"Fast car" is kind of a continuation of Bruce Springsteen's "Born to Run." It has all the clawing your way to a better life, but in this case the protagonist never makes it with her love; in fact she is dragged back down by him.
There is still an amazing amount of hope and will in the lyrics; and the lyrics themselve rank and easy five. If only music was stronger it would be one of those great radio songs that you hear once a week 20 years after it was released. The imagery is almost tear-jerking ("City lights lay out before us", "Speeds so fast felt like I was drunk"), and the idea of starting from nothing and just driving and working and denigrating yourself for a chance at being just above poverty, then losing in the end is just painful and inspiring at the same time.
Oh! Shake it, baby!
Funny Man! Yeah, yeah, yeah, yeah!
Los Angeles!
Undead, let's go!
'Cause there's no other place that I'd rather be than Los Angeles
Come on, shake it, baby
Come on, grab a drink, I wanna see you hit the flo'
You've got a fat ass, but you shake it like you ain't a ho
There's no other place that I'd rather be than Los Angeles
Come on, shake it, baby
Come on, grab a drink, I wanna see you hit the flo'
You've got a fat ass, but you shake it like you ain't a ho
Who that, who that, knockin' on the window?
It's Funny, JDog, smokin' up the indo
Windows down, you know the system's bangin'
Hollywood Undead, I ain't playin'
Cruisin' downtown with the bottle beside me
Lookin' so fly I got bitches behind me
Yo I'm in the studio makin' something to dance too
'Cause these bitches wanna hear something they can shake their ass to
We up in LA represent Hollywood
West side 'till I die, motherfucker what's good?
So what's good with that, when this song's a wrap
Deuce in the studio, got bitches in the back
Smoked out, backseat, dippin' in the taxi
So what 'cha gonna do when I knock you out foo?
You know we keep it the same, you know Undead is the name
Say what you say, it's okay, we ain't never gonna change
'Cause there's no other place that I'd rather be than Los Angeles
Come on, shake it, baby
Come on, grab a drink, I wanna see you hit the flo'
You've got a fat ass, but you shake it like you ain't a ho
There's no other place that I'd rather be than Los Angeles
Come on, shake it, baby
Come on, grab a drink, I wanna see you hit the flo'
You've got a fat ass, but you shake it like you ain't a ho
Everybody in the club shake it up!
LA let me see you shake it up!
Hollywood let me see you shake it up!
Everybody shake it up, come one, shake it baby!
I ain't fuckin' around 'cause King Kong is down
Crystal, shake it up, we all ova this town
So let's cruise to the Boulevard into the Beauty Bar
And let me see you work that ass, come on and shake it fast
Two whiskey hits, JDogs giving shots in the back
So where my boys at?
There goes Johnny 3 cruisin' in the Cadillac
'63 no dubs and that's a fact!
When you see me on the scene, black shirt, black jeans,
Tattoos, white shoes
Runnin' 30 deep foo!
In the city of LA where it's just another day
Shooting craps with the Phantom
Dude thinks he's getting paid!
We ain't here to front, we ain't here to beef
We're just here to get you out of yo muthafuckin' seat
And you don't really wanna step to this
Funny Man, Undead, and we rock it like what?
'Cause there's no other place that I'd rather be than Los Angeles
Come on, shake it, baby
Come on, grab a drink, I wanna see you hit the flo'
You've got a fat ass, but you shake it like you ain't a ho
There's no other place that I'd rather be than Los Angeles
Come on, shake it, baby
Come on, grab a drink, I wanna see you hit the flo'
You've got a fat ass, but you shake it like you ain't a ho
Oh shit! What's really goin' on baby?
What's happenin' playboy, you know who this is!
Funny Man AKA King Kong!
Oh, yo Dave! Dickey Dave! Fuck you, bitch!
You got yo face pimped! Holla!
Oh wait, gotta go! Charlie's hittin' me up!
Peace, bitch!
Funny Man! Yeah, yeah, yeah, yeah!
Los Angeles!
Undead, let's go!
'Cause there's no other place that I'd rather be than Los Angeles
Come on, shake it, baby
Come on, grab a drink, I wanna see you hit the flo'
You've got a fat ass, but you shake it like you ain't a ho
There's no other place that I'd rather be than Los Angeles
Come on, shake it, baby
Come on, grab a drink, I wanna see you hit the flo'
You've got a fat ass, but you shake it like you ain't a ho
Who that, who that, knockin' on the window?
It's Funny, JDog, smokin' up the indo
Windows down, you know the system's bangin'
Hollywood Undead, I ain't playin'
Cruisin' downtown with the bottle beside me
Lookin' so fly I got bitches behind me
Yo I'm in the studio makin' something to dance too
'Cause these bitches wanna hear something they can shake their ass to
We up in LA represent Hollywood
West side 'till I die, motherfucker what's good?
So what's good with that, when this song's a wrap
Deuce in the studio, got bitches in the back
Smoked out, backseat, dippin' in the taxi
So what 'cha gonna do when I knock you out foo?
