my own devices
Many days fell away with nothing to show
And the walls kept tumbling down
In the city that we love
Grey clouds roll over the hills
Bringing darkness from above
But if you close your eyes
Does it almost feel like
Nothing changed at all?
And if you close your eyes
Does it almost feel like
You've been here before?
How am I gonna be an optimist about this?
How am I gonna be an optimist about this?
We were caught up and lost in all of our vices
In your pose as the dust settles around us
And the walls kept tumbling down
In the city that we love
Grey clouds roll over the hills
Bringing darkness from above
But if you close your eyes
Does it almost feel like
Nothing changed at all?
And if you close your eyes
Does it almost feel like
You've been here before?
How am I gonna be an optimist about this?
How am I gonna be an optimist about this?
Eh-oh, eh-oh
Eh-eh-oh, eh-oh
Eh-eh-oh, eh-oh
Eh-eh-oh, eh-oh
Oh, where do we begin?
The rubble or our sins?
Oh-oh, where do we begin?
The rubble or our sins?
And the walls kept tumbling down (oh, where do we begin?)
In the city that we love (the rubble or our sins?)
Grey clouds roll over the hills (oh, where do we begin?)
Bringing darkness from above (the rubble or our sins?)
But if you close your eyes
Does it almost feel like
Nothing changed at all?
And if you close your eyes
Does it almost feel like
You've been here before?
Oh, how am I gonna be an optimist about this?
How am I gonna be an optimist about this?
If you close your eyes
Does it almost feel like nothing changed at all?
Eh-eh-oh, eh-oh
Eh-eh-oh, eh-oh
Eh-eh-oh, eh-oh
Eh-eh-oh, eh-oh
Eh-eh-oh, eh-oh
Eh-eh-oh, eh-oh
Eh-eh-oh, eh-oh
Eh-eh-oh, eh-oh
Eh-eh-oh, eh-oh
Eh-eh-oh, eh-oh
Eh-eh-oh, eh-oh
Eh-eh-oh, eh-oh
Eh-eh-oh, eh-oh
Eh-eh-oh, eh-oh
Eh-eh-oh, eh-oh
I was left to my own devices
Many days fell away with nothing to show
And the walls kept tumbling down
In the city that we love
Grey clouds roll over the hills
Bringing darkness from above
But if you close your eyes
Does it almost feel like
Nothing changed at all?
And if you close your eyes
Does it almost feel like
You've been here before?
How am I gonna be an optimist about this?
How am I gonna be an optimist about this?
We were caught up and lost in all of our vices
In your pose as the dust settles around us
And the walls kept tumbling down
In the city that we love
Grey clouds roll over the hills
Bringing darkness from above
But if you close your eyes
Does it almost feel like
Nothing changed at all?
And if you close your eyes
Does it almost feel like
You've been here before?
How am I gonna be an optimist about this?
How am I gonna be an optimist about this?
Eh-oh, eh-oh
Eh-eh-oh, eh-oh
Eh-eh-oh, eh-oh
Eh-eh-oh, eh-oh
Oh, where do we begin?
The rubble or our sins?
Oh-oh, where do we begin?
The rubble or our sins?
And the walls kept tumbling down (oh, where do we begin?)
In the city that we love (the rubble or our sins?)
Grey clouds roll over the hills (oh, where do we begin?)
Bringing darkness from above (the rubble or our sins?)
But if you close your eyes
Does it almost feel like
Nothing changed at all?
And if you close your eyes
Does it almost feel like
You've been here before?
Oh, how am I gonna be an optimist about this?
How am I gonna be an optimist about this?
If you close your eyes
Does it almost feel like nothing changed at all?
Eh-eh-oh, eh-oh
Eh-eh-oh, eh-oh
Eh-eh-oh, eh-oh
Eh-eh-oh, eh-oh
Eh-eh-oh, eh-oh
Eh-eh-oh, eh-oh
Eh-eh-oh, eh-oh
Eh-eh-oh, eh-oh
Lyrics submitted by psychedelicglee, edited by noelsguitar, henrymo, thatismahogony, Ashleeeee, amrj, tuckerka, marlize105, Jbail2322
Pompeii Lyrics as written by Daniel Campbell Smith
Lyrics © Universal Music Publishing Group
Lyrics powered by LyricFind
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This is one of my favorite songs. https://fnfgo.io
Mountain Song
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Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Gentle Hour
Yo La Tengo
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This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version.
