How did I get here?
And why the hell did it take this long?
I've buried a best friend
inside my trash can you left outdoors....

And you dropped me in the mailbox, my face paint still left on.
And you accused I never loved you
I could say nothing to change your mind.

Charlie, Charlie, Charlie. My smile has become empty/ (lazy)
Heard you've been looking for me.
Come on kid you know where I would go....
See lately, lately, lastly
I would love for you to ask me, where the line between
my pen and mind's at war. I tell MOST the truth you know.

My voice is a hatchet. It's forgotten how to whisper soft.
My mind is a bucket, and it captures the rain
sinking through the ceiling, landing on the rooftops.

You told me you were filled up with love... I said, "You've lost it."
You've said a mess of errors, you know not what it costs yet.
but I know, i know i know

They say I've lost it all. I watched them burn all the pictures of good pain on the beaches.
and oh, if this is rock bottom....! Then I say, "God damn! The view from here is breath taking...."



Lyrics submitted by Meg&DiaRock

How Did I Get Here? song meanings
Add Your Thoughts

1 Comment

sort form View by:
  • +1
    General Comment

    i love this song...

    i think its about some sort of relationship that's ended, obviously.

    Charlie dropped Dia in the mailbox meaning he sent her away. He ended the relationship.

    Dia, her smile that's become empty and lazy, still has her face paint on. I think that means that she's been faking her happiness, and continues to fake it even after Charlie has ended their relationship.

    the line between her pen and mind is at war, meaning she is having difficulty transfering her thoughts on to paper, which could also mean that she's having difficulty with writing lyrics.

    she finds that she can not speak with him without raising her voice (my voice is a hatchet...) she's over thinking everything (my mind is a bucket)

    Charlie tried telling her that he loved her and she was too scared to accept it, and pushed him away. thus ending the relationship.

    and now she's hit rock bottom & is stunned at what she sees... she has really lost it all

    bunnys_speak_wordson September 17, 2008   Link

Add your thoughts

Log in now to tell us what you think this song means.

Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise!

More Featured Meanings

Album art
Fast Car
Tracy Chapman
"Fast car" is kind of a continuation of Bruce Springsteen's "Born to Run." It has all the clawing your way to a better life, but in this case the protagonist never makes it with her love; in fact she is dragged back down by him. There is still an amazing amount of hope and will in the lyrics; and the lyrics themselve rank and easy five. If only music was stronger it would be one of those great radio songs that you hear once a week 20 years after it was released. The imagery is almost tear-jerking ("City lights lay out before us", "Speeds so fast felt like I was drunk"), and the idea of starting from nothing and just driving and working and denigrating yourself for a chance at being just above poverty, then losing in the end is just painful and inspiring at the same time.
Album art
No Surprises
Radiohead
Same ideas expressed in Fitter, Happier are expressed in this song. We're told to strive for some sort of ideal life, which includes getting a good job, being kind to everyone, finding a partner, getting married, having a couple kids, living in a quiet neighborhood in a nice big house, etc. But in Fitter, Happier the narrator(?) realizes that it's incredibly robotic to live this life. People are being used by those in power "like a pig in a cage on antibiotics"--being pacified with things like new phones and cool gadgets and houses while being sucked dry. On No Surprises, the narrator is realizing how this life is killing him slowly. In the video, his helmet is slowly filling up with water, drowning him. But he's so complacent with it. This is a good summary of the song. This boring, "perfect" life foisted upon us by some higher powers (not spiritual, but political, economic, etc. politicians and businessmen, perhaps) is not the way to live. But there is seemingly no way out but death. He'd rather die peacefully right now than live in this cage. While our lives are often shielded, we're in our own protective bubbles, or protective helmets like the one Thom wears, if we look a little harder we can see all the corruption, lies, manipulation, etc. that is going on in the world, often run by huge yet nearly invisible organizations, corporations, and 'leaders'. It's a very hopeless song because it reflects real life.
Album art
Just A Little Lovin'
Dusty Springfield
I don't think it's necessarily about sex. It's about wanting to start the day with some love and affection. Maybe a warm cuddle. I'm not alone in interpreting it that way! For example: "'Just a Little Lovin’ is a timeless country song originally recorded by Eddy Arnold in 1954. The song, written by Eddie Miller and Jimmy Campbell, explores the delicate nuances of love and showcases Arnold’s emotive vocals. It delves into the universal theme of love and how even the smallest gesture of affection can have a profound impact on our lives." https://oldtimemusic.com/the-meaning-behind-the-song-just-a-little-lovin-by-eddy-arnold/
Album art
Punchline
Ed Sheeran
Ed Sheeran sings about missing his former partner and learning important life lessons in the process on “Punchline.” This track tells a story of battling to get rid of emotions for a former lover, whom he now realized might not have loved him the same way. He’s now caught between accepting that fact and learning life lessons from it and going back to beg her for another chance.
Album art
Head > Heels
Ed Sheeran
“Head > Heels” is a track that aims to capture what it feels like to experience romance that exceeds expectations. Ed Sheeran dedicates his album outro to a lover who has blessed him with a unique experience that he seeks to describe through the song’s nuanced lyrics.