The song lyrics were written by the band Van Halen, as they were asked to write a song for the 1979 movie "Over the Edge" starring Matt Dillon. The movie (and the lyrics, although more obliquely) are about bored, rebellious youth with nothing better to do than get into trouble. If you see the movie, these lyrics will make more sense. It's a great movie if you grew up in the 70s/80s you'll definitely remember some of these characters from your own life. Fun fact, after writing the song, Van Halen decided not to let the movie use it.
We visit a life we both left behind
Ignore the heart
Move to the ever-moving
Or, blazin', we go over
And over and over and over again
If I wait too long
I'll lose you from my sight
Maybe tonight
I could stop dreaming
And start believing in forever
And ever and ever and ever again
Reunion, reunion
Reunion, reunion
Never not ever, never not ever again
And it's burning inside 'til you give it up
How long should I wait?
There's no need to hide, from this
Only you in here
There's an end to us with someone else inside
You shine your light
There goes that feeling, won't let me see them
Never not ever, never not ever again
Did I see you, see me, in a new light?
Did I see you, see me, in a new light?
Did I see you, see me, in a new light? (Never not ever again)
Did I (Never not ever) see you (Ever again)
See me (Never not ever) in a new light? (Never not ever again)
Did I see you, see me?
Never not ever, never not ever again
Ignore the heart
Move to the ever-moving
Or, blazin', we go over
And over and over and over again
If I wait too long
I'll lose you from my sight
Maybe tonight
I could stop dreaming
And start believing in forever
And ever and ever and ever again
Reunion, reunion
Reunion, reunion
Never not ever, never not ever again
And it's burning inside 'til you give it up
How long should I wait?
There's no need to hide, from this
Only you in here
There's an end to us with someone else inside
You shine your light
There goes that feeling, won't let me see them
Never not ever, never not ever again
Did I see you, see me, in a new light?
Did I see you, see me, in a new light?
Did I see you, see me, in a new light? (Never not ever again)
Did I (Never not ever) see you (Ever again)
See me (Never not ever) in a new light? (Never not ever again)
Did I see you, see me?
Never not ever, never not ever again
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In regards to the meaning of this song:
Before a live performance on the EP Five Stories Falling, Geoff states “It’s about the last time I went to visit my grandmother in Columbus, and I saw that she was dying and it was the last time I was going to see her. It is about realizing how young you are, but how quickly you can go.”
That’s the thing about Geoff and his sublime poetry, you think it’s about one thing, but really it’s about something entirely different. But the lyrics are still universal and omnipresent, ubiquitous, even. So relatable. That’s one thing I love about this band. I also love their live performances, raw energy and Geoff’s beautiful, imperfectly perfect vocals. His voice soothes my aching soul.
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This is about bronies. They communicate by stomping.
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I think much like another song “Anti-Matter” (that's also on the same album as this song), this one is also is inspired by a horrifying van crash the band experienced on Nov 3, 2022. This, much like the other track, sounds like it's an extension what they shared while huddled in the wreckage, as they helped frontman Garrett Russell stem the bleeding from his head wound while he was under the temporary effects of a concussion. The track speaks of where the mind goes at the most desperate & desolate of times, when it just about slips away to all but disconnect itself, and the aftermath.
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This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version.
Great version of a great song,
What a great track. At first I didn't like it very much because the timing was wonky, but not I love it. I love the dark minimal techno bit at the end that goes into Sunset so beautifully.
This live video set it off for me though: youtu.be/yw4GiH37EM0