This song seemingly tackles the methods of deception those who manipulate others use to get victims to follow their demands, as well as diverting attention away from important issues. They'll also use it as a means to convince people to hate or kill others by pretending acts of terrorism were committed by the enemy when the acts themselves were done by the masters of control to promote discrimination and hate. It also reinforces the idea that these manipulative forces operate in various locations, infiltrating everyday life without detection, and propagate any and everywhere.
In general, it highlights the danger of hidden agendas, manipulation, and distraction, serving as a critique of those who exploit chaos and confusion to control and gain power, depicting a cautionary tale against falling into their traps. It encourages us to question the narratives presented to us and remain vigilant against manipulation in various parts of society.
Coco believe me
I'm a loathsome man
I want to get stoned and trip some wires
I want to get myself underground
I said that, you must believe me
When I say I'm fightin' the dead
Lyin' low across the evening
Can you see the lumps on my head?
But I got these voices that just keep singin' out
Sayin'
"I just can't stop losin' control"
I said that "I just can't stop losin' control"
"I just can't stop losin' control"
I said that "I just can't stop losin' control"
Trench war on the pavement
Tryin' to score some love
In the corner of the city
Matching faces with fees
I guess that you never been here by the look upon ya face
Standing with all the whores and cannibals
In the censored race
Well I got these voices that just keep singin' out
Sayin'
"I just can't stop losin' control"
I said that "I just can't stop losin' control"
"I just can't stop losin' control"
I said that "I just can't stop losin' control"
You must believe me
When I say I'm fightin' the dead
Lyin' low across the evening
Can you see the lumps on my head?
I guess that you never been here by the look upon ya face
Standing with all the whores and cannibals
In the censored race
Well I got these voices that just keep singin' out
Sayin'
"I just can't stop losin' control"
I said that "I just can't stop losin' control"
"I just can't stop losin' control"
I said that "I just can't stop losin' control"
Well, I got these voices
I'm a loathsome man
I want to get stoned and trip some wires
I want to get myself underground
I said that, you must believe me
When I say I'm fightin' the dead
Lyin' low across the evening
Can you see the lumps on my head?
But I got these voices that just keep singin' out
Sayin'
"I just can't stop losin' control"
I said that "I just can't stop losin' control"
"I just can't stop losin' control"
I said that "I just can't stop losin' control"
Trench war on the pavement
Tryin' to score some love
In the corner of the city
Matching faces with fees
I guess that you never been here by the look upon ya face
Standing with all the whores and cannibals
In the censored race
Well I got these voices that just keep singin' out
Sayin'
"I just can't stop losin' control"
I said that "I just can't stop losin' control"
"I just can't stop losin' control"
I said that "I just can't stop losin' control"
You must believe me
When I say I'm fightin' the dead
Lyin' low across the evening
Can you see the lumps on my head?
I guess that you never been here by the look upon ya face
Standing with all the whores and cannibals
In the censored race
Well I got these voices that just keep singin' out
Sayin'
"I just can't stop losin' control"
I said that "I just can't stop losin' control"
"I just can't stop losin' control"
I said that "I just can't stop losin' control"
Well, I got these voices
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Son Şansın - Şarkı Sözleri
Hayalperest
Hayalperest
Gentle Hour
Yo La Tengo
Yo La Tengo
This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version.
Great version of a great song,
Blue
Ed Sheeran
Ed Sheeran
“Blue” is a song about a love that is persisting in the discomfort of the person experiencing the emotion. Ed Sheeran reflects on love lost, and although he wishes his former partner find happiness, he cannot but admit his feelings are still very much there. He expresses the realization that he might never find another on this stringed instrumental by Aaron Dessner.
Head > Heels
Ed Sheeran
Ed Sheeran
“Head > Heels” is a track that aims to capture what it feels like to experience romance that exceeds expectations. Ed Sheeran dedicates his album outro to a lover who has blessed him with a unique experience that he seeks to describe through the song’s nuanced lyrics.
Page
Ed Sheeran
Ed Sheeran
There aren’t many things that’ll hurt more than giving love a chance against your better judgement only to have your heart crushed yet again. Ed Sheeran tells such a story on “Page.” On this track, he is devastated to have lost his lover and even more saddened by the feeling that he may never move on from this.
ohhh, im first on another amazing kasabian song! i think this is quite obviously that hes addicted to drugs, and its getting him paranoid etc, and he cant help it..'i cant stop loosing control' i dont sure why its called butcher blues though.... fab song
yeah, I agree, its also the only kasabian song that make sense in the lyrics. It all sounds great though.
Are you sure it's not "trench war on the pavement"?
Are you sure it's not "trench war on the pavement"?
I agree with Hastalavictoria... I think it's "Trench war on the pavement."
The name of the song is Butcher Blues. There is an S on the end of Blue.
Love the band. First listen to this particular track. I'm not sure it's necessarily about drugs. The line "Standing with all the whores and cannibals" may indicate different behaviors (or, yes, drugs). "Matching faces with fees" could be drug dealers and/or prostitutes. Regardless, s/he's out of control.
Um...I think it's about war. It is "trench war in the pavement," and also I think it's "matching faces with feet." These two lines seem directed at war, the former directly, that latter referring to amputations or soldiers losing limbs in battle. "Trip some wires" I always thought referred to tripping an explosive wire. I also think it's "whores and cannonballs." Which is more war references.
I wonder if this was inspired in any way by Nick Cave's "Abattoir Blues."
I guess that's not possible since those songs came out in the same year. I think of this album as being older than it is...
This song talks about how people use the system to get their work done and talks leading a heretical life to escape from this cruelty of this world
@Zeneo How does it? Can you expand?