This is a hauntingly beautiful song about introspection, specifically about looking back at a relationship that started bad and ended so poorly, that the narrator wants to go back to the very beginning and tell himself to not even travel down that road. I believe that the relationship started poorly because of the lines:
"Take me back to the night we met:When the night was full of terrors: And your eyes were filled with tears: When you had not touched me yet"
So, the first night was not a great start, but the narrator pursued the relationship and eventually both overcame the rough start to fall in love with each other:
"I had all and then most of you"
Like many relationships that turn sour, it was not a quick decline, but a gradual one where the narrator and their partner fall out of love and gradually grow apart
"Some and now none of you"
Losing someone who was once everything in your world, who you could confide in, tell your secrets to, share all the most intimate parts of your life, to being strangers with that person is probably one of the most painful experiences a person can go through. So Painful, the narrator wants to go back in time and tell himself to not even pursue the relationship.
This was the perfect song for "13 Reasons Why"
I'm not fucking around
I think I'm coming out
All the deceivers and cheaters
I think we've got a bleeder right now
Want you to slap me around
Want you to knock me out
Well, you missed me, kissed me
Now you better kick me down
Maybe you're the runner-up
But the first one to lose the race
Almost only really counts in
Horseshoes and hand grenades
I'm gonna burn it all down
I'm gonna rip it out
Well, everything you employ
Was meant for me to destroy
To the ground now
So don't you fuck me around
Because I'll shoot you down
I'm gonna drink, fight, and fuck
And pushing my luck
All the time now
Maybe you're the runner-up
But the first one to lose the race
Almost only really counts in
Horseshoes and hand grenades
Demolition, self-destruction
What to annihilate
The age-old contradiction
Demolition, self-destruction
What to annihilate
The old age
I'm not fucking around
I think I'm coming out
All the deceivers and cheaters
I think we've got a bleeder right now
I'm not fucking around
G-L-O-R-I-A
I think I'm coming out
All the deceivers and cheaters
I think we've got a bleeder right now
Want you to slap me around
Want you to knock me out
Well, you missed me, kissed me
Now you better kick me down
Maybe you're the runner-up
But the first one to lose the race
Almost only really counts in
Horseshoes and hand grenades
I'm gonna burn it all down
I'm gonna rip it out
Well, everything you employ
Was meant for me to destroy
To the ground now
So don't you fuck me around
Because I'll shoot you down
I'm gonna drink, fight, and fuck
And pushing my luck
All the time now
Maybe you're the runner-up
But the first one to lose the race
Almost only really counts in
Horseshoes and hand grenades
Demolition, self-destruction
What to annihilate
The age-old contradiction
Demolition, self-destruction
What to annihilate
The old age
I'm not fucking around
I think I'm coming out
All the deceivers and cheaters
I think we've got a bleeder right now
I'm not fucking around
G-L-O-R-I-A
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I don't think it's necessarily about sex. It's about wanting to start the day with some love and affection. Maybe a warm cuddle. I'm not alone in interpreting it that way! For example:
"'Just a Little Lovin’ is a timeless country song originally recorded by Eddy Arnold in 1954. The song, written by Eddie Miller and Jimmy Campbell, explores the delicate nuances of love and showcases Arnold’s emotive vocals. It delves into the universal theme of love and how even the smallest gesture of affection can have a profound impact on our lives." https://oldtimemusic.com/the-meaning-behind-the-song-just-a-little-lovin-by-eddy-arnold/
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“Blue” is a song about a love that is persisting in the discomfort of the person experiencing the emotion. Ed Sheeran reflects on love lost, and although he wishes his former partner find happiness, he cannot but admit his feelings are still very much there. He expresses the realization that he might never find another on this stringed instrumental by Aaron Dessner.
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“Head > Heels” is a track that aims to capture what it feels like to experience romance that exceeds expectations. Ed Sheeran dedicates his album outro to a lover who has blessed him with a unique experience that he seeks to describe through the song’s nuanced lyrics.
Page
Ed Sheeran
Ed Sheeran
There aren’t many things that’ll hurt more than giving love a chance against your better judgement only to have your heart crushed yet again. Ed Sheeran tells such a story on “Page.” On this track, he is devastated to have lost his lover and even more saddened by the feeling that he may never move on from this.
America's self-destruction via military-industrial complex, or is that WAY too left field?
I wish this song could be the next single, but all the f-bombs will prevent that I'm sure...
It brings up an interesting point though, CxLTxN, that there is a kit of parts that Green Day songs always seem to fit into. It's brought me to a theory that I now believe in because of what I've heard over the last 20 years. Green Day remains so accessible because of the fact they use simple rock chord progressions infused with energy that no one else can match. But they acclaim fame based on the layering of sophisticated commentary underneath that basic musicianship. The match of music and lyrics is unparalleled by any other rock band out there right now.
"Almost only really counts in horseshoes and hand grenades" is a cliche, but it comes to life in the energy of this song.
I love how he spells Gloria's name at the end. It sounds like a cautionary tale of anarchy.
you know they could put up "messin around" or "playin around" or just edit it like they editied "faggot" did in American Idiot.
they could do that but that would get rid of the bit of 'ummmph' that this song has.
"Demolition, self-destruction What to annihilate This age-old contradiction"
Could be a subtle reference to "Walking Contradiction".
just another great green day **** YOU song!
This song is pretty much a rip off of Main Offender by The Hives. I like this song better though.
Should say "Want to annihilate"
It's about the frustration of knowing you will never come in first place.
this end is wrong well, in the cd the end says: "i'm not fucking around i think i'm coming out i'm a hatter a traitor in pair of chuck taylors right now i'm not fucking around g-l-o-r-i-a" And why chuck taylor????
Haven't you ever heard of Converse All-Stars? I'm wearing mine right now.<br /> <br />
Chuck has made my life.
WHY chuck taylors?<br /> <br /> they are AWESOME!<br /> <br /> there like the signature rock shoes.<br /> <br /> I love chuck taylors. There pretty much the only thing I wear.
does anyone else feel unsatisfied by Act III? I mean Act I had the story of Christian and Gloria meeting, their histories, and their status as a relationship, Act II had the story of how Christian struck and how the "enemy" reacted by attacking Gloria's beliefs. Act III just leaves me hanging for an ending.
Explain your version of the story. I'm eager to hear it.
I think exactly the same than boses. Up to 21 Guns it's killer, but then I didn't like American Eulogy and See The Light doesn't the job of ending...
But maybe this was made on purpose.
This song seems to talk about being ready to fight... But 21 Guns pretty much destroys this fighter, who's far too self-destructive to triumph.