"Fast car" is kind of a continuation of Bruce Springsteen's "Born to Run." It has all the clawing your way to a better life, but in this case the protagonist never makes it with her love; in fact she is dragged back down by him.
There is still an amazing amount of hope and will in the lyrics; and the lyrics themselve rank and easy five. If only music was stronger it would be one of those great radio songs that you hear once a week 20 years after it was released. The imagery is almost tear-jerking ("City lights lay out before us", "Speeds so fast felt like I was drunk"), and the idea of starting from nothing and just driving and working and denigrating yourself for a chance at being just above poverty, then losing in the end is just painful and inspiring at the same time.
You were my conscience
So solid, now you're like water
And we started drowning
Not like we'd sink any farther
But I let my heart go
It's somewhere down at the bottom
But I'll get a new one
And come back for the hope that you've stolen
I'll stop the whole world
I'll stop the whole world from turning into a monster
Eating us alive
Don't you ever wonder how we survive?
Well, now that you're gone, the world is ours
I'm only human
I've got a skeleton in me
But I'm not the villain
Despite what you're always preaching
They call me a traitor
I'm just collecting your victims
And they're getting stronger
I hear them calling (calling)
They're calling
I'll stop the whole world
I'll stop the whole world from turning into a monster
Eating us alive
Don't you ever wonder how we survive?
Well, now that you're gone, the world is ours
Well, you find your strength in solutions
But I like the tension
And not always knowing the answers
But you're gonna lose it
You're gonna lose it
I'll stop the whole world
I'll stop the whole world from turning into a monster
And eating us alive
Don't you ever wonder how we survive?
Well, now that you're gone, the world
I'll stop the whole world
I'll stop the whole world from turning into a monster
And eating us alive
Don't you ever wonder how we survive?
Now that you're gone, the world is ours
So solid, now you're like water
And we started drowning
Not like we'd sink any farther
But I let my heart go
It's somewhere down at the bottom
But I'll get a new one
And come back for the hope that you've stolen
I'll stop the whole world
I'll stop the whole world from turning into a monster
Eating us alive
Don't you ever wonder how we survive?
Well, now that you're gone, the world is ours
I'm only human
I've got a skeleton in me
But I'm not the villain
Despite what you're always preaching
They call me a traitor
I'm just collecting your victims
And they're getting stronger
I hear them calling (calling)
They're calling
I'll stop the whole world
I'll stop the whole world from turning into a monster
Eating us alive
Don't you ever wonder how we survive?
Well, now that you're gone, the world is ours
Well, you find your strength in solutions
But I like the tension
And not always knowing the answers
But you're gonna lose it
You're gonna lose it
I'll stop the whole world
I'll stop the whole world from turning into a monster
And eating us alive
Don't you ever wonder how we survive?
Well, now that you're gone, the world
I'll stop the whole world
I'll stop the whole world from turning into a monster
And eating us alive
Don't you ever wonder how we survive?
Now that you're gone, the world is ours
Lyrics submitted by geehavepluto, edited by FruitCakes
Monster Lyrics as written by Taylor York Hayley Williams
Lyrics © Sony/ATV Music Publishing LLC, Songtrust Ave, Warner Chappell Music, Inc.
Lyrics powered by LyricFind
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Page
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There aren’t many things that’ll hurt more than giving love a chance against your better judgement only to have your heart crushed yet again. Ed Sheeran tells such a story on “Page.” On this track, he is devastated to have lost his lover and even more saddened by the feeling that he may never move on from this.
I'm sure everyone can tell this song is about the Farro brothers, particularly Josh who made a snide blog after their departure.
"You were my conscience, so solid, now you're like water"
"We started drowning, not like we'd sink any farther"
"But I let my heart go, it's someone down at the bottom"
"I'll get a new one, and come back for the hope that you've stolen"
"I'll stop the whole world from turning into a monster and eating us alive"
"Don't you every wonder how we survive?"
"Well now that you're gone, the world is ours"
"I'm only human, I've got a skeleton in me"
"But I'm not the villain, despite what you're always preaching"
"Call me a traitor, I'm just collecting your victims"
"And they're getting stronger, I hear them calling"
Chorus again...
"You find your strength in solutions, but I like the tension of not always knowing the answers"
"You're gonna lose it"
The song is very self-explanatory, and each line is a different piece of the puzzle. Josh is probably the biggest whine-baby in the music industry, and he should've known what he was getting himself into with a female-fronted band. Of course she's going to get the attention. It happened to No Doubt, Evanescence, Flyleaf, pretty much every band that has a female lead. She's done her damnedest to try and keep it about the band, but sure she's done a few things herself here and there. Big deal. All you gotta do is read the Farro's exit statement to know how much of a cry baby he is.
YES TOTTALY! awesome explantion :)
I agree with most of what you're saying, but it's not just female-fronted bands where the vocalist gets most of the attention. I mean, look at Jared Leto from 30 Seconds to Mars, Gerard Way from My Chemical Romance, Robert Smith from The Cure, Andy Sixx from Black Veil Brides, Oli Sykes from Bring Me The Horizon...it's just the way it works, no matter what the gender. Look at how many fans Escape The Fate lost when Ronnie Radke was kicked out. The vocalist is a huge part of a band, especially if they also write the lyrics and melodies.
I honestly don't blame josh for leaving and i can't see him as a "whine-baby". Even though I am a huge fan of Paramore I don't think that it was right for Hayley to go and get record labels without the rest of the band members. And so I disagree with your statement about Josh.