Overall about difficult moments of disappointment and vulnerability. Having hope and longing, while remaining optimistic for the future. Encourages the belief that with each new morning there is a chance for things to improve.
The chorus offers a glimmer of optimism and a chance at a resolution and redemption in the future.
Captures the rollercoaster of emotions of feeling lost while loving someone who is not there for you, feeling let down and abandoned while waiting for a lover. Lost with no direction, "Now I'm up in the air with the rain in my hair, Nowhere to go, I can go anywhere"
The bridge shows signs of longing and a plea for companionship. The Lyrics express a desire for authentic connection and the importance of Loving someone just as they are. "Just in passing, I'm not asking. That you be anyone but you”
Call it what you want
I said just call it what you want
Call it what you want
Yeah we're locked up in ideas
We like to label everything
Well I'm just gonna do here what I gotta do here
'Cause I gotta keep myself free
You're ducking and moving just to hide your bruising from all your enemies
And I'm in the crossfire dodging bullets from you expectancies
We've got nothing to lose
You better run and hide
Yeah you've crossed the line
I've got a knife behind my back (just sayin')
We've got nothing to prove
Your social guides give you swollen eyes
But what I've got can't be bought so you can just
Call it what you want, yeah yeah call it what you want
Yeah yeah I said just call it what you want, yeah yeah call it what you want
You've taken your words and you take your judgments
And stick them onto everything
If it don't conform to what you were born into,
Then you run the other way
You say, "now what's your style and who do you listen to?" who cares?
Well that rat race ladder-climbing fake-face smile's got nothing on me
We've got nothing to lose
You better run and hide
Yeah you've crossed the line
I've got a knife behind my back (just sayin')
We've got nothing to prove
Your social guides give you swollen eyes
But what I've got can't be bought so you can just
Call it what you want, yeah yeah call it what you want
Yeah yeah I said just call it what you want, yeah yeah call it what you want
Call it what you want
Call it what you want
Call it what you want, yeah yeah call it what you want
Yeah yeah I said just call it what you want, yeah yeah call it what you want
I said just call it what you want
Call it what you want
Yeah we're locked up in ideas
We like to label everything
Well I'm just gonna do here what I gotta do here
'Cause I gotta keep myself free
You're ducking and moving just to hide your bruising from all your enemies
And I'm in the crossfire dodging bullets from you expectancies
We've got nothing to lose
You better run and hide
Yeah you've crossed the line
I've got a knife behind my back (just sayin')
We've got nothing to prove
Your social guides give you swollen eyes
But what I've got can't be bought so you can just
Call it what you want, yeah yeah call it what you want
Yeah yeah I said just call it what you want, yeah yeah call it what you want
You've taken your words and you take your judgments
And stick them onto everything
If it don't conform to what you were born into,
Then you run the other way
You say, "now what's your style and who do you listen to?" who cares?
Well that rat race ladder-climbing fake-face smile's got nothing on me
We've got nothing to lose
You better run and hide
Yeah you've crossed the line
I've got a knife behind my back (just sayin')
We've got nothing to prove
Your social guides give you swollen eyes
But what I've got can't be bought so you can just
Call it what you want, yeah yeah call it what you want
Yeah yeah I said just call it what you want, yeah yeah call it what you want
Call it what you want
Call it what you want
Call it what you want, yeah yeah call it what you want
Yeah yeah I said just call it what you want, yeah yeah call it what you want
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More Featured Meanings
Cajun Girl
Little Feat
Little Feat
Gentle Hour
Yo La Tengo
Yo La Tengo
This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version.
Great version of a great song,
Blue
Ed Sheeran
Ed Sheeran
“Blue” is a song about a love that is persisting in the discomfort of the person experiencing the emotion. Ed Sheeran reflects on love lost, and although he wishes his former partner find happiness, he cannot but admit his feelings are still very much there. He expresses the realization that he might never find another on this stringed instrumental by Aaron Dessner.
Head > Heels
Ed Sheeran
Ed Sheeran
“Head > Heels” is a track that aims to capture what it feels like to experience romance that exceeds expectations. Ed Sheeran dedicates his album outro to a lover who has blessed him with a unique experience that he seeks to describe through the song’s nuanced lyrics.
American Town
Ed Sheeran
Ed Sheeran
Ed Sheeran shares a short story of reconnecting with an old flame on “American Town.” The track is about a holiday Ed Sheeran spends with his countrywoman who resides in America. The two are back together after a long period apart, and get around to enjoying a bunch of fun activities while rekindling the flames of their romance.
I think they are talking about music media judging and labeling their music, they have an original sound that doesn't fit neatly into the rock, pop, or urban" charts It reminds me of when Primal Scream sampled the Reverend Jessie Jackson on their Screamedlica album, "Gospel, Rhythm and Blues, Jazz, all those are just labels we know that music is music".
Some people like to operate inside the box, some people on the outside of the box.