This is a hauntingly beautiful song about introspection, specifically about looking back at a relationship that started bad and ended so poorly, that the narrator wants to go back to the very beginning and tell himself to not even travel down that road. I believe that the relationship started poorly because of the lines:
"Take me back to the night we met:When the night was full of terrors: And your eyes were filled with tears: When you had not touched me yet"
So, the first night was not a great start, but the narrator pursued the relationship and eventually both overcame the rough start to fall in love with each other:
"I had all and then most of you"
Like many relationships that turn sour, it was not a quick decline, but a gradual one where the narrator and their partner fall out of love and gradually grow apart
"Some and now none of you"
Losing someone who was once everything in your world, who you could confide in, tell your secrets to, share all the most intimate parts of your life, to being strangers with that person is probably one of the most painful experiences a person can go through. So Painful, the narrator wants to go back in time and tell himself to not even pursue the relationship.
This was the perfect song for "13 Reasons Why"
Out on the fringe
Where the shallows meet the scratchlands
Out where hope and the highway ends
You can park or cruise
Both ways you lose
This is Flytown now my friend
You take a walk on Bleak Street
Tonight could be the night you crash
Then you turn and stop
Start to fingerpop
You think you hear a wailin' combo
You climb a flight of twisted stairs
Some cat says buddy
[Chorus]
If you've got eyes
To rhythmatize
Bring your flat hat and your ax
'Cause tonight at ten
We'll be workin' again
At the Teahouse on the Tracks
The Siegel Bros. were slammin' out a baion
So slick it should have been a crime
Irene and Flocko and little Amy Khan
Lead off the big front line
The crowd was bouncin' in sync with the pulse
You get a case of party feet
(Then the room turns bright
And fills up with light)
And then from somewhere deep inside you
Some frozen stuff begins to crack
Better hurry
[Chorus]
Take the T-Line to Bleak and Divine
Just above the Good Time Flats
It's your last chance
To learn how to dance
At the Teahouse on the Tracks
On Sunday morning
You're back at the wheel
You're feelng calm and crisp and strong
[Chorus]
If it feels right
Just drive for the light
That's the groovessential facts
Someday we'll all meet at the end of the street
At the Tea house on the Tracks
Where the shallows meet the scratchlands
Out where hope and the highway ends
You can park or cruise
Both ways you lose
This is Flytown now my friend
You take a walk on Bleak Street
Tonight could be the night you crash
Then you turn and stop
Start to fingerpop
You think you hear a wailin' combo
You climb a flight of twisted stairs
Some cat says buddy
[Chorus]
If you've got eyes
To rhythmatize
Bring your flat hat and your ax
'Cause tonight at ten
We'll be workin' again
At the Teahouse on the Tracks
The Siegel Bros. were slammin' out a baion
So slick it should have been a crime
Irene and Flocko and little Amy Khan
Lead off the big front line
The crowd was bouncin' in sync with the pulse
You get a case of party feet
(Then the room turns bright
And fills up with light)
And then from somewhere deep inside you
Some frozen stuff begins to crack
Better hurry
[Chorus]
Take the T-Line to Bleak and Divine
Just above the Good Time Flats
It's your last chance
To learn how to dance
At the Teahouse on the Tracks
On Sunday morning
You're back at the wheel
You're feelng calm and crisp and strong
[Chorus]
If it feels right
Just drive for the light
That's the groovessential facts
Someday we'll all meet at the end of the street
At the Tea house on the Tracks
Lyrics submitted by SongMeanings
Teahouse on the Tracks Lyrics as written by Donald Jay Fagen
Lyrics © Wixen Music Publishing
Lyrics powered by LyricFind
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The Night We Met
Lord Huron
Lord Huron
Gentle Hour
Yo La Tengo
Yo La Tengo
This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version.
Great version of a great song,
Just A Little Lovin'
Dusty Springfield
Dusty Springfield
I don't think it's necessarily about sex. It's about wanting to start the day with some love and affection. Maybe a warm cuddle. I'm not alone in interpreting it that way! For example:
"'Just a Little Lovin’ is a timeless country song originally recorded by Eddy Arnold in 1954. The song, written by Eddie Miller and Jimmy Campbell, explores the delicate nuances of love and showcases Arnold’s emotive vocals. It delves into the universal theme of love and how even the smallest gesture of affection can have a profound impact on our lives." https://oldtimemusic.com/the-meaning-behind-the-song-just-a-little-lovin-by-eddy-arnold/
Blue
Ed Sheeran
Ed Sheeran
“Blue” is a song about a love that is persisting in the discomfort of the person experiencing the emotion. Ed Sheeran reflects on love lost, and although he wishes his former partner find happiness, he cannot but admit his feelings are still very much there. He expresses the realization that he might never find another on this stringed instrumental by Aaron Dessner.
Page
Ed Sheeran
Ed Sheeran
There aren’t many things that’ll hurt more than giving love a chance against your better judgement only to have your heart crushed yet again. Ed Sheeran tells such a story on “Page.” On this track, he is devastated to have lost his lover and even more saddened by the feeling that he may never move on from this.