This is about bronies. They communicate by stomping.
I have no sympathy for you
You make me realize the who I am
I have no sympathy for thee
You make me realize the who I am not
Sympathy, sympathy
You want some, don't come to me
Don't try me for sympathy
I don't feel sorry for thee
You deserve to die
You deserve to die
I have no adjectives for you
And have no feelings for the who you are
I feel no empathy for you
You make me realize the who I am not
Sympathy, sympathy
You want some, don't come to me
Don't try me for sympathy
I don't feel sorry for thee
You deserve to die
You deserve to die
You make me realize the who I am
I have no sympathy for thee
You make me realize the who I am not
Sympathy, sympathy
You want some, don't come to me
Don't try me for sympathy
I don't feel sorry for thee
You deserve to die
You deserve to die
I have no adjectives for you
And have no feelings for the who you are
I feel no empathy for you
You make me realize the who I am not
Sympathy, sympathy
You want some, don't come to me
Don't try me for sympathy
I don't feel sorry for thee
You deserve to die
You deserve to die
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Bron-Y-Aur Stomp
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Yo La Tengo
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This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version.
Great version of a great song,
I Can't Go To Sleep
Wu-Tang Clan
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This song is written as the perspective of the boys in the street, as a whole, and what path they are going to choose as they get older and grow into men. (This is why the music video takes place in an orphanage.) The seen, and unseen collective suffering is imbedded in the boys’ mind, consciously or subconsciously, and is haunting them. Which path will the boys choose? Issac Hayes is the voice of reason, maybe God, the angel on his shoulder, or the voice of his forefathers from beyond the grave who can see the big picture and are pleading with the boys not to continue the violence and pattern of killing their brothers, but to rise above. The most beautiful song and has so many levels. Racism towards African Americans in America would not exist if everyone sat down and listened to this song and understood the history behind the words. The power, fear, pleading in RZA and Ghostface voices are genuine and powerful. Issac Hayes’ strong voice makes the perfect strong father figure, who is possibly from beyond the grave.
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Blink-182
Blink-182
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Head > Heels
Ed Sheeran
Ed Sheeran
“Head > Heels” is a track that aims to capture what it feels like to experience romance that exceeds expectations. Ed Sheeran dedicates his album outro to a lover who has blessed him with a unique experience that he seeks to describe through the song’s nuanced lyrics.
"I think it'll make a good football chant: "You deserve to die". I wrote it for a film called Plop that was done by a group called Fukme 99 last year. It was a film about a group of selfish people who go round imagining they were living their last days, being very primal for their last moments, but you didn't feel any sympathy for any of the characters.
"When you take the song out of that context it sounds really heavy, but at the same time you had George Bush coming into power, and he'd been sticking people on death row willy-nilly. By the time we were recording it for the album, in America, there was some pretty barbaric things going on. The fact that the attitude to human life is becoming less and less respectful, so I was George Bush singing, which was not pleasant.
"It's such an ambiguous lyric, we want to make it clear which side of the fence we stand. It's also followed by Juxtapozed With U which has a completely different, opposite lyric. No Sympathy is quite an unsettling song. The film is very heavy, but quite comic as well. There's some amazing acting in it there's a kid pretending to die, that's great acting. It's another wakeup moment. It's a fairly long album, our longest yet, it needs some spicy moments to lift it out of complacency."