Comin' ahh, comin' ahh
I'm comin like a redneck trucker!
Watch your back, you can't steer it
Face the bass, drum you run when you hear it
It's the most incredible rap individual style
Piles up, like drug cases in Queens
County Criminal Court, shorty, step back
Nigga you oughta watch it, my whole herd's packin
Fuck rappin', let's take it to the corner of the block
And battle with the (techs) and the (glocks)
But if you would like it to the stage and mic it
Come on there, that's how I like it, ugh
Hit me in the face why don't ya
Prince Po will hunt ya and puncture your voodoo doll
Pharoahe, I'm no slave to a rhythm I whip it
Then I take it's name and change it's religion
Then I chop the foot off the fuckin' beat
For trying to escape the track, now it's obsolete
That's just the state of mind that I'm in when I

Rock, rock on, wit cha bad self
Rock, rock on, wit cha bad self
Rock, rock on, wit cha bad self
Rock, rock on, wit cha bad self
Rock, rock on, wit cha bad self
Rock, rock on, wit cha bad self
Rock, rock on, wit cha bad self

I, I used to play beats on the lunchroom table
This it really enables me to stay stable inside of my mind
Thus allowing me to climb and then shine
This is a process that will occur in due time
Bust, everything I thrust is activated
Styles I file are not decaffeinated, I'm rough
Tougher than Tonka, why I even electrify the sky
As if I was Blanka
Kids follow me and my Phillies like Willy Wonka
Silly, I assault and conquer, the cult and brainwash
And squash your little minds with rhymes
Rhymes that are rituals
So I say motherfucker, bitch-ass and glock to spark brain cells
Not to sell units, you know
They say motherfucker, bitch-ass and glock
For the periodical table of contents symbol AU
Hey you, you can't deny when I bust caps the whole block scatters
Scraps of matter shatter mad glass and what not
Crazy medical attention is needed to make a cop stop bleedin'
Then I'm proceedin' up the block with Prince Po, renegade
Raps shatter shows like grenades
I rip your shit like Sinead when I

Rock, rock on, wit cha bad self
Rock, rock on, wit cha bad self
Rock, rock on, wit cha bad self
Rock, rock on, wit cha bad self

Pa-pa-pa power power, ugh, I got the power
Gimme a pen and a pad I'll be back in an hour
With some more fat shit, I tell your empty mind
Teachin' I'm kickin' the poor black shit now
La-di-da, I flip it La-Di
Live at a Mardi Gras, or even at a party
Give me Bacardi (hah) I smoke blunts
Stunts I want to hump, chumps I want to pump em full of
I never ask the crowd to "Jump"
I kick a rhyme, that ask-es you to use your mind
Flippin' it for the masses, kickin' a lot of asses
The M-O-N-C-H-E I drink, forties of brew
With the crew that rolls deeper than the Mediterranean
Here COMES THE RAIN AGAIN!
Flowin' on my head like a memory, now I got energy
That's for the enemies, that's in the industry
Who don't want to be friends with me, I say fuck em
Suck my dick, from the back
With a crazy straw, you lazy whore
Do that shit to make a dick expand but whatcha did
No chief, no heads
Mooley, what am I an asshole?

Asshole!
What am I?


Lyrics submitted by Lateralus518

Thirteen Lyrics as written by Lawrence Baskerville Troy Jamerson

Lyrics © Walt Disney Music Company, Kobalt Music Publishing Ltd.

Lyrics powered by LyricFind

Thirteen song meanings
Add Your Thoughts

0 Comments

sort form View by:
  • No Comments

Add your thoughts

Log in now to tell us what you think this song means.

Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise!

More Featured Meanings

Album art
Light Up The Sky
Van Halen
The song lyrics were written by the band Van Halen, as they were asked to write a song for the 1979 movie "Over the Edge" starring Matt Dillon. The movie (and the lyrics, although more obliquely) are about bored, rebellious youth with nothing better to do than get into trouble. If you see the movie, these lyrics will make more sense. It's a great movie if you grew up in the 70s/80s you'll definitely remember some of these characters from your own life. Fun fact, after writing the song, Van Halen decided not to let the movie use it.
Album art
Fast Car
Tracy Chapman
"Fast car" is kind of a continuation of Bruce Springsteen's "Born to Run." It has all the clawing your way to a better life, but in this case the protagonist never makes it with her love; in fact she is dragged back down by him. There is still an amazing amount of hope and will in the lyrics; and the lyrics themselve rank and easy five. If only music was stronger it would be one of those great radio songs that you hear once a week 20 years after it was released. The imagery is almost tear-jerking ("City lights lay out before us", "Speeds so fast felt like I was drunk"), and the idea of starting from nothing and just driving and working and denigrating yourself for a chance at being just above poverty, then losing in the end is just painful and inspiring at the same time.
Album art
Cajun Girl
Little Feat
Overall about difficult moments of disappointment and vulnerability. Having hope and longing, while remaining optimistic for the future. Encourages the belief that with each new morning there is a chance for things to improve. The chorus offers a glimmer of optimism and a chance at a resolution and redemption in the future. Captures the rollercoaster of emotions of feeling lost while loving someone who is not there for you, feeling let down and abandoned while waiting for a lover. Lost with no direction, "Now I'm up in the air with the rain in my hair, Nowhere to go, I can go anywhere" The bridge shows signs of longing and a plea for companionship. The Lyrics express a desire for authentic connection and the importance of Loving someone just as they are. "Just in passing, I'm not asking. That you be anyone but you”
Album art
When We Were Young
Blink-182
This is a sequel to 2001's "Reckless Abandon", and features the band looking back on their clumsy youth fondly.
Album art
Magical
Ed Sheeran
How would you describe the feeling of being in love? For Ed Sheeran, the word is “Magical.” in HIS three-minute album opener, he makes an attempt to capture the beauty and delicacy of true love with words. He describes the magic of it all over a bright Pop song produced by Aaron Dessner.