Well, tonight out on the streets I'm gonna follow you
And tell you all about a scene that you would kill for
You're gonna love what's running right in front of you
But you won't see it by the light of the sun
Come out tigerlily, you're caressing me
I'll take you up, I'll turn you on, I'll take your apathy
I wouldn't lie to you blossom, won't you let it go
I'm gonna give you what you want and don't you know (That you)

I know you better than this
I could be here when you call
I'll make you top of the list
And in the crash of the dark
I'll be your light in the mist
I can see you burning with desire for a kiss
Psychobabble all upon your lips

They can sell it all they want but you cannot agree
I don't like the taste of damn morality
You'll find your bread and you butter where you fake it
And put your face in the gutter of a snake pit
But out communication is telepathy
What you give is what you get out of us naturally
And we can wait 'til the shadow rolls along
And turn the page of the story that has long since found a home

I know you better than this
I could be here when you call
I'll make you top of the list
And in the crash of the dark
I'll be your light in the mist
I can see you burning with desire for a kiss
Psychobabble all upon your lips

Have you ever felt like you're being followed?
Or watched the ones that held your stare?
Turned around to see who's behind you to find there's no one there
Pra-lurking in the dark is someone who breathes you night and day
There's a friend who wants so much more
But if they can't have you, they'll never let you walk away

And in the crash of the dark
I'll be your light in the mist
I can see you burning with desire for a kiss

And in the crash of the dark
I'll be your light in the mist
I can see you burning with desire for a kiss
Psychobabble all upon your lips


Lyrics submitted by ptry, edited by Andyttcc

Tigerlily Lyrics as written by Ben Langmaid Elly Jackson

Lyrics © BMG Rights Management, Downtown Music Publishing

Lyrics powered by LyricFind

Tigerlily song meanings
Add Your Thoughts

11 Comments

sort form View by:
  • +1
    My Interpretation

    This song is so creepy and I LOVE it.

    I'm still not sure if the character that Elly is portraying in the song is actually her or just a hypothetical "somebody" to play the character for this awesome song. Regardless, the parts that Elly sings describes a character (hereafter referred to as "her" or "she") that is trying to impress her target, unbeknownst to her that what she's doing is very creepy and stalkerish.

    Throughout the whole song the listener is led to believe that she's being romantic, thoughtful, and understanding, albeit pushy and persistent. But as soon after the pause, the man creates a build-up singing the lyrics that make you slowly realize that, "holy shit, he's describing her. She's actually being fucking creepy". Now that the listener knows the extent of how creepy she's actually been throughout the entire song, Elly then repeats the chorus a final time after the pause creating an uncomfortably chilling ending.

    "Well tonight out on the streets I'm gonna follow you And tell you all about a scene that you would kill for You're gonna love what's running right in front of you But you won't see it by the light of the sun"

    From her perspective, this is her introducing to us the classic trope of people being put in the "friend zone" when she describes that her target (hereafter referred to as "him" or "he", to avoid confusion) is going to love what's in front of him but he won't ever see it because he was blinded by the friend zone.

    "Come out tigerlily, you're caressing me I'll take you up, I'll turn you on, I'll take your apathy I wouldn't lie to you blossom, won't you let it go I'm gonna give you what you want and don't you know...that you..."

    She's trying different ways to convince him to reciprocate her feelings and she's even settled with just his apathy for now. She's trying to get him to "let it go" and just be with her.

    "I know you better than this I could be here when you call I'll make you top of the list And in the crash of the dark I'll be your light in the mist I can see you burning with desire for a kiss Psychobabble all upon your lips"

    The chorus is describing how good she will be to him. She firmly believes that he's just playing hard to get or just afraid to be with her for some reason because she sees him "burning with desire for a kiss" spouting psychobabble to make up excuses as to why he doesn't want to be with her.

    "They can sell it all they want but you cannot agree I don't like the taste of -their- morality You'll find your bread and -your- butter where you fake it And put your face in the gutter of a snake pit But -our- communication is telepathy What you give is what you get out of us naturally And we can wait 'til the shadow rolls along And turn the page of the story that has long since found a home"

    I take the first few stanzas as her singing about how whatever everyone is saying to try and stop their relationship from happening is wrong. You'll get by if you fake it and roll with the norm but you're also putting yourself in a snake pit by not being true to yourself. But nevermind what everyone else thinks because their communication is telepathy and she understands him and she knows that what he actually wants is to be with her despite all the people trying to caution him about her. So she's determined to wait however long it takes to finally be with him because it was basically destiny for her as she sings that she's waiting to "turn the page of the story that has long since found a home".

    "Have you ever felt like you're being followed? Or watched the ones that held your stare? Turned around to see who's behind you to find there's no one there Pra-lurking in the dark is someone who breathes you night and day There's a friend who wants so much more But if they can have you, they'll never let you walk away"

    Yep. Creeeepy.

    ralpherdon August 09, 2013   Link

Add your thoughts

Log in now to tell us what you think this song means.

Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise!

More Featured Meanings

Album art
Standing On The Edge Of Summer
Thursday
In regards to the meaning of this song: Before a live performance on the EP Five Stories Falling, Geoff states “It’s about the last time I went to visit my grandmother in Columbus, and I saw that she was dying and it was the last time I was going to see her. It is about realizing how young you are, but how quickly you can go.” That’s the thing about Geoff and his sublime poetry, you think it’s about one thing, but really it’s about something entirely different. But the lyrics are still universal and omnipresent, ubiquitous, even. So relatable. That’s one thing I love about this band. I also love their live performances, raw energy and Geoff’s beautiful, imperfectly perfect vocals. His voice soothes my aching soul.
Album art
Dreamwalker
Silent Planet
I think much like another song “Anti-Matter” (that's also on the same album as this song), this one is also is inspired by a horrifying van crash the band experienced on Nov 3, 2022. This, much like the other track, sounds like it's an extension what they shared while huddled in the wreckage, as they helped frontman Garrett Russell stem the bleeding from his head wound while he was under the temporary effects of a concussion. The track speaks of where the mind goes at the most desperate & desolate of times, when it just about slips away to all but disconnect itself, and the aftermath.
Album art
Mountain Song
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988. "'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it." "There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Album art
Gentle Hour
Yo La Tengo
This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version. Great version of a great song,
Album art
Head > Heels
Ed Sheeran
“Head > Heels” is a track that aims to capture what it feels like to experience romance that exceeds expectations. Ed Sheeran dedicates his album outro to a lover who has blessed him with a unique experience that he seeks to describe through the song’s nuanced lyrics.