You know we keep it the same, you know Undead is the name
Say what you say, it's okay, we ain't never gonna change
'Cause there's no other place that I'd rather be than Los Angeles
Come on, shake it, baby
Come on, grab a drink, I wanna see you hit the flo'
You've got a fat ass, but you shake it like you ain't a ho
There's no other place that I'd rather be than Los Angeles
Come on, shake it, baby
Come on, grab a drink, I wanna see you hit the flo'
You've got a fat ass, but you shake it like you ain't a ho
Everybody in the club shake it up!
LA let me see you shake it up!
Hollywood let me see you shake it up!
Everybody shake it up, come one, shake it baby!
I ain't fuckin' around 'cause King Kong is down
Crystal, shake it up, we all ova this town
So let's cruise to the Boulevard into the Beauty Bar
And let me see you work that ass, come on and shake it fast
Two whiskey hits, JDogs giving shots in the back
So where my boys at?
There goes Johnny 3 cruisin' in the Cadillac
'63 no dubs and that's a fact!
When you see me on the scene, black shirt, black jeans,
Tattoos, white shoes
Runnin' 30 deep foo!
In the city of LA where it's just another day
Shooting craps with the Phantom
Dude thinks he's getting paid!
We ain't here to front, we ain't here to beef
We're just here to get you out of yo muthafuckin' seat
And you don't really wanna step to this
Funny Man, Undead, and we rock it like what?
'Cause there's no other place that I'd rather be than Los Angeles
Come on, shake it, baby
Come on, grab a drink, I wanna see you hit the flo'
You've got a fat ass, but you shake it like you ain't a ho
There's no other place that I'd rather be than Los Angeles
Come on, shake it, baby
Come on, grab a drink, I wanna see you hit the flo'
You've got a fat ass, but you shake it like you ain't a ho
Oh shit! What's really goin' on baby?
What's happenin' playboy, you know who this is!
Funny Man AKA King Kong!
Oh, yo Dave! Dickey Dave! Fuck you, bitch!
You got yo face pimped! Holla!
Oh wait, gotta go! Charlie's hittin' me up!
Peace, bitch!
Lyrics submitted by Threetearz
No Other Place Lyrics as written by Dylan Peter Alvarez Aron Erlichman
Lyrics © Universal Music Publishing Group
Lyrics powered by LyricFind
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Fast Car
Tracy Chapman
Tracy Chapman
The Night We Met
Lord Huron
Lord Huron
This is a hauntingly beautiful song about introspection, specifically about looking back at a relationship that started bad and ended so poorly, that the narrator wants to go back to the very beginning and tell himself to not even travel down that road. I believe that the relationship started poorly because of the lines:
"Take me back to the night we met:When the night was full of terrors: And your eyes were filled with tears: When you had not touched me yet"
So, the first night was not a great start, but the narrator pursued the relationship and eventually both overcame the rough start to fall in love with each other:
"I had all and then most of you"
Like many relationships that turn sour, it was not a quick decline, but a gradual one where the narrator and their partner fall out of love and gradually grow apart
"Some and now none of you"
Losing someone who was once everything in your world, who you could confide in, tell your secrets to, share all the most intimate parts of your life, to being strangers with that person is probably one of the most painful experiences a person can go through. So Painful, the narrator wants to go back in time and tell himself to not even pursue the relationship.
This was the perfect song for "13 Reasons Why"
Son Şansın - Şarkı Sözleri
Hayalperest
Hayalperest
This song seemingly tackles the methods of deception those who manipulate others use to get victims to follow their demands, as well as diverting attention away from important issues. They'll also use it as a means to convince people to hate or kill others by pretending acts of terrorism were committed by the enemy when the acts themselves were done by the masters of control to promote discrimination and hate. It also reinforces the idea that these manipulative forces operate in various locations, infiltrating everyday life without detection, and propagate any and everywhere.
In general, it highlights the danger of hidden agendas, manipulation, and distraction, serving as a critique of those who exploit chaos and confusion to control and gain power, depicting a cautionary tale against falling into their traps. It encourages us to question the narratives presented to us and remain vigilant against manipulation in various parts of society.
Gentle Hour
Yo La Tengo
Yo La Tengo
This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version.
Great version of a great song,
Plastic Bag
Ed Sheeran
Ed Sheeran
“Plastic Bag” is a song about searching for an escape from personal problems and hoping to find it in the lively atmosphere of a Saturday night party. Ed Sheeran tells the story of his friend and the myriad of troubles he is going through. Unable to find any solutions, this friend seeks a last resort in a party and the vanity that comes with it.
“I overthink and have trouble sleepin’ / All purpose gone and don’t have a reason / And there’s no doctor to stop this bleedin’ / So I left home and jumped in the deep end,” Ed Sheeran sings in verse one. He continues by adding that this person is feeling the weight of having disappointed his father and doesn’t have any friends to rely on in this difficult moment. In the second verse, Ed sings about the role of grief in his friend’s plight and his dwindling faith in prayer. “Saturday night is givin’ me a reason to rely on the strobe lights / The lifeline of a promise in a shot glass, and I’ll take that / If you’re givin’ out love from a plastic bag,” Ed sings on the chorus, as his friend turns to new vices in hopes of feeling better.
why arent there more comments on this song?? its one of their best by far