Great version of a great song,
Plastic Bag
Ed Sheeran
Ed Sheeran
“Plastic Bag” is a song about searching for an escape from personal problems and hoping to find it in the lively atmosphere of a Saturday night party. Ed Sheeran tells the story of his friend and the myriad of troubles he is going through. Unable to find any solutions, this friend seeks a last resort in a party and the vanity that comes with it.
“I overthink and have trouble sleepin’ / All purpose gone and don’t have a reason / And there’s no doctor to stop this bleedin’ / So I left home and jumped in the deep end,” Ed Sheeran sings in verse one. He continues by adding that this person is feeling the weight of having disappointed his father and doesn’t have any friends to rely on in this difficult moment. In the second verse, Ed sings about the role of grief in his friend’s plight and his dwindling faith in prayer. “Saturday night is givin’ me a reason to rely on the strobe lights / The lifeline of a promise in a shot glass, and I’ll take that / If you’re givin’ out love from a plastic bag,” Ed sings on the chorus, as his friend turns to new vices in hopes of feeling better.
I can say with relative certainty that this song is NOT about a relationship, a specific person/story, or and definitely not just telling the story of Pompeii. The song is dense with truths about humanity and our tendency to inadvertently cause our own downfalls.
Here's my interpretation: Both on a large scale (wars, poverty, etc.) and a small scale (hopelessness, poor relationships, etc.), our world falls apart due to our own faults ("vices" in the song — selfishness, greed, general wrongdoings). We look around and recognize that our society and our own personal lives are flawed.
Over and over in anyone's life, there are problems and difficulties. Yet, when we "close our eyes" (stop thinking about the problems themselves), we realize that despite our recognition of these flaws, we really haven't changed our attitudes at all to help make things better ("nothing's changed at all"). For that reason, we keep making the same mistakes over and over again — we've "been here before," and we're making the same mistakes again, one reason why the metaphor of Pompeii and it's destruction is brilliant for this song. We want to change everything that's going wrong, when maybe we should be looking to change ourselves and our own shortcomings.
One of the most powerful lines of the song conveys this message — "Where do we begin? The rubble or our sins?" In other words, do we just clean up and hide our messes, or do we dig for the root of the problem first? It seems to suggest that the first option will lead to continued failure and an endless cycle of destruction.
There's definitely more here, but I think that's part of it. And like many songs, there are multiple valid interpretations, but I think this idea of our cyclical flaws is definitely in there. Fantastic song, even better lyrics.
Love this interpretation.<br /> <br /> I totally agree. This song poses a strong connection between an apocalyptic situation and daily life. The line "if you close your eyes does it almost feel like you've been here before" explains this. In other words, if you forget just what you're sensing and focus on what you're feeling, this isn't the first time you've felt doomed, hopeless, lost. Really, it's exactly this feeling that impacts and determines your reality, less so than the actual situation.<br /> <br /> "Where do we begin, the rubble or our sins?" echoes this idea. After a tragedy, how does one begin to recover—rebuilding the physical destruction, or making amends for the personal damage one has caused to both themselves and others. Furthermore, it shows the panic and confusion that results, but that despite this panic, using "we" suggests that the intent to rebuild and learn has brought the victims of tragedy closer.<br /> <br /> (Not saying you specifically said this, but nonetheless) I don't think it makes sense to interpret the apocalyptic/life-shattering event that seems to be the focus of the song as a punishment or retribution for "sins" or for being "caught up in lust and all of our vices" so much as it highlights how in this kind of event can cause one to alter their priorities toward more collective, humanistic goals.
Love your interpretation! However, for me, intuitively, interpreting it on the relationship-level does make more sense. I have wondered why, and I guess it is because of the opening sentence. It says "I was left to my own devices", which, for me, makes it very personal: I fucked up again. Me, not all of us. If it was meant on the level of humanity, I would expect the song to open with "We were left to our own devices". Of course, later on it becomes clear that the "I" isn't the only one to blame, when the song goes on to sing about "our vices" and "our sins". However, because of the opening sentence, it does seem to me that the "I" made a very substantial contribution to the failure. <br /> <br /> The song makes me think about trying to make a relationship work, but failing time after time, because, in line with your interpretation, we make up after each crises (the rubble), but we don't change our characters (our vices, our sins) which are causing new crises over and over again. So when we close our eyes, and stop to be distracted by the particularities of the current crisis situation, we realize that nothing changed at all in the underlying dynamics. How, in these circumstances, can we be optimistic about the future?<br /> <br />