The song 'Fortnight' by Taylor Swift and Post Malone tells a story about strong feelings, complicated relationships, and secret wishes. It talks about love, betrayal, and wanting someone who doesn't feel the same. The word 'fortnight' shows short-lived happiness and guilty pleasures, leading to sadness. It shows how messy relationships can be and the results of hiding emotions. “I was supposed to be sent away / But they forgot to come and get me,” she kickstarts the song in the first verse with lines suggesting an admission to a hospital for people with mental illnesses. She goes in the verse admitting her lover is the reason why she is like this. In the chorus, she sings about their time in love and reflects on how he has now settled with someone else. “I took the miracle move-on drug, the effects were temporary / And I love you, it’s ruining my life,” on the second verse she details her struggles to forget about him and the negative effects of her failure. “Thought of callin’ ya, but you won’t pick up / ‘Nother fortnight lost in America,” Post Malone sings in the outro.
Damn! Damn! Damn! Damn!
I've grown accustomed to her face.
She almost makes the day begin.
I've grown accustomed to the tune
That she whistles night and noon.
Her smiles, her frowns,
Her ups, her downs
Are second nature to me now,
Like breathing out and breathing in.
I was serenly independent
And content before we met.
Surely I could always be that way again - and yet,
I've grown accustomed to her look,
Accustomed to her voice,
Accustomed to her face.
(Spoken)
Marry Freddy. What an infantile idea. What a heartless,
wicked, brainless thing to do. But she'll regret it. It's
doomed before they even take the vow.
I can see her now, Mrs. Freddy Eynsford-Hill,
In a wretched little flat above a store.
I can see her now, not a penny in the till,
And a bill collector beating at the door.
She'll try to teach the things I taught her,
And end up selling flowers instead.
Begging for her bread and water,
While her husband has his breakfast in bed.
In a year or so, when she's prematurely grey,
And the blossom in her cheek has turned to chalk,
She'll come home and lo,
He'll have upped and run away,
With a social-climbing heiress from New York.
Poor Eliza. How simply frightful!
How humiliating! How delightful!
How poignant it'll be on that inevitable night
When she hammers on my door in tears and rags.
Miserable and lonely, repentant and contrite,
Will I take her in or hurl her to the walls?
Give her kindness or the treatment she deserves?
Will I take her back or throw the baggage out?
But, I'm a most forgiving man,
The sort who never could, never would,
Take a position and staunchly never budge.
A most forgiving man.
But I shall never take take her back
If she were even crawling on her knees.
Let her promise to atone,
Let her shiver, let her moan,
I'll slam the door and let the hell-cat freeze!
Marry Freddy, ha!
But I'm so used to hear her day,
"Good morning" ev'ry day.
Her joys, her woes,
Her highs, her lows,
Are second nature to me now,
Like breathing out and breathing in.
I'm very grateful she's a woman,
And so easy to forget, rather like a habit
One can always break, and yet,
I've grown accustomed to the trace,
Of something in the air,
Accustomed to her face.
I've grown accustomed to her face.
She almost makes the day begin.
I've grown accustomed to the tune
That she whistles night and noon.
Her smiles, her frowns,
Her ups, her downs
Are second nature to me now,
Like breathing out and breathing in.
I was serenly independent
And content before we met.
Surely I could always be that way again - and yet,
I've grown accustomed to her look,
Accustomed to her voice,
Accustomed to her face.
(Spoken)
Marry Freddy. What an infantile idea. What a heartless,
wicked, brainless thing to do. But she'll regret it. It's
doomed before they even take the vow.
I can see her now, Mrs. Freddy Eynsford-Hill,
In a wretched little flat above a store.
I can see her now, not a penny in the till,
And a bill collector beating at the door.
She'll try to teach the things I taught her,
And end up selling flowers instead.
Begging for her bread and water,
While her husband has his breakfast in bed.
In a year or so, when she's prematurely grey,
And the blossom in her cheek has turned to chalk,
She'll come home and lo,
He'll have upped and run away,
With a social-climbing heiress from New York.
Poor Eliza. How simply frightful!
How humiliating! How delightful!
How poignant it'll be on that inevitable night
When she hammers on my door in tears and rags.
Miserable and lonely, repentant and contrite,
Will I take her in or hurl her to the walls?
Give her kindness or the treatment she deserves?
Will I take her back or throw the baggage out?
But, I'm a most forgiving man,
The sort who never could, never would,
Take a position and staunchly never budge.
A most forgiving man.
But I shall never take take her back
If she were even crawling on her knees.
Let her promise to atone,
Let her shiver, let her moan,
I'll slam the door and let the hell-cat freeze!
Marry Freddy, ha!
But I'm so used to hear her day,
"Good morning" ev'ry day.
Her joys, her woes,
Her highs, her lows,
Are second nature to me now,
Like breathing out and breathing in.
I'm very grateful she's a woman,
And so easy to forget, rather like a habit
One can always break, and yet,
I've grown accustomed to the trace,
Of something in the air,
Accustomed to her face.
Lyrics submitted by SongMeanings
I've Grown Accustomed to Her Face Lyrics as written by Frederick Loewe Alan Jay Lerner
Lyrics © Universal Music Publishing Group, Royalty Network, Capitol CMG Publishing, Integrity Music, Kobalt Music Publishing Ltd., Warner Chappell Music, Inc.
Lyrics powered by LyricFind
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Fortnight
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This is a hauntingly beautiful song about introspection, specifically about looking back at a relationship that started bad and ended so poorly, that the narrator wants to go back to the very beginning and tell himself to not even travel down that road. I believe that the relationship started poorly because of the lines:
"Take me back to the night we met:When the night was full of terrors: And your eyes were filled with tears: When you had not touched me yet"
So, the first night was not a great start, but the narrator pursued the relationship and eventually both overcame the rough start to fall in love with each other:
"I had all and then most of you"
Like many relationships that turn sour, it was not a quick decline, but a gradual one where the narrator and their partner fall out of love and gradually grow apart
"Some and now none of you"
Losing someone who was once everything in your world, who you could confide in, tell your secrets to, share all the most intimate parts of your life, to being strangers with that person is probably one of the most painful experiences a person can go through. So Painful, the narrator wants to go back in time and tell himself to not even pursue the relationship.
This was the perfect song for "13 Reasons Why"
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This is a sequel to 2001's "Reckless Abandon", and features the band looking back on their clumsy youth fondly.
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