Burning like derision on the prism of night
Still squirming from the sermon, those determined parasites
Meant to overpower and bedizen his light
He paced his tower prison with a dissonant appetite
The moon was black

Devil may care
Three times he'd glared before his judges
Darkening there
With a Wormwood mind
And a gullet of poison

Asked
He thought the court a farce
His tongue as sharp as glass
A bastard to the last
This truth assassin

Tautened his claws at the ruinous cast
Flexing vexation at clerics aghast
In uproar he caused the cross to be masked
And the hex of exile from God's Kingdom passed

Back in the mirror, shattered vanity died
The curse even clearer on the sanity side
Banished from the lavish tracts of paradise
From Heaven's shored poured to the sore divide

The moon was black

Devil may care
Their thunder sundered all his veils
Thickening there
His belligerent pulse
To a sickening crawl

Yes
He'd fostered wickedness
Fed vipers at his breast
Inflicted death's caress
So now to suffer

He'd burn, discern
That his second turn
Would last for eternity
In reckoning flames

That night his plight marched in demented Parades
O'er a rainbow of black magic scars
The blood ran to fear, turned to torment in spades
Deep in the sleep of this heretic, barred

The nightmares were livid, occultist, depraved
His epiphany struggled to come
But dawn found him there, redemptive, prepared
Like Christ to Golgotha, his face to the sun

All fears were smeared
When Joan had appeared
In a shower of tears
Last vestige of innocence

Yearning for her vision of divinity
Of her miracles and dreamt lyrical deeds

He would meet her at the pyre as the fire kissed
And together they'd climb to God, entwined in bliss

Devil may care
He awed the court with a sworn confession
Quickening there
His radiant death
And acute renewal

Thus
The end was glorious
He went like Jesus trussed
To shadow and to dust
At the stroke of seven

And
With thieves at both his hands
The Reaper of these lands
Wept with holy plans
As he choked to heaven


Lyrics submitted by dervivaire

Godspeed on the Devil's Thunder Lyrics as written by Daniel Lloyd Davey Charles Hedger

Lyrics © Peermusic Publishing

Lyrics powered by LyricFind

Godspeed on the Devil's Thunder song meanings
Add Your Thoughts

1 Comment

sort form View by:
  • +1
    General Comment

    Gilles was asked to answer to the charges instead he verbally attacked the authorities calling them ribalds and simoniacs and asserting that he would rather be "hanged by a rope around his neck than respond to such ecclesiastical judges

    "and with thieves at both his hands" Poiou and Henriet

    alezon November 29, 2008   Link

Add your thoughts

Log in now to tell us what you think this song means.

Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise!

More Featured Meanings

Album art
Son Şansın - Şarkı Sözleri
Hayalperest
This song seemingly tackles the methods of deception those who manipulate others use to get victims to follow their demands, as well as diverting attention away from important issues. They'll also use it as a means to convince people to hate or kill others by pretending acts of terrorism were committed by the enemy when the acts themselves were done by the masters of control to promote discrimination and hate. It also reinforces the idea that these manipulative forces operate in various locations, infiltrating everyday life without detection, and propagate any and everywhere. In general, it highlights the danger of hidden agendas, manipulation, and distraction, serving as a critique of those who exploit chaos and confusion to control and gain power, depicting a cautionary tale against falling into their traps. It encourages us to question the narratives presented to us and remain vigilant against manipulation in various parts of society.
Album art
Mountain Song
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988. "'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it." "There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Album art
Gentle Hour
Yo La Tengo
This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version. Great version of a great song,
Album art
I Can't Go To Sleep
Wu-Tang Clan
This song is written as the perspective of the boys in the street, as a whole, and what path they are going to choose as they get older and grow into men. (This is why the music video takes place in an orphanage.) The seen, and unseen collective suffering is imbedded in the boys’ mind, consciously or subconsciously, and is haunting them. Which path will the boys choose? Issac Hayes is the voice of reason, maybe God, the angel on his shoulder, or the voice of his forefathers from beyond the grave who can see the big picture and are pleading with the boys not to continue the violence and pattern of killing their brothers, but to rise above. The most beautiful song and has so many levels. Racism towards African Americans in America would not exist if everyone sat down and listened to this song and understood the history behind the words. The power, fear, pleading in RZA and Ghostface voices are genuine and powerful. Issac Hayes’ strong voice makes the perfect strong father figure, who is possibly from beyond the grave.
Album art
Head > Heels
Ed Sheeran
“Head > Heels” is a track that aims to capture what it feels like to experience romance that exceeds expectations. Ed Sheeran dedicates his album outro to a lover who has blessed him with a unique experience that he seeks to describe through the song’s nuanced lyrics.