The song lyrics were written by the band Van Halen, as they were asked to write a song for the 1979 movie "Over the Edge" starring Matt Dillon. The movie (and the lyrics, although more obliquely) are about bored, rebellious youth with nothing better to do than get into trouble. If you see the movie, these lyrics will make more sense. It's a great movie if you grew up in the 70s/80s you'll definitely remember some of these characters from your own life. Fun fact, after writing the song, Van Halen decided not to let the movie use it.
Come on down t' the big dig
Come on down t' the big dig
Come on t' the big dig
Singin' the Smithsonian Institute blues
Singin' the Smithsonian Institute blues
The way it's goin' La Brea tar pits
I know you just can't lose
The new dinosaur is walkin' in the old one's shoes
Come on down t' the big dig
Can't get around the big dig
This may be premature but if I'm wrong
You can just say it's the first time I was happy t' be confused
Singin' the Smithsonian Institute blues
Alll you new dinosaurs
Now it's up t' you t' choose
It sure looks funny for a new dinosaur
T' be in an old dinosaur's shoes
Dina Shore's shoes
Dinosaur shoes
C'mon down to the big dig
You can't get around the big dig
C'mon to the big dig
Ya can't get around the big dig
Singin' the Smithsonian Institute blues
Come on down t' the big dig
Come on t' the big dig
Singin' the Smithsonian Institute blues
Singin' the Smithsonian Institute blues
The way it's goin' La Brea tar pits
I know you just can't lose
The new dinosaur is walkin' in the old one's shoes
Come on down t' the big dig
Can't get around the big dig
This may be premature but if I'm wrong
You can just say it's the first time I was happy t' be confused
Singin' the Smithsonian Institute blues
Alll you new dinosaurs
Now it's up t' you t' choose
It sure looks funny for a new dinosaur
T' be in an old dinosaur's shoes
Dina Shore's shoes
Dinosaur shoes
C'mon down to the big dig
You can't get around the big dig
C'mon to the big dig
Ya can't get around the big dig
Singin' the Smithsonian Institute blues
Lyrics submitted by captainlumpy
The Smithsonian Institute Blues (Or The Big Dig) Lyrics as written by Don Van Vliet
Lyrics © BMG Rights Management, Sony/ATV Music Publishing LLC
Lyrics powered by LyricFind
Add your thoughts
Log in now to tell us what you think this song means.
Don’t have an account? Create an account with SongMeanings to post comments, submit lyrics, and more. It’s super easy, we promise!
More Featured Meanings
Light Up The Sky
Van Halen
Van Halen
Fast Car
Tracy Chapman
Tracy Chapman
"Fast car" is kind of a continuation of Bruce Springsteen's "Born to Run." It has all the clawing your way to a better life, but in this case the protagonist never makes it with her love; in fact she is dragged back down by him.
There is still an amazing amount of hope and will in the lyrics; and the lyrics themselve rank and easy five. If only music was stronger it would be one of those great radio songs that you hear once a week 20 years after it was released. The imagery is almost tear-jerking ("City lights lay out before us", "Speeds so fast felt like I was drunk"), and the idea of starting from nothing and just driving and working and denigrating yourself for a chance at being just above poverty, then losing in the end is just painful and inspiring at the same time.
Mental Istid
Ebba Grön
Ebba Grön
This is one of my favorite songs. https://fnfgo.io
Bron-Y-Aur Stomp
Led Zeppelin
Led Zeppelin
This is about bronies. They communicate by stomping.
I Can't Go To Sleep
Wu-Tang Clan
Wu-Tang Clan
This song is written as the perspective of the boys in the street, as a whole, and what path they are going to choose as they get older and grow into men. (This is why the music video takes place in an orphanage.) The seen, and unseen collective suffering is imbedded in the boys’ mind, consciously or subconsciously, and is haunting them. Which path will the boys choose? Issac Hayes is the voice of reason, maybe God, the angel on his shoulder, or the voice of his forefathers from beyond the grave who can see the big picture and are pleading with the boys not to continue the violence and pattern of killing their brothers, but to rise above. The most beautiful song and has so many levels. Racism towards African Americans in America would not exist if everyone sat down and listened to this song and understood the history behind the words. The power, fear, pleading in RZA and Ghostface voices are genuine and powerful. Issac Hayes’ strong voice makes the perfect strong father figure, who is possibly from beyond the grave.
Typical generation gap song, complete with dinosaur references to add to the outright humor of the piece.
The whole gist of the song is how the old dinosaurs are dying off - and how the new dinosaurs are coming in. It symbolizes the transition from a predominant and then-trite genre of music to something noticeably more edgier (like how pop gave way to rock and roll in the '50s - and how rock and roll gave way to the British Invasion - and how the British invasion gave way to psychedelia - and so on), but at the same time, it's a sarcastic ode to musicians who attempt to keep the '50s style of rock rebellion alive (i.e. Sha Na Na; MC5; Chuck Berry) in an era of radically changing music. Then again, Beefheart shows sympathy for these back-to-roots performers - he knows their hearts are in the right place. He's afraid that they'll be ostracized for "wearing an old dinosaur's shoes."
tl;dr - it's about music fads and how people get ostracized for looking back at the past. Typical Beefheart affair.
Re: Malkmusian sorry song is nothing to do with fashion or music trends in 70's Beefheart sings about "La Brea Tar Pits" a place he visited as a child, it is an actual place and museum in Los Angeles A place with fossil remains and animal bones so its another theme of man's extinction, the new dinosaurs in the old ones shoes in the Smithsonian museum.