Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Oh my love is that a vulture?
Don't tell me it's a vulture
Standing beside you
Do you see your own face in his eyes?
Do you see him like I do?
I used to be that, when you said you believed it,
I would believe it too.
It used to be that, when you said you were leaving,
I'd want to follow you,
But never where the dogs bark
And I remember praying at the dinner table
For you to come around,
Maybe pat me on the back,
When you're able
Now I've a dream of you with half a face
And you take me to a rooftop and skin me,
Come on, Abel, are you going to skin me?
And use it as a mask to keep you in the dark,
When the shadow of the moon won't do,
Because on you, the moon is but a pearl,
Stolen from your mother's bedside,
The day you came into the world.
And still now I can hear the dogs bark.
And I remember praying at the dinner table,
For you to come around,
Maybe pat me on the back
When you're able
Whole cities light up,
But nothing can compare to you, baby.
So I stay waiting,
Laying on the dinner table,
Waiting for you to hurt me
Come on, Abel, hurt me, hurt me, hurt me.
Come on, Abel, cut me, cut me, serve me ('round the table).
And now it's laying on the table, waiting for you on the table
To carve it up and watch the spray go across the river-bed,
And sweet aromas fill the halls from all the bodies that came before
And that's the body I swear that's the body
I remember, was laying on the dinner table
When you came around, said, "You'll be doing fine when you're able."
Oh whole cities light up,
But nothing can compare to you, baby.
So I stay waiting, laying on the dinner table.
Hurt me, hurt me, hurt me,
Cut me, cut me, serve me.
Don't tell me it's a vulture
Standing beside you
Do you see your own face in his eyes?
Do you see him like I do?
I used to be that, when you said you believed it,
I would believe it too.
It used to be that, when you said you were leaving,
I'd want to follow you,
But never where the dogs bark
And I remember praying at the dinner table
For you to come around,
Maybe pat me on the back,
When you're able
Now I've a dream of you with half a face
And you take me to a rooftop and skin me,
Come on, Abel, are you going to skin me?
And use it as a mask to keep you in the dark,
When the shadow of the moon won't do,
Because on you, the moon is but a pearl,
Stolen from your mother's bedside,
The day you came into the world.
And still now I can hear the dogs bark.
And I remember praying at the dinner table,
For you to come around,
Maybe pat me on the back
When you're able
Whole cities light up,
But nothing can compare to you, baby.
So I stay waiting,
Laying on the dinner table,
Waiting for you to hurt me
Come on, Abel, hurt me, hurt me, hurt me.
Come on, Abel, cut me, cut me, serve me ('round the table).
And now it's laying on the table, waiting for you on the table
To carve it up and watch the spray go across the river-bed,
And sweet aromas fill the halls from all the bodies that came before
And that's the body I swear that's the body
I remember, was laying on the dinner table
When you came around, said, "You'll be doing fine when you're able."
Oh whole cities light up,
But nothing can compare to you, baby.
So I stay waiting, laying on the dinner table.
Hurt me, hurt me, hurt me,
Cut me, cut me, serve me.
Lyrics submitted by orangeplastic, edited by culprit
Hurt Me Lyrics as written by Samuel Lockwood Nik Kaloper
Lyrics © CONCORD MUSIC PUBLISHING LLC
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Mountain Song
Jane's Addiction
Jane's Addiction
Mountain Song
Jane's Addiction
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Head > Heels
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Ed Sheeran
Ed Sheeran
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Page
Ed Sheeran
Ed Sheeran
There aren’t many things that’ll hurt more than giving love a chance against your better judgement only to have your heart crushed yet again. Ed Sheeran tells such a story on “Page.” On this track, he is devastated to have lost his lover and even more saddened by the feeling that he may never move on from this.
I'm fairly sure that it's about the singer's relationship with a family member who has at some stage abandoned her.
Abandonment is suggested by line like "It used to be that when you said you were leaving, I'd want to follow you", "praying [...] for you to come around", "waiting for you, on the table" and "so I stay waiting".
It's suggested that it's a family member by lines like "the dinner table", and the fact that she is "remember[ing] praying at the dinner table" backs this up since it suggests childhood.
The desire for this family member to "maybe pat [her] on the back" also reflects a childish desire for acknowledgment, like children often crave from older siblings or parents.
The references to "Abel" suggest to me that the family member is a brother. Hence, I think the song is about an older brother who abandoned her at some stage, that she's always looked up to and wanted approval from.
