Where we at now?
Uncle Manson
Cameron Giles
And I'm Mason Betha
And this Untertainment
And we're gonna rise to the top
Jacob the Chancellor
And Troy Topper (check this)

Ayo you might see Cam in designer underwear
New reclining leather chair, reminders everywhere
How we pull up in whips the minors stop and stare
And when it comes to girls they behind us everywhere
I mean when I hang up on 'em they pressin' redial
I mean, what the fuck is it why you stressin' me child?
It'd be one thing if you were finessin' my style
But when I go to court, you know the dress of the trial
You not my wife, so if I ask head I be fowl
You better be down, the only question better be, how
Threaten me now, bet me a thou', no girl deadin' me now
In the SC we're gone, are you sexy in thongs?
If you'll sex in the Lex' and your head be the bomb
I'll get you that shit that Gretzky skate on
What you mean 'Gretzky be on'? Ice, hockey

Please mamacita (oh you're gonna buy me diamonds)
Horse and carriage is for hire (bitch, shut the fuck up)
Mamacita, please senorita
We're gonna rise to the top
Horse and carriage
See my love's for hire

Yo, ayo I love when cats think
They bigger than a sumo
That when I hit 'em with some Puerto Rican judo
Uh, you don't know what that is
That's when I say, "They don't know who gat this is"
(And you don't know?) Yo' guns is hand me downs
(And you don't know?) We'll put you where you can't be found
(And you don't know?) You better toughin' up
('Cause you don't know) nigga will fuck you up
(And you don't know?) Baby, we don't need you
And when it comes to Jimmy, my name's, "Me Too"
'Cause when he got cash, I was like, "Me too"
And when he got ass I said, "Me too"
And when he got the drop I was like, "Me too"
And when he almost got shot I said, "Me too"
What you get now is just a preview

Please mamacita (we all tinted out)
Horse and carriage (your car's see-through I see you)
Is for hire
Mamacita, please senorita
We're gonna rise to the top
Horse and carriage, see my love's for hire (yo, yo)

Ayo, I pull to the hotel with my shit on blast
Tell the valet, "Motherfucker, don't hit my Jag"
Seen the bell boy, nigga he can kiss my ass
Just show me my room nigga, and get my bags
So the girl, that's my hon, almost dropped his glass
I guess he was shocked when I touched her ass
But it really wasn't nothin' she was peedy a'ight
"Does that say Harlem World?" Yeah, you readin' it right
And we havin' a party, be there tonight
Like Phil Collins, have her in the heat of the night
'Cause Cam' rocks the party (all night long)
'Til when? ('Til the early morn')
It don't stop and uh
It don't quit and uh
I drive six and uh
We pop Cris, and uh
Right now too tipsy to drive

Please mamacita (but ma, I got my horse and carriage right outside)
Horse and carriage is for hire
Mamacita, please senorita
We're gonna rise to the top
Horse and carriage
See my love's for hire

Horse and carriage is for hire
Mamacita, please senorita
We're gonna rise to the top

Michael Foster, Huddy Combs
Jimmy Jones, Stason Betha and Bloodshed for ever
And we're gonna rise, and we're gonna rise
And we're gonna rise to the top
Andre Thompson (woo)


Lyrics submitted by SongMeanings

Horse & Carriage Lyrics as written by Jean Claude Olivier Cameron Giles

Lyrics © Downtown Music Publishing, Cloud9, Warner Chappell Music, Inc.

Lyrics powered by LyricFind

Horse & Carriage song meanings
Add Your Thoughts

0 Comments

sort form View by:
  • No Comments

Add your thoughts

Log in now to tell us what you think this song means.

Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise!

More Featured Meanings

Album art
Light Up The Sky
Van Halen
The song lyrics were written by the band Van Halen, as they were asked to write a song for the 1979 movie "Over the Edge" starring Matt Dillon. The movie (and the lyrics, although more obliquely) are about bored, rebellious youth with nothing better to do than get into trouble. If you see the movie, these lyrics will make more sense. It's a great movie if you grew up in the 70s/80s you'll definitely remember some of these characters from your own life. Fun fact, after writing the song, Van Halen decided not to let the movie use it.
Album art
The Night We Met
Lord Huron
This is a hauntingly beautiful song about introspection, specifically about looking back at a relationship that started bad and ended so poorly, that the narrator wants to go back to the very beginning and tell himself to not even travel down that road. I believe that the relationship started poorly because of the lines: "Take me back to the night we met:When the night was full of terrors: And your eyes were filled with tears: When you had not touched me yet" So, the first night was not a great start, but the narrator pursued the relationship and eventually both overcame the rough start to fall in love with each other: "I had all and then most of you" Like many relationships that turn sour, it was not a quick decline, but a gradual one where the narrator and their partner fall out of love and gradually grow apart "Some and now none of you" Losing someone who was once everything in your world, who you could confide in, tell your secrets to, share all the most intimate parts of your life, to being strangers with that person is probably one of the most painful experiences a person can go through. So Painful, the narrator wants to go back in time and tell himself to not even pursue the relationship. This was the perfect song for "13 Reasons Why"
Album art
Mountain Song
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988. "'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it." "There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Album art
Blue
Ed Sheeran
“Blue” is a song about a love that is persisting in the discomfort of the person experiencing the emotion. Ed Sheeran reflects on love lost, and although he wishes his former partner find happiness, he cannot but admit his feelings are still very much there. He expresses the realization that he might never find another on this stringed instrumental by Aaron Dessner.
Album art
Plastic Bag
Ed Sheeran
“Plastic Bag” is a song about searching for an escape from personal problems and hoping to find it in the lively atmosphere of a Saturday night party. Ed Sheeran tells the story of his friend and the myriad of troubles he is going through. Unable to find any solutions, this friend seeks a last resort in a party and the vanity that comes with it. “I overthink and have trouble sleepin’ / All purpose gone and don’t have a reason / And there’s no doctor to stop this bleedin’ / So I left home and jumped in the deep end,” Ed Sheeran sings in verse one. He continues by adding that this person is feeling the weight of having disappointed his father and doesn’t have any friends to rely on in this difficult moment. In the second verse, Ed sings about the role of grief in his friend’s plight and his dwindling faith in prayer. “Saturday night is givin’ me a reason to rely on the strobe lights / The lifeline of a promise in a shot glass, and I’ll take that / If you’re givin’ out love from a plastic bag,” Ed sings on the chorus, as his friend turns to new vices in hopes of feeling better.