Her idolisation of him is indicated by the lines "'cause to you, the moon is but a pearl" and "whole cities light up, but nothing can compare to you". The pearl being "stolen from your mother's bedside" alludes to the brother being untrustworthy, and perhaps a poor idol, which is why the singer expects 'Abel' to "hurt [her]", which I think means to 'let her down' and disappoint her.
He never lives up to the image she's created of him: "Do you see him like I do?" which is that of a sort of 'hero', when in truth he's "a vulture".
Hey, interesting interpretation! I have to say, I've always wondered what this song has meant, and I have considered it's been something along the lines of wanting approval from someone and still admiring them even though they hurt her endless times or something, and I noted the mention of Abel which left me wondering if it could be about a brother. <br /> I think I agree with your breakdown of the song, nice! :)
But you neglect to mention that she calls him "baby" and "love" throughout the song. Maybe it's just me, but that's not exactly a term of endearment I'd use for a sibling. Plus, she speaks of his mother in the song and clearly says "your" mother, not "our" mother. <br /> <br /> I just don't see it.
Being that I would give these lyrics to the love of my life as the perfect depiction of the way we were/are, I obviously don't think this song is about a sibling....whatsoever lol. First of all, she calls him "love" and "baby". I don't know about you, but I have NEVER called my brother love or baby. And secondly, when she speaks of his mother, she clearly says "your" mother, not our mother.
To me, this song is about love that has gone awry and even though she knows he's bad (from the "vulture" and "Abel" references) and has probably ended the relationship with him (by not following him to where the dogs bark), she still finds herself waiting for him, waiting for him to show up, to come around--To give her any kind of acknowledgement--knowing full well that she may end up skinned again. She offers herself up regardless and simply waits for him to come around. Waits for him to serve her, to cut her, to hurt her, because nothing, not even an entire city lighting up, has been able to compare to him.
Now if that's the way you're supposed to love a brother (wtf?), boy have I been doing it wrong! :s
I really like this interpretation! :D
To me, it's not Cain speaking to Abel, it's the lamb speaking to Abel. It's the perspective of that which is sacrificed to try to please God.
This is such an amazing song. So intense.
I'll bet this is what Lana Del Ray WISHES she could do... not to hate on Lana, but this singer is just a major step beyond, and the lyrics... still trying to figure that out, have some agreement on posts above, but clearly it's really personal and deeply felt.
Amen to that!
I think Enthused Punk has a pretty cool interpretation - but i'd say maybe not a brother because she says 'baby'? It sounds like a bitter long-lost relationship to me.
Hayley keeps saying 'when you're able' so to me it seems as though able/Abel is a bit of a double entendre in that she literally means 'when you're Abel'. It seems like she sees this person as having two sides - 'Abel' when he's away from her but it seems like when he is he's around her he's a different (less loving?) person. So she's reconciling these two part of him and it seems to me she's saying 'come round and treat me nice and be happy when you're 'Abel', but we both know it's just you that hurts me so don't pretend to be someone else'. I also think her talking about having a dream about him having 'half a face' and using a 'mask' kind of supports my notion.
I feel like it's a relationship where something's gone wrong and so she still loves them but it's not the same and she knows it's wrong but can't help but let them hurt her anyway
Brilliant song, brilliant band. I've seen them live three times and they just keep getting better - really gritty and intense.
There's just a few places where these lyrics are wrong: In the first verse it should be 'DON'T tell me it's a vulture'; 'it used to be that when you said you believed it, I would believe it too It used to be that when you said you were leaving, I'd want to follow you'.
I thought she was saying 'evil', too, but in the 'She's So Hard' lyric book it says 'Abel' throughout...
and then in the bridge she sings '...watch the spray go across the river-bed'. In the final chorus it's '...so I stay waiting, laying on the dinner table'.
Brilliant track. Brilliant rhythm. Makes my heart soar!
i love the Jezabels! best australian band atm. i mean i'm not one to participate in nationalism (i hate that shit!) but this makes you proud to be an Aussie. now, someone please tell me, is this song about a serial killer or some other psychotic person, coz Hayley's lyrics really stump me. beautifully poetic, but damn confusing =-S
Serial killer? I don't see that. But I've posted my interpretation below if you'd like.
the song is great but why not be proud of the country you live in ... im from canada and proud to be (and always will be) pround to be